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Fantastic Landscape, Francesco Guardi  Italian, Oil on canvas
Francesco Guardi
ca. 1765
Fantastic Landscape, Francesco Guardi  Italian, Oil on canvas
Francesco Guardi
ca. 1765
Fantastic Landscape, Francesco Guardi  Italian, Oil on canvas
Francesco Guardi
ca. 1765
The Dream of Raphael, Giorgio Ghisi  Italian, Engraving
Giorgio Ghisi
1561
Heroic Landscape with Rainbow, Joseph Anton Koch  Austrian, Oil on canvas
Joseph Anton Koch
1824
Allegory of Life, Giorgio Ghisi  Italian, Engraving; sixth state of six (BLL)
Giorgio Ghisi
1561
Landscape—Scene from "Thanatopsis", Asher Brown Durand  American, Oil on canvas, American
Asher Brown Durand
1850
The Titan's Goblet, Thomas Cole  American, Oil on canvas, American
Thomas Cole
1833
Landscape with Tobias and the Angel and Gypsies, Aegidius Sadeler II  Netherlandish, Engraving
Aegidius Sadeler II
After Jan Brueghel the Elder
Publisher Justus Sadeler
There is a Happy Land, a "Wigglemuch" design, Herbert E. Crowley  British, Watercolor with pen and black ink
Herbert E. Crowley
1902–36
A Witches' Sabbath, Cornelis Saftleven  Dutch, Black chalk, with brush and gray wash; framing line in black ink; laid down on another sheet of paper
Cornelis Saftleven
1627–81
Landscape with Tobias and the Angel, Felix Meyer  Swiss, Watercolor
Attributed to Felix Meyer
late 17th–early 18th century
Landscape with ruins, courtiers, and a gondola, Léon Davent  French, Etching
Léon Davent
1526–50
Landscape with Rocks, Augerville, Eugène Delacroix  French, Oil on cardboard
Eugène Delacroix
1854
View of the Colosseum, Rome, Pierre Henri de Valenciennes  French, Oil on board
Pierre Henri de Valenciennes
The Goddess of Discord in the Garden of the Hesperides, from "lllustrated London News", Henry Linton  British, Wood engraving
Engraver Henry Linton
Draftsman After an intermediary drawing by Edmond Morin
After Joseph Mallord William Turner
January 31, 1857
The Herd Returning in Stormy Weather, Claude Lorrain (Claude Gellée)  French, Etching; second state of two (Mannocci)
Claude Lorrain (Claude Gellée)
ca. 1650–51
The Temptation of Saint Anthony, Herri met de Bles  Netherlandish, Oil on wood
Workshop of Herri met de Bles
ca. 1550–60
Mountainous Landscape with Tobias and the Angel, Tobias Verhaecht  Netherlandish, Pen and brown ink, brush and brown wash
Tobias Verhaecht
1575–1631
Landscape with the Rest on the Flight into Egypt, Claude Lorrain (Claude Gellée)  French, Brown wash heightened with white gouache, on blue paper.
Claude Lorrain (Claude Gellée)
1645
Allegory of Life, Giorgio Ghisi  Italian, Engraving; second state of six (BLL)
Giorgio Ghisi
1561
Allegory of Winter, after Sébastien Le Clerc, Anonymous, French, 18th century  French, Brush and gray wash, over red chalk; squared in graphite.  Framing lines in pen and brown ink
Anonymous, French, 18th century
After Sébastien Leclerc I
Former Attribution Formerly attributed to Sébastien Le Clerc, le Jeune
18th century
Evening: Landscape with an Aqueduct, Théodore Géricault  French, Oil on canvas
Théodore Géricault
1818
Allegory of Life, Giorgio Ghisi  Italian, Engraving; second state of six (BLL)
Giorgio Ghisi
After Raphael (Raffaello Sanzio or Santi)
1561
Mountainous Landscape with the Rest on the Flight into Egypt, Aegidius Sadeler II  Netherlandish, Engraving; first state
Aegidius Sadeler II
After Jan Brueghel the Elder
n.d.
Landscape after Van der Cabel, Jean Jacques de Boissieu  French, Etching
Jean Jacques de Boissieu
After Adriaen van der Cabel
ca. 1773
The Virtuous Being, Hao Liang  Chinese, Handscroll; ink and color on silk, plus research materials of mixed media, China
Hao Liang
2015
View of an Island with Antique Ruins (The Abduction of Europa), from: Imagini Favolose, Giovanni Battista Pittoni the Elder  Italian, Etching, state before initials; verso drawing in pen and ink with wash
Giovanni Battista Pittoni the Elder
1575–85
Joshua Commanding the Sun to Stand Still Upon Gibeon (Joshua: 10: 12–14), John Martin  British, Pen and brown ink, brush and brown wash over red chalk, heightened with white; squared in black chalk
John Martin
ca. 1822
The Arrival in Bethlehem, Master of the Brussels Calling of Saint Matthew, Oil on wood
Master of the Brussels Calling of Saint Matthew
ca. 1540–50
Ode to the Valley of Wonderment, Raqib Shaw  Kashmir, Acrylic liner and enamel on Birch wood
Raqib Shaw
2017–19
View on Terracina with Mount Circeo (recto); View of the Roman Campagna with an Aquaduct (verso), Carl von Blaas  Austrian, Watercolor, graphite
Carl von Blaas
mid-19th century
Venus ordering Psyche to take water from a fountain guarded by dragons, from 'Fable of Cupd and Psyche', Master of the Die  Italian, Engraving
Master of the Die
1530–60
Southern Landscape with Figures and Cattle at a River, Jan van der Meer the Younger  Dutch, Black chalk, brush and gray wash; framing lines in pen and black ink over  framing lines in pen and brown ink
Jan van der Meer the Younger
1686
Venice, Félix-François-Georges-Philibert Ziem  French, Watercolor
Félix-François-Georges-Philibert Ziem
n.d.
Landscape with a Shepherd, French Painter  French, Oil on canvas
French Painter
ca. 1820
Classical Landscape with Women at a Fountain, Pierre Henri de Valenciennes  French, Conté crayon, black chalk, stumping, heightened with white chalk on beige paper
Pierre Henri de Valenciennes
n.d.
View of the Obelisk of Thutmosis III Seen from the Walls of Alexandria, Jan van Call  Dutch, Watercolor, graphite, pen and brown and black ink. Along the upper and the lower edge, a framing line in pen and brown ink; along the left and the right edge, a framing line in graphite
Jan van Call
late 17th–early 18th century
Aeneas and the Sibyl in the Underworld, Jan Brueghel the Younger  Flemish, Oil on copper
Jan Brueghel the Younger
1630s
Southern landscape with a man and a snake, Heinrich Dreber  German, Graphite, blue watercolor
Heinrich Dreber
1847
Lake Nemi and Genzano from the Terrace of the Capuchin Monastery, Richard Wilson  British, Welsh, Oil on canvas
Richard Wilson
ca. 1756–57
Licenza, near Rome: Horace's Villa, William Havell  British, Watercolor and gouache (bodycolor) over graphite
William Havell
ca. 1828–29

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