Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 1,129 results for guido-reni

Sort by:

The Immaculate Conception, Guido Reni Italian, Oil on canvas — The Immaculate Conception
Guido Reni
1627

Charity, Guido Reni Italian, Oil on canvas — Charity
Guido Reni
ca. 1630

Pictorial print, Guido Reni in Rospiglioso Palace, Rome Italian, Cotton, French — Pictorial print
Guido Reni
mid-19th century

Bust of the Virgin, Guido Reni Italian, Silk, wool (28-29 warps per inch, 10-11 per cm.), Italian, Rome — Bust of the Virgin
Multiple artists/makers
mid-18th century

The Virgin with the infant Christ seated on a cushion and the young Saint John the Baptist at his feet, an oval composition, Guido Reni Italian, Etching — The Virgin with the infant Christ seated on a cushion and the young Saint John the Baptist at his feet, an oval composition
Guido Reni
ca. 1600–40

The Virgin holding the infant Christ, a circular composition, counterproof, Guido Reni Italian, Etching; counterproof — The Virgin holding the infant Christ, a circular composition, counterproof
Guido Reni
ca. 1600–40

The young Saint John the Baptist kneeling before the young Christ who embraces him, a lamb at right, Guido Reni Italian, Etching — The young Saint John the Baptist kneeling before the young Christ who embraces him, a lamb at right
Guido Reni
ca. 1600–40

The Virgin holding the infant Christ on her lap, an oval composition, after Reni, Guido Reni Italian, Etching — The Virgin holding the infant Christ on her lap, an oval composition, after Reni
Guido Reni
1620–50

The Virgin holding the infant Christ, an oval composition, counterproof, Guido Reni Italian, Etching; counterproof — The Virgin holding the infant Christ, an oval composition, counterproof
Guido Reni
ca. 1600–40

Saint Christopher walking with the infant Christ on his left shoulder, Guido Reni Italian, Etching; counterproof — Saint Christopher walking with the infant Christ on his left shoulder
Guido Reni
ca. 1600–40

The Reclining Headless Body of Holofernes; Study of Female Semi-Nude Figure (on a small separate, unrelated sheet of blue paper, pasted onto the lower left of the large sheet), Guido Reni (the study of Holofernes only) Italian, Black chalk on brownish paper that may have been originally blue (Holofernes); black chalk on blue paper (female figure) — The Reclining Headless Body of Holofernes; Study of Female Semi-Nude Figure (on a small separate, unrelated sheet of blue paper, pasted onto the lower left of the large sheet)
Guido Reni
1625–40

Ecce Homo, Guido Reni [?] Italian, Black and red chalk on brownish paper — Ecce Homo
Guido Reni
1575–1699

Assumption of the Virgin, Guido Reni Italian, Red chalk — Assumption of the Virgin
Guido Reni
1575–1642

Studies of Flying Putti (recto); Composition Studies (verso), Guido Reni Italian, Pen and brown ink (recto); pen and brown ink; female figure at lower left in black chalk (verso) — Studies of Flying Putti (recto); Composition Studies (verso)
Guido Reni
1575–1642

The Head of a Woman Looking Up (Judith), Guido Reni Italian, Red and black chalk, on originally blue paper now faded to light brown-gray — The Head of a Woman Looking Up (Judith)
Guido Reni
1625–26

The Holy Family with Scriptural Scene in Background, Guido Reni Italian, etching — The Holy Family with Scriptural Scene in Background
Guido Reni

The Madonna and Child in the Round, Guido Reni Italian, Etching — The Madonna and Child in the Round
Guido Reni

The Holy Family with Two Angels, Guido Reni Italian, Etching — The Holy Family with Two Angels
Guido Reni

The Virgin and Child at a table with the young John the Baptist, Guido Reni Italian, Etching — The Virgin and Child at a table with the young John the Baptist
Guido Reni
ca. 1600–40

Saint Christopher walking with the infant Christ on his right shoulder, Guido Reni Italian, Etching — Saint Christopher walking with the infant Christ on his right shoulder
Guido Reni
ca. 1600–40

Young Saint John the Baptist kneeling before the infant Christ who caresses his face, the Virgin and Joseph in the background at right, Guido Reni Italian, Etching — Young Saint John the Baptist kneeling before the infant Christ who caresses his face, the Virgin and Joseph in the background at right
Guido Reni
ca. 1600–40

The Virgin seated with the Christ Child on her lap embracing her, Joseph seen through an archway at left, Guido Reni Italian, Etching — The Virgin seated with the Christ Child on her lap embracing her, Joseph seen through an archway at left
Guido Reni
ca. 1600–13

The Virgin seated with the Christ Child on her lap embracing her, Joseph seen through an archway at left, Guido Reni Italian, Etching — The Virgin seated with the Christ Child on her lap embracing her, Joseph seen through an archway at left
Guido Reni
ca. 1600–13

The Virgin holding the infant Christ with the fingers of her right hand hidden, a circular composition, Guido Reni Italian, Etching — The Virgin holding the infant Christ with the fingers of her right hand hidden, a circular composition
Guido Reni
ca. 1600–40

The Virgin holding the infant Christ, an oval composition, Guido Reni Italian, Etching — The Virgin holding the infant Christ, an oval composition
Guido Reni
ca. 1600–40

The Holy Family with young John the Baptist and Saint Elizabeth, two angels above, Guido Reni Italian, Etching — The Holy Family with young John the Baptist and Saint Elizabeth, two angels above
Guido Reni
ca. 1590–1610

The Holy Family seated together in front of a collonade, Saint Joseph reading and the young Christ grasping the Virgin's drapery, Guido Reni Italian, Etching — The Holy Family seated together in front of a collonade, Saint Joseph reading and the young Christ grasping the Virgin's drapery
Guido Reni
ca. 1590–1610

Bust of a Bearded Man, Guido Reni Italian, Etching — Bust of a Bearded Man
Guido Reni
ca. 1600–40

Seated woman holding a tablet and compass (allegory of learning), a winged putto at right, Guido Reni Italian, Etching — Seated woman holding a tablet and compass (allegory of learning), a winged putto at right
Guido Reni
ca. 1600–40

Saint Jerome kneeling on a rock in front of a cross and an open book facing left, Guido Reni Italian, Etching — Saint Jerome kneeling on a rock in front of a cross and an open book facing left
Guido Reni
ca. 1600–40

The Holy Family seated together in front of a collonade, Saint Joseph reading and the young Christ grasping the Virgin's drapery, Guido Reni Italian, Etching — The Holy Family seated together in front of a collonade, Saint Joseph reading and the young Christ grasping the Virgin's drapery
Guido Reni
ca. 1590–1610

The Holy Family with Saint Clare (counterproof), Guido Reni Italian, Etching; counterproof — The Holy Family with Saint Clare (counterproof)
Guido Reni
1590–1600

The Entombment; Christ with legs outstretched, the Virgin at right, Guido Reni Italian, Etching — The Entombment; Christ with legs outstretched, the Virgin at right
Guido Reni
Parmigianino (Girolamo Francesco Maria Mazzola)
1590–1600

Five numbered scenes, each after a painter in the Accademia Degl'Incamminati, from IL FUNERALE D'AGOSTINO CARRACCIO FATTO IN BOLOGNA SUA PATRIA DAGL'INCAMINATI Academici del Disegno: 1. Virtue vanquishing Envy and Fortune, painted by Giulio Cesare Parigino; 2. Apollo and the Muses at the tomb of Agostino Carracci, painted by Luigi Valesio; 3. Mercury pointing to a constellation with the personification of Painting and that of the city of Bologna, Felsina, painted by Aurelio Benelli; 4. Personification of Painting being comforted by Poetry, and the personification of a river at right, painted by Lodovico Carracci; 5. Allegory of Knowledge and Vigilance chasing Envy out of Heaven, painted by Lorenzo Garbieri., Guido Reni Italian, Etching — Five numbered scenes, each after a painter in the Accademia Degl'Incamminati, from IL FUNERALE D'AGOSTINO CARRACCIO FATTO IN BOLOGNA SUA PATRIA DAGL'INCAMINATI Academici del Disegno: 1. Virtue vanquishing Envy and Fortune, painted by Giulio Cesare Parigino; 2. Apollo and the Muses at the tomb of Agostino Carracci, painted by Luigi Valesio; 3. Mercury pointing to a constellation with the personification of Painting and that of the city of Bologna, Felsina, painted by Aurelio Benelli; 4. Personification of Painting being comforted by Poetry, and the personification of a river at right, painted by Lodovico Carracci; 5. Allegory of Knowledge and Vigilance chasing Envy out of Heaven, painted by Lorenzo Garbieri.
Multiple artists/makers
1603

Five numbered scenes, each after a painter in the Accademia Degl'Incamminati, from IL FUNERALE D'AGOSTINO CARRACCIO FATTO IN BOLOGNA SUA PATRIA DAGL'INCAMINATI Academici del Disegno: 1. Ceres lamenting the death of Carracci before Jupiter, painted by Ippolito Ferrantini; 2. Personification of Painting entrusting Carracci's body to Fame, painted by Giovanni Battista Bertusi; 3. The Fates leading the blindfolded Carracci to the foot of Jupiter's throne, painted by Lucio Massari; 4. Three rivers representing the cities of Bologna, Rome and Parma (Reno, Tiber and Parma) with Fame at left, designed by Sebastiano Razzali and painted by Baldessare Aloisi Galanini; 5. Agostino Carracci abducted by Mars who is jealous of the artist's portrait of Adonis made for a Farnese gallery panel, painted by Giovanni Battista Busi., Guido Reni Italian, Etching — Five numbered scenes, each after a painter in the Accademia Degl'Incamminati, from IL FUNERALE D'AGOSTINO CARRACCIO FATTO IN BOLOGNA SUA PATRIA DAGL'INCAMINATI Academici del Disegno: 1. Ceres lamenting the death of Carracci before Jupiter, painted by Ippolito Ferrantini; 2. Personification of Painting entrusting Carracci's body to Fame, painted by Giovanni Battista Bertusi; 3. The Fates leading the blindfolded Carracci to the foot of Jupiter's throne, painted by Lucio Massari; 4. Three rivers representing the cities of Bologna, Rome and Parma (Reno, Tiber and Parma) with Fame at left, designed by Sebastiano Razzali and painted by Baldessare Aloisi Galanini; 5. Agostino Carracci abducted by Mars who is jealous of the artist's portrait of Adonis made for a Farnese gallery panel, painted by Giovanni Battista Busi.
Multiple artists/makers
1603

Five numbered scenes, each after a painter in the Accademia Degl'Incamminati, from IL FUNERALE D'AGOSTINO CARRACCIO FATTO IN BOLOGNA SUA PATRIA DAGL'INCAMINATI Academici del Disegno: 1. Painting and Poetry mourning the death of Agostino Carracci, painted by Francesco Brizio; 2. Painting with a lyre and Apollo pointing to stars on Carracci's grave, design by Giacomo Cavedone; 3. The head of Christ, painted by Agostino Carracci; 4. Prometheus with a torch and Athena behind him, painted by Alessandro Albini; 5. Aurora abducting Cephalus, painted by Leonello Spada., Guido Reni Italian, Etching — Five numbered scenes, each after a painter in the Accademia Degl'Incamminati, from IL FUNERALE D'AGOSTINO CARRACCIO FATTO IN BOLOGNA SUA PATRIA DAGL'INCAMINATI Academici del Disegno: 1. Painting and Poetry mourning the death of Agostino Carracci, painted by Francesco Brizio; 2. Painting with a lyre and Apollo pointing to stars on Carracci's grave, design by Giacomo Cavedone; 3. The head of Christ, painted by Agostino Carracci; 4. Prometheus with a torch and Athena behind him, painted by Alessandro Albini; 5. Aurora abducting Cephalus, painted by Leonello Spada.
Multiple artists/makers
1603

The Virgin nursing the infant Christ, Guido Reni Italian, Etching — The Virgin nursing the infant Christ
Guido Reni
Annibale Carracci
ca. 1590–1610

Girl carrying a crucifix and stepping toward a pilaster, seen from behind, Guido Reni Italian, Etching — Girl carrying a crucifix and stepping toward a pilaster, seen from behind
Guido Reni
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1590–1600

Girl carrying a crucifix and stepping toward a pilaster, seen from behind, Guido Reni Italian, Etching — Girl carrying a crucifix and stepping toward a pilaster, seen from behind
Guido Reni
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1590–1600

Girl carrying a cushion, seen in profile facing right

Guido Reni

Parmigianino (Girolamo Francesco Maria Mazzola)

1590–1690