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A Medieval Bakery, from the Book of Problems of Pseudo-Aristotle, translated into the French by Évrart de Conty, Master of the Second Roman de la Rose of the Duke of Berry, working late fourteenth-early fifteenth century, Ink, colors, and gold on vellum, French (Paris)
Master of the Second Roman de la Rose of the Duke of Berry,
ca. 1400
Monks Singing in an Initial "K" from a Choir Book, Bartolomeo Gossi da Gallarate (or Circle of), Tempera, ink, and gold on parchment, Italian
Bartolomeo Gossi da Gallarate (or Circle of)
1476
Thousand-Armed Chenresi, a Cosmic Form of the Bodhisattva Avalokiteshvara, Distemper and gold on cloth, Tibet
Tibet
14th century
Winter Breviary from the Diocese of Constance, Paper with pen and ink, opaque paint, glazes, and applied silver and gold, South German or Swiss
South German or Swiss
1476–1478
Bible, Tempera and gold on parchment; leather binding, French
French
ca.1250
Beaker, Glass, German
German
15th century
Saint John on Patmos, Limestone, originally polychromed., French
French
ca. 1450–1500
Manuscript Leaf, from an Antiphonary, Tempera, ink, and metal leaf on parchment, German
German
second quarter 15th century
Manuscript Leaf with June Calendar, from a Royal Psalter, Tempera and gold on parchment, British
British
13th century
Manuscript Leaf with Saint John the Evangelist and Saint John the Baptist in an Initial M, from an Antiphonary, Master of the Riccardiana Lactantius, Tempera, ink, and gold on parchment, Italian
Master of the Riccardiana Lactantius
second half 15th century
Manuscript Leaf from a Royal Psalter, Tempera and gold on parchment, British
British
13th century
"The Combat of Khusrau Parviz and Bahram Chubina (?)", Folio from a Shahnama (Book of Kings), Abu'l Qasim Firdausi  Iranian, Ink, opaque watercolor, gold, and silver on paper
Author Abu'l Qasim Firdausi
ca. 1330–40
Leaves from a Beatus Manuscript: Bifolium with part of the Genealogy of Christ and the Adoration of the Magi, Tempera, gold, and ink on parchment, Spanish
Spanish
ca. 1180
Manuscript Leaf with Initial C, from an Antiphonary, Tempera, ink, and metal leaf on parchment, Italian
Italian
15th century
Leaf from a Beatus Manuscript: Table of the Antichrist, Tempera, gold, and ink on parchment, Spanish
Spanish
ca. 1180
Manuscript Cutting from the Grande Chroniques de France, Parchment, tempera, ink, metal leaf, French
French
mid-15th century
Ascension in an Initial V, Niccolò di ser Sozzo  Italian, Tempera and gold on parchment
Niccolò di ser Sozzo
ca. 1342–50
Manuscript Leaf from a Royal Psalter, Tempera and gold on parchment, British
British
13th century
Manuscript Leaf with the Visitation in an Initial A and Cardinal Adam Easton with a Dominican Saint and Saint Dominic, from an Antiphonary, Tempera, ink and gold on parchment, Italian
Italian
ca. 1400
Antiphonary, Paper; leather binding, Italian
Italian
1736
Bifolium with Initial L, from an Antiphonary, Tempera, ink, and metal leaf on parchment, Italian
Italian
14th century (?)
Remnants of Erased Architectural Drawings from the Reims Palimpsest (Martyrologe et Nécrologe de l’Église de Reims), Anonymous, French ,13th century French, Blind ruling with stylus, guided by compass and straightedge, on parchment; later text in pen and black ink
On loan to The Met
Anonymous, French
ca. 1230–60; 1263–72
Hebrew Bible: Castle Ramparts with Knightly Pursuits (fols. 444v-445), Joseph the Frenchman, Tempera, gold, and ink on parchment
On loan to The Met
Illuminated by Joseph the Frenchman
1299–1300
Manuscript Leaf with the Holy Trinity in an Initial T, from a Missal, Tempera,  ink, and gold on parchment, South German
South German
ca. 1390
Manuscript Leaf with text in Bolorgir, Ink on parchment (red & black), Armenian
Armenian
15th–16th century
Leaf from a Beatus Manuscript: Christ in Majesty with Angels and  the Angel of God Directs Saint John to Write the Book of Revelation, Tempera, gold, and ink on parchment, Spanish
Spanish
ca. 1180
Gradual, Tempera and ink on parchment, with oak and tooled leather binding, Italian
Italian
ca. 1310–15
Manuscript Leaf, Tempera, ink, and gold on parchment, Italian
Italian
14th century
The Cloisters Apocalypse, Tempera, gold, silver, and ink on parchment; later leather binding, French
French
ca. 1330
Leaf from a Kalpa Sutra (Jain Book of Rituals), Bhadrabahu  Indian, Ink, opaque watercolor, and gold on paper, India (Gujarat)
Bhadrabahu
15th century
Two Folios from a Qur'an, Ink, watercolor, and gold on paper
ca 10th century
Leaf from a Kalpa Sutra (Jain Book of Rituals), Bhadrabahu  Indian, Ink, opaque watercolor, and gold on paper, India (Gujarat)
Bhadrabahu
15th century
Manuscript Leaf with Initial D, from an Antiphonary, Tempera, ink, and metal leaf on parchment, Italian
Italian
15th century
Liturgical miscellany featuring a Guidonian hand, Brown, red, and blue ink on parchment, Italy
On loan to The Met
Italy
Between 1450 and 1499
Leaf from a Gospel Book with Four Standing Evangelists, Tempera and ink on parchment, Armenian
Armenian
1290–1330
Manuscript Leaf with Initial M, from an Antiphonary, Tempera, ink, and metal leaf on parchment, German
German
second quarter 15th century
Manuscript Leaf from a Missal, Tempera, ink, and gold on parchment, French
French
mid-15th century
Manuscript Illumination with Initial H, from a Bible, Tempera and gold on parchment, French
French
ca. 1175–95
Manuscript Leaf with Initial A, from an Antiphonary, Tempera, ink, and metal leaf on parchment, Italian
Italian
15th century
Manuscript Leaf with Initial C, from an Antiphonary, Tempera, ink, and metal leaf on parchment, Italian
Italian
15th century
Manuscript Leaf with King David in an Initial I, from a Psalter, Tempera, gold, and ink on parchment, North Italian
North Italian
early 15th century
Bifolium from a Gradual, Tempera, ink, and metal leaf on parchment, German
German
late 15th century

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