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1-42 of 383 results for Venetian
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Date
For BCE dates, enter a negative number. E.g. For 2000 BCE, enter -2000.
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Object type / material
Geographic location
Department
Sansovino-style frame, Pine back frame with lime upper moldings. Gilt; dark red-brown bole, blue background., Venetian
Sansovino-style frame
Venetian
ca. 1570, adapted ca. 1960
Glass chevron bead, Glass, Venetian
Glass chevron bead
Venetian
ca. 1700–1799
Glass chevron bead, Glass, Venetian
Glass chevron bead
Venetian
Glass chevron bead, Glass, Venetian
Glass chevron bead
Venetian
Glass chevron bead, Glass, Venetian
Glass chevron bead
Venetian
Glass chevron bead, Glass, Venetian
Glass chevron bead
Venetian
Glass bead, Glass, Venetian
Glass bead
Venetian
Cassetta frame, Poplar or spruce. Fragments of canvas in rebate. Gilt; red-orange bole, blue sgrafitto., Venetian
Cassetta frame
Venetian
ca. 1500–1510
Altar Shrine with Four Saints, Italian (Venetian) Painter , third quarter of 15th century Italian, Oil and gold leaf on wood panel, Italian
Altar Shrine with Four Saints
Italian (Venetian) Painter
ca. 1450–75
Madonna and Child, Italian (Venetian) Painter Italian, Tempera on wood
Madonna and Child
Italian (Venetian) Painter
A Patrician Couple, Italian (Venetian) Painter Italian, Ivory
A Patrician Couple
Italian (Venetian) Painter
Glass mosaic fragment
Venetian (?)
Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French
Armorial tazza
Italian
French
1499–1514
Tazza, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a retorti", pincered., Venetian or façon de Venise
Tazza
Venetian or façon de Venise
first half 16th century
Drinking horn, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a retorti", trailed., Venetian or façon de Venise
Drinking horn
Venetian or façon de Venise
late 16th century
Drawing of a Parade Helmet, Colored chalk on paper, Italian, probably Venetian
Drawing of a Parade Helmet
Italian, probably Venetian
second half 16th century
Armorial flask, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a retorti", enameled, gilt., Venetian or façon de Venise, possibly Saxony
Armorial flask
Venetian or façon de Venise, possibly Saxony
mid-16th century
Study of a Bearded Man Wearing the Helmet of Guidobaldo II della Rovere, Duke of Urbino, Anonymous, Italian, Venetian, 16th century Italian, Charcoal or black chalk, highlighted with white chalk
Study of a Bearded Man Wearing the Helmet of Guidobaldo II della Rovere, Duke of Urbino
Anonymous, Italian, Venetian, 16th century
1536–40
Houses by a River, Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, brush and gray wash, over traces of charcoal, on cream laid paper. Ruled diagonal lines in graphite or lead running across upper half of sheet
Houses by a River
Anonymous, Italian, Venetian, 18th century
1703–66
Landscape with Ruins, Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink on cream laid paper
Landscape with Ruins
Anonymous, Italian, Venetian, 18th century
18th century
Six Studies of a King for an Adoration, Anonymous, Italian, Venetian, 16th century Italian, Pen and brown ink, brush and brown wash
Six Studies of a King for an Adoration
Anonymous, Italian, Venetian, 16th century
16th century
Christ Surrounded by Angels, Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, brush and gray wash, over black chalk, on cream laid paper
Christ Surrounded by Angels
Anonymous, Italian, Venetian, 18th century
18th century
Pear, Anonymous, Italian, Venetian, 18th century Italian, Brush with yellow, brown and green watercolor, over red crayon or chalk, on cream laid paper (recto); red chalk scribbles (verso)
Pear
Anonymous, Italian, Venetian, 18th century
18th century
Design for a Vase: two handles, no cover. In upper right corner, a smaller, simpler shape (recto); Part of a Chalk Drawing (verso), Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, brush and brown wash (recto); red chalk (verso)
Design for a Vase: two handles, no cover. In upper right corner, a smaller, simpler shape (recto); Part of a Chalk Drawing (verso)
Anonymous, Italian, Venetian, 18th century
18th century
Stage design: piazza with a building, an obelisk, and a monument. Building and monument with numbers referring to inscription below., Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, brush and brown wash, over lead, on cream laid paper
Stage design: piazza with a building, an obelisk, and a monument. Building and monument with numbers referring to inscription below.
Anonymous, Italian, Venetian, 18th century
18th century
Cartouche with a Mask, Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, brush and green-gray wash, over black chalk, on cream laid paper
Cartouche with a Mask
Anonymous, Italian, Venetian, 18th century
18th century
Nymphs Adorning the Statue of a Goddess (recto); River God with Three Nymphs (verso), Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, brush and brown wash, on beige-gray laid paper
Nymphs Adorning the Statue of a Goddess (recto); River God with Three Nymphs (verso)
Anonymous, Italian, Venetian, 18th century
18th century
Horizontal Panel Design with a Man and Two Fantastical Creatures Interspersed between an Acanthus Rinceau, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with a Man and Two Fantastical Creatures Interspersed between an Acanthus Rinceau
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with a Man, a Snake and a Female Fantastical Creatures Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with a Man, a Snake and a Female Fantastical Creatures Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with a Man fighting a Sphinx and a Fantastical Creature Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with a Man fighting a Sphinx and a Fantastical Creature Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with a Sphinx, Two Putti and a Lionesque Fantastical Creature Interspersed Between Acanthus Rinceaux., Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with a Sphinx, Two Putti and a Lionesque Fantastical Creature Interspersed Between Acanthus Rinceaux.
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with Two Male Figures and a Putto Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with Two Male Figures and a Putto Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with Five Hybrid Creatures and a Lion., Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with Five Hybrid Creatures and a Lion.
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with Two Hybrid Creatures Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with Two Hybrid Creatures Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with Two Male Figures Playing Horns Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with Two Male Figures Playing Horns Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with Two Young Male Figures Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with Two Young Male Figures Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with Three Young Male Figures Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with Three Young Male Figures Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with a Young Man and a Fantastical Creature Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with a Young Man and a Fantastical Creature Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with a Male Figure and a Lion Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with a Male Figure and a Lion Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with a Young Man and a (male) Sphinx Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with a Young Man and a (male) Sphinx Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with Two Young Male Figures between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with Two Young Male Figures between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with Three Male Figures Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with Three Male Figures Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
Polifilo Giancarli
17th century (first half)