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30 results for ginkgo
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Piece from a Kosode with Ginkgo Leaves, Waves, and Butterflies, Resist-dyed and painted plain-weave silk crepe (chirimen), embroidered with silk and metallic thread, Japan
Japan
Writing box (Suzuribako) with Ginkgo Leaves, Murose Kazumi  Japanese, Lacquered wood with gold and silver togidashimaki-e, hiramaki-e and mother-of-pearl inlay, Japan
Murose Kazumi
2015
Dish with Gingko Leaves, Stoneware with brushed white slip and copper green and iron brown under transparent glaze (Utsutsugawa ware), Japan
Japan
late 17th–early 18th century
Gingko, Tom Fellner  American, Oil on canvas
Tom Fellner
1985
Vase with gingko, Kataro Shirayamadani  American, born Japan, Earthenware, American
Decorator Decorated by Kataro Shirayamadani
Manufacturer Rookwood Pottery Company
1901
Tea Bowl with Decoration of Gingko Leaves, Stoneware with cobalt-blue design over brushed white slip (Utsutsugawa ware), Japan
Japan
kiln in operation ca. 1691–1749
Illustration of the Issuing of the State Constitution in the State Chamber of the New Imperial Palace, Adachi Ginkō  Japanese, Triptych of woodblock prints (nishiki-e); ink and color on paper, Japan
Adachi Ginkō
March 14, 1889
View of the Issuance of the State Constitution in the State Chamber of the New Imperial Palace, Adachi Ginkō  Japanese, One sheet of a triptych of woodblock prints; ink and color on paper, Japan
Adachi Ginkō
March 2, 1889 (Meiji 22)
View of the Issuance of the State Constitution in the State Chamber of the New Imperial Palace, Adachi Ginkō  Japanese, One sheet of a triptych of woodblock prints; ink and color on paper, Japan
Adachi Ginkō
March 2, 1889 (Meiji 22)
Ladies Sewing  (Kijo saihō no zu), Adachi Ginkō  Japanese, Triptych of woodblock prints (nishiki-e); ink and color on paper, Japan
Adachi Ginkō
September 3rd, 1887
“Act II, Scene 5: At the Opera in Paris,” from the series The Strange Tale of the Castaways: A Western Kabuki, Adachi Ginkō  Japanese, Woodblock print (nishiki-e); ink and color on paper; vertical ōban, Japan
Adachi Ginkō
1879
“Act II, Scene 2: Along Train Tracks in America,” from the series The Strange Tale of the Castaways: A Western Kabuki, Adachi Ginkō  Japanese, Woodblock print (nishiki-e); ink and color on paper; vertical ōban, Japan
Adachi Ginkō
1879
Sword Guard (Tsuba), Iron, gold, copper, Japanese
Japanese
19th century
Ojime, Japan
Japan
19th century
Spring Trees and Grasses by a Stream
, One of a pair of six-panel folding screens; ink, color, gold, and silver on paper, Japan
Japan
late 17th–early 18th century
Autumn Trees and Grasses by a Stream, One of a pair of six-panel folding screens; ink, color, gold, and silver on paper, Japan
Japan
late 17th–early 18th century
Knife Handle (Kozuka), Copper, silver, gold, copper-gold alloy (shakudō), Japanese
Japanese
ca. 1615–1868
Necktie, [no medium available], American
American
1915–41
Piece, Silk, Japan
Japan
18th–19th century
Buckle, Cardeilhac, Silver, French, Paris
Cardeilhac
ca. 1895
Sword Guard (Tsuba), Copper-silver alloy (shibuichi), brass, gold, silver, copper, Japanese
Japanese
ca. 1615–1868
The Fourth Matsumoto Koshiro as an Outlaw Looking at a Wooden Ninsogaki, Katsukawa Shunshō 勝川春章  Japanese, Woodblock print (nishiki-e); ink and color on paper, Japan
Katsukawa Shunshō 勝川春章
ca. 1779–83
Asakusa Seiran, Suzuki Harunobu  Japanese, Woodblock print; ink and color on paper, Japan
Suzuki Harunobu
Lacquer Box and Gourd, Shibata Zeshin  Japanese, Album leaf; lacquer on gold paper, Japan
Shibata Zeshin
Overdress, Dorothy McNab, nylon, American
Designer Dorothy McNab
ca. 1960
The Fourth Ichikawa Danjuro as a Samurai of High Rank Standing, Katsukawa Shunshō 勝川春章  Japanese, Woodblock print (nishiki-e); ink and color on paper, Japan
Katsukawa Shunshō 勝川春章
probably 1770
The Astor Chinese Garden Court, Taihu rocks, granite terrace, ceramic tile flooring, roof tiles, and door frames,  various woods (nan wood columns, pine beams, gingko latticework), brass fittings, China
China
17th century style
Pines and Cherry Blossoms, Kubo Shunman (?) Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan
Kubo Shunman
probably 1814
Page from the Ten Bamboo Studio Manual of Painting and Calligraphy, Hu Zhengyan , and others Chinese, Individual leaf from a printed book; ink and color on paper, China
Illustrated by Hu Zhengyan
first edition printed in 1633
[View of Blossoming Cherry Trees and a Cluster of Buildings], Adolf de Meyer  American, born France, Carbon print
Adolf de Meyer
1900

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