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1-42 of 84 results for Venetian (?)
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Date
For BCE dates, enter a negative number. E.g. For 2000 BCE, enter -2000.
–
Object type / material
Geographic location
Department
Sansovino-style frame, Pine back frame with lime upper moldings. Gilt; dark red-brown bole, blue background., Venetian
Sansovino-style frame
Venetian
ca. 1570, adapted ca. 1960
Glass chevron bead, Glass, Venetian
Glass chevron bead
Venetian
ca. 1700–1799
Glass chevron bead, Glass, Venetian
Glass chevron bead
Venetian
Glass chevron bead, Glass, Venetian
Glass chevron bead
Venetian
Glass chevron bead, Glass, Venetian
Glass chevron bead
Venetian
Glass chevron bead, Glass, Venetian
Glass chevron bead
Venetian
Glass bead, Glass, Venetian
Glass bead
Venetian
Cassetta frame, Poplar or spruce. Fragments of canvas in rebate. Gilt; red-orange bole, blue sgrafitto., Venetian
Cassetta frame
Venetian
ca. 1500–1510
Madonna and Child, Italian (Venetian) Painter Italian, Tempera on wood
Madonna and Child
Italian (Venetian) Painter
A Patrician Couple, Italian (Venetian) Painter Italian, Ivory
A Patrician Couple
Italian (Venetian) Painter
Altar Shrine with Four Saints, Italian (Venetian) Painter , third quarter of 15th century Italian, Oil and gold leaf on wood panel, Italian
Altar Shrine with Four Saints
Italian (Venetian) Painter
ca. 1450–75
Glass mosaic fragment
Venetian (?)
Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French
Armorial tazza
Italian
Possibly French
1499–1514
Drinking horn, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a retorti", trailed., Venetian or façon de Venise
Drinking horn
Venetian or façon de Venise
late 16th century
Tazza, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a retorti", pincered., Venetian or façon de Venise
Tazza
Venetian or façon de Venise
first half 16th century
Drawing of a Parade Helmet, Colored chalk on paper, Italian, probably Venetian
Drawing of a Parade Helmet
Italian, probably Venetian
second half 16th century
Armorial flask, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a retorti", enameled, gilt., Venetian or façon de Venise, possibly Saxony
Armorial flask
Venetian or façon de Venise, possibly Saxony
mid-16th century
Virgin and Child in Glory with Angels and Saints, Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, brush with gray and brown wash, over traces of black chalk, on cream paper. Squared for transfer in black chalk
Virgin and Child in Glory with Angels and Saints
Anonymous, Italian, Venetian, 18th century
18th century
Sultan Suleyman the Magnificent Wearing the Jewel-Studded Helmet, Anonymous, Italian, Venetian, 16th century Italian, Woodcut
Sultan Suleyman the Magnificent Wearing the Jewel-Studded Helmet
Anonymous, Italian, Venetian, 16th century
ca. 1540–50
Six Studies of a King for an Adoration, Anonymous, Italian, Venetian, 16th century Italian, Pen and brown ink, brush and brown wash
Six Studies of a King for an Adoration
Anonymous, Italian, Venetian, 16th century
16th century
Family Group, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink, washed
Family Group
Anonymous, Italian, Venetian, 17th century
17th century
Flagellation, Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, washed
Flagellation
Anonymous, Italian, Venetian, 18th century
18th century
An Execution, Anonymous, Italian, Venetian, 18th century Italian, Pen and ink, brush and wash of various colors
An Execution
Anonymous, Italian, Venetian, 18th century
18th century
Venetian Scene, Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, washed
Venetian Scene
Anonymous, Italian, Venetian, 18th century
18th century
A Crucifixion, Anonymous, Italian, Venetian, 17th century Italian, Red chalk
A Crucifixion
Anonymous, Italian, Venetian, 17th century
17th century
Nativity, Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, washed, highlighted with white
Nativity
Anonymous, Italian, Venetian, 18th century
18th century
Design for a Vase: two handles, no cover. In upper right corner, a smaller, simpler shape (recto); Part of a Chalk Drawing (verso), Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, brush and brown wash (recto); red chalk (verso)
Design for a Vase: two handles, no cover. In upper right corner, a smaller, simpler shape (recto); Part of a Chalk Drawing (verso)
Anonymous, Italian, Venetian, 18th century
18th century
Stage design: piazza with a building, an obelisk, and a monument. Building and monument with numbers referring to inscription below., Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, brush and brown wash, over lead, on cream laid paper
Stage design: piazza with a building, an obelisk, and a monument. Building and monument with numbers referring to inscription below.
Anonymous, Italian, Venetian, 18th century
18th century
Christ Surrounded by Angels, Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, brush and gray wash, over black chalk, on cream laid paper
Christ Surrounded by Angels
Anonymous, Italian, Venetian, 18th century
18th century
Nymphs Adorning the Statue of a Goddess (recto); River God with Three Nymphs (verso), Anonymous, Italian, Venetian, 18th century Italian, Pen and brown ink, brush and brown wash, on beige-gray laid paper
Nymphs Adorning the Statue of a Goddess (recto); River God with Three Nymphs (verso)
Anonymous, Italian, Venetian, 18th century
18th century
Pear, Anonymous, Italian, Venetian, 18th century Italian, Brush with yellow, brown and green watercolor, over red crayon or chalk, on cream laid paper (recto); red chalk scribbles (verso)
Pear
Anonymous, Italian, Venetian, 18th century
18th century
Hypnerotomachia Poliphili, Anonymous, Italian, Venetian 15th century Italian, Woodcut illustrations
Hypnerotomachia Poliphili
Multiple artists/makers
1545
Design for a Double Cartouche flanked by Satyrs (Frontispiece?), Anonymous, Italian, Venetian, 18th century Italian, Pen and ink and gray wash
Design for a Double Cartouche flanked by Satyrs (Frontispiece?)
Anonymous, Italian, Venetian, 18th century
18th century
Design for Mirror or Box, Anonymous, Italian, Venetian, 18th century Italian, Pen and brush
Design for Mirror or Box
Anonymous, Italian, Venetian, 18th century
1740–70
Moses Trampling on Pharaoh's Crown, Anonymous, Italian, Venetian, 18th century Italian, Pen and bistre, brush and brown wash
Moses Trampling on Pharaoh's Crown
Anonymous, Italian, Venetian, 18th century
18th century
Allegory, Anonymous, Italian, Venetian, 18th century Italian, Black chalk with charcoal with gray wash
Allegory
Anonymous, Italian, Venetian, 18th century
18th century
Horizontal Panel Design with a Man and Two Fantastical Creatures Interspersed between an Acanthus Rinceau, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with a Man and Two Fantastical Creatures Interspersed between an Acanthus Rinceau
Anonymous, Italian, Venetian, 17th century
In the manner of Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with a Male Figure and a Lion Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with a Male Figure and a Lion Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
In the manner of Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with Two Young Male Figures Interspersed between Acanthus Rinceaux, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with Two Young Male Figures Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century
In the manner of Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with Four Male Figures Fighting a Lion, Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with Four Male Figures Fighting a Lion
Anonymous, Italian, Venetian, 17th century
In the manner of Polifilo Giancarli
17th century (first half)
Horizontal Panel Design Filled with a Meandering Acanthus Rinceau and Two Fantastical Creatures., Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design Filled with a Meandering Acanthus Rinceau and Two Fantastical Creatures.
Anonymous, Italian, Venetian, 17th century
In the manner of Polifilo Giancarli
17th century (first half)
Horizontal Panel Design with Five Hybrid Creatures and a Lion., Anonymous, Italian, Venetian, 17th century Italian, Pen and brown ink over leadpoint
Horizontal Panel Design with Five Hybrid Creatures and a Lion.
Anonymous, Italian, Venetian, 17th century
In the manner of Polifilo Giancarli
17th century (first half)