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Leon Bakst, Emil Hoppé German, Gum bichromate over platinum print
Leon Bakst
Emil Hoppé
1913
Costume Study for Vaslav Nijinsky in the Role of Iksender in the Ballet "La Péri" (The Flower of Immortality), first performed in Paris, 1912, Léon Bakst Russian, born present day Belarus, Watercolor and gold and silver paints over graphite
Costume Study for Vaslav Nijinsky in the Role of Iksender in the Ballet "La Péri" (The Flower of Immortality), first performed in Paris, 1912
Léon Bakst
1922
Fancy dress costume, Léon Bakst Russian, born present day Belarus, silk, glass, plastic, American
Fancy dress costume
Designer Léon Bakst
Designer Textile designed by Raoul Dufy
1919
Mme Ida Rubinstein, Léon Bakst Russian, born present day Belarus, Watercolor, gouache, and graphite on paper, mounted on canvas
Mme Ida Rubinstein
Léon Bakst
1917
Costume, Léon Bakst Russian, born present day Belarus, silk, cotton, metallic thread, glass, plastic, American
Costume
Designer Léon Bakst
1922–23
Messrs. M. Knoedler & Co. announce an exhibition of water colors, drawings and stage decorations by Leon Bakst : April 10th to April 24th, inclusive, 1920, Léon Bakst Russian, born present day Belarus
Messrs. M. Knoedler & Co. announce an exhibition of water colors, drawings and stage decorations by Leon Bakst : April 10th to April 24th, inclusive, 1920
Léon Bakst
Publisher M. Knoedler & Co.
1920
Léon Bakst, calling card, Anonymous, Engraving
Léon Bakst, calling card
Anonymous
Subject Léon Bakst
ca. 1893–96
Costume design for a Brigand Boy in the Ballet 'Daphnis and Chloé', performed at the Théâtre du Châtelet in Paris, 1912, Léon Bakst Russian, born present day Belarus, Watercolor and lead pencil
Costume design for a Brigand Boy in the Ballet 'Daphnis and Chloé', performed at the Théâtre du Châtelet in Paris, 1912
Léon Bakst
[1912]
Landscape with Shepherds, Set Design for the Ballet 'Daphnis and Chloé', performed at the Théâtre du Châtelet in Paris, 1912, Léon Bakst Russian, born present day Belarus, Watercolor
Landscape with Shepherds, Set Design for the Ballet 'Daphnis and Chloé', performed at the Théâtre du Châtelet in Paris, 1912
Léon Bakst
[1911]
A Russian Devotee, Léon Bakst Russian, born present day Belarus, Gouache and watercolor over graphite
A Russian Devotee
Léon Bakst
1922
Tracing of a Ballet Costume: St Sebastian, Léon Bakst Russian, born present day Belarus, Pencil on tracing paper
Tracing of a Ballet Costume: St Sebastian
Léon Bakst
1922
Tracing of a Ballet Costume: Woman in Ruffles, Léon Bakst Russian, born present day Belarus, Pencil on two sheets of tracing paper glued together
Tracing of a Ballet Costume: Woman in Ruffles
Léon Bakst
1923
'Fantaisie sur le costume moderne': Two female haute couture figures, Léon Bakst Russian, born present day Belarus, Graphite, brush and watercolor and bodycolor
'Fantaisie sur le costume moderne': Two female haute couture figures
Léon Bakst
1910
Souvenir Serge de Diaghileff's Ballet Russe, Léon Bakst Russian, born present day Belarus
Souvenir Serge de Diaghileff's Ballet Russe
Designer Léon Bakst
Publisher Metropolitan Ballet Company, Inc.
Subject of book Ballet Russe
20th century
Russian female dancer costume for "La Fée des Poupées", Léon Bakst Russian, born present day Belarus, Graphite on tracing paper; squared
Russian female dancer costume for "La Fée des Poupées"
Léon Bakst
1903
Russian male dancer costume, Léon Bakst Russian, born present day Belarus, Graphite on tracing paper
Russian male dancer costume
Léon Bakst
n.d.
Russian female costume, Léon Bakst Russian, born present day Belarus, Graphite on tracing paper
Russian female costume
Léon Bakst
n.d.
Woman wearing a yellow bonnet and polka-dot dress, Léon Bakst Russian, born present day Belarus, Graphite, brush and watercolor and bodycolor
Woman wearing a yellow bonnet and polka-dot dress
Léon Bakst
n.d.
Costume Design for a Courtier, likely for the Ballet 'La Belle au Bois Dormant' (Sleeping Beauty), premiered at the Alhambra Theatre in London, 1921, Léon Bakst Russian, born present day Belarus, Watercolor, graphite, gold paint
Costume Design for a Courtier, likely for the Ballet 'La Belle au Bois Dormant' (Sleeping Beauty), premiered at the Alhambra Theatre in London, 1921
Léon Bakst
ca. 1921
Costume Design for a Woman from the Village, for the Ballet 'Daphnis and Chloé', performed at the Théâtre du Châtelet in Paris, 1912, Léon Bakst Russian, born present day Belarus, Watercolor and graphite
Costume Design for a Woman from the Village, for the Ballet 'Daphnis and Chloé', performed at the Théâtre du Châtelet in Paris, 1912
Léon Bakst
[1912]
Costume Design for a Eunuch in Scheherazade, Léon Bakst Russian, born present day Belarus, Gouache and graphite, heightened with gold paint
Costume Design for a Eunuch in Scheherazade
Léon Bakst
1912
Costume Design for a Female Courtier, likely for the Ballet 'La Belle au Bois Dormant' (Sleeping Beauty), premiered at the Alhambra Theatre in London, 1921, Léon Bakst Russian, born present day Belarus, Watercolor and graphite
Costume Design for a Female Courtier, likely for the Ballet 'La Belle au Bois Dormant' (Sleeping Beauty), premiered at the Alhambra Theatre in London, 1921
Léon Bakst
ca. 1921
Design for a Daybed, used by Ida Rubinstein during the Rehearsals for Cleopatra, Léon Bakst Russian, born present day Belarus, Gouache, graphite, and gold paint
Design for a Daybed, used by Ida Rubinstein during the Rehearsals for Cleopatra
Léon Bakst
1909
Design for a Textile Pattern, possibly for Costumes in the Ballet 'Le Dieu Bleu' (1912), Léon Bakst Russian, born present day Belarus, Graphite, gold and silver paint
Design for a Textile Pattern, possibly for Costumes in the Ballet 'Le Dieu Bleu' (1912)
Léon Bakst
ca. 1910–24
Landscape, possibly a detail of the Set Design for the Ballet 'Narcisse', premiered at the Théâtre de Monte Carlo, 1911, Léon Bakst Russian, born present day Belarus, Gouache and graphite
Landscape, possibly a detail of the Set Design for the Ballet 'Narcisse', premiered at the Théâtre de Monte Carlo, 1911
Léon Bakst
[1911]
Costume Design for a Valet, likely for the Ballet 'Les Papillons', premiered at the Théâtre de Monte-Carlo, 1914, Léon Bakst Russian, born present day Belarus, Gouache and graphite
Costume Design for a Valet, likely for the Ballet 'Les Papillons', premiered at the Théâtre de Monte-Carlo, 1914
Léon Bakst
ca. 1914
Costume Design for the 'Sultan Samarkand' for the Ballet 'Schéhérazade', Léon Bakst Russian, born present day Belarus, Watercolor, graphite, and gold paint
Costume Design for the 'Sultan Samarkand' for the Ballet 'Schéhérazade'
Léon Bakst
1919
Design for a Stage Set for the Ballet 'Le Donne de Buon Umore’ (The Good Humored Ladies), premiered in Rome, April 12, 1917, Léon Bakst Russian, born present day Belarus, Watercolor and graphite
Design for a Stage Set for the Ballet 'Le Donne de Buon Umore’ (The Good Humored Ladies), premiered in Rome, April 12, 1917
Léon Bakst
1917
Design for a Loom, possibly for the Ballet 'Helen of Sparta' (1913), Léon Bakst Russian, born present day Belarus, Graphite and gouache
Design for a Loom, possibly for the Ballet 'Helen of Sparta' (1913)
Léon Bakst
ca. 1912–23
Design for the Costume of a Slave, for the Ballet 'La Tragédie de Salomé', Léon Bakst Russian, born present day Belarus, Gouache, watercolor, and gold paint
Design for the Costume of a Slave, for the Ballet 'La Tragédie de Salomé'
Léon Bakst
1912
Design for the Set of the Ballet 'Narcisse', premiered at the Théâtre de Monte Carlo, 1911, Léon Bakst Russian, born present day Belarus, Watercolor, gouache, and charcoal
Design for the Set of the Ballet 'Narcisse', premiered at the Théâtre de Monte Carlo, 1911
Léon Bakst
1911
Costume Design for the Ballet 'Thamar', premiered at the Théâtre du Châtelet in Paris, 1912, Léon Bakst Russian, born present day Belarus, Gouache, graphite, and silver paint
Costume Design for the Ballet 'Thamar', premiered at the Théâtre du Châtelet in Paris, 1912
Léon Bakst
1918
Costume Design for Captain Faloppa in "The Good-Humored Ladies" (Le Donne de Buon Umore), premiered in Rome, April 12, 1917, Léon Bakst , and /or workshop Russian, born present day Belarus, Watercolor, graphite, touches of metallic powder paint
Costume Design for Captain Faloppa in "The Good-Humored Ladies" (Le Donne de Buon Umore), premiered in Rome, April 12, 1917
Léon Bakst
1917
Léon Bakst, calling card, Anonymous, Engraving
Léon Bakst, calling card
Anonymous
ca. 1893–96
Stage Design for Scheherazade
Circle of Léon Bakst
n.d.
Stage Decor
Léon Bakst
n.d.
Stage Decor
Léon Bakst
n.d.
Stage Decor
Léon Bakst
n.d.
Stage Decor with Four Running Peacocks
Léon Bakst
n.d.
Vaslav Nijinski as the Golden Slave in Schéhérazade (preparatory drawing for a print), Florence Wyman Ivins American, Watercolor over charcoal
Vaslav Nijinski as the Golden Slave in Schéhérazade (preparatory drawing for a print)
Florence Wyman Ivins
After Léon Bakst
1910–23
Design for wall stencil for a cousin of Leon Bakst
Boris Solotareff
1920s
Design for wall stencil for a cousin of Leon Bakst
Boris Solotareff
1920s

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