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Showing 8,245 results for medieval manuscripts
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Beaker, Glass, German
German
15th century
Saint John on Patmos, Limestone, originally polychromed., French
French
ca. 1450–1500
Kitab suwar al-kawakib al-thabita (Book of the Images of the Fixed Stars) of al-Sufi, `Abd al-Rahman al-Sufi  Iranian, Ink and gold on paper; leather binding
`Abd al-Rahman al-Sufi
late 15th century
"Jonah and the Whale", Folio Probably from a Jami al-Tavarikh (Compendium of Chronicles), Ink, opaque watercolor, gold, and silver on paper
ca. 1400
Folio from a Qur'an Manuscript, Ink, opaque watercolor, and gold on paper
ca. 1180
The Right Hand of God Protecting the Faithful against the Demons, Jean Fouquet  French, Tempera and gold leaf on parchment
Jean Fouquet
ca. 1452–1460
Khusrau and Shirin, Hatifi  Iranian, active Istanbul, Main support: ink, opaque watercolor, and gold on paper; binding: leather
Hatifi
Suzi
dated 904 AH/1498–99 CE
Folio from a Qur'an Manuscript, Ink, gold, and watercolor on paper
dated 531 AH/1137 CE
Qur'an Manuscript, Ink, opaque watercolor, and 13.228.24<br/>gold on paper; leather binding
dated 1268 AH/1851–52 CE
Medieval Art, Henry Linder  American, Bronze and silver electroplate, American
Henry Linder
Roman Bronze Works
1909, cast 1914
Black Stork in a Landscape, Opaque watercolor on European paper
ca. 1780
Diaries of Samuel P. Avery, Samuel Putnam Avery Sr.  American, Bound manuscript
Samuel Putnam Avery Sr.
1871–82
"Preparing Medicine from Honey", from a Dispersed Manuscript of an Arabic Translation of De Materia Medica of Dioscorides, 'Abdullah ibn al-Fadl, Ink, opaque watercolor, and gold on paper
'Abdullah ibn al-Fadl
dated 621 AH/1224 CE
Folio from a Mu'nis al-ahrar fi daqa'iq al-ash'ar (The Free Man's Companion to the Subtleties of Poems) of Jajarmi, Muhammad ibn Badr al-Din Jajarmi  Iranian, Ink, opaque watercolor, and gold on paper
Muhammad ibn Badr al-Din Jajarmi
dated 741 AH/1340–41 CE
"Farhad Carves a Milk Channel for Shirin", Folio 74 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper
Multiple artists/makers
931 AH/1524–25 CE
"The Angel Gabriel meets 'Amr ibn Zaid (the Shepherd)", Folio from a Siyer-i Nebi (the Life of the Prophet), Mustafa ibn Vali, Ink, opaque watercolor, and gold on paper
Multiple artists/makers
ca. 1595
Leaf from a Beatus Manuscript: at the Clarion of the Fifth Angel's Trumpet, a Star Falls from the Sky; the Bottomless Pit is Opened with a Key; Emerging from the Smoke, Locusts Come Upon the Earth and Torment the Deathless, Tempera, gold, and ink on parchment, Spanish
Spanish
ca. 1180
Leaf from a Beatus Manuscript: Christ in Majesty with Angels and  the Angel of God Directs Saint John to Write the Book of Revelation, Tempera, gold, and ink on parchment, Spanish
Spanish
ca. 1180
The Hours of Jeanne d'Evreux, Queen of France, Jean Pucelle  French, Grisaille, tempera, and ink on vellum, French
Jean Pucelle
ca. 1324–28
Folio from the "Tashkent Qur'an", Ink on parchment
late 8th–early 9th century
"Bahram Gur Sees a Herd of Deer Mesmerized by Dilaram' s Music", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Amir Khusrau Dihlavi  Indian, Main support: ink, opaque watercolor, and gold on paper<br/>Margins: gold on dyed paper
Amir Khusrau Dihlavi
Miskin
1597–98
"A King Offers to Make Amends to a Bereaved Mother", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Amir Khusrau Dihlavi  Indian, Main support: Ink, opaque watercolor, gold on paper<br/>Margins: Gold on dyed paper
Amir Khusrau Dihlavi
Miskin
1597–98
"The Feast of Sada", Folio 22v from the Shahnama (Book of Kings) of Shah Tahmasp, Abu'l Qasim Firdausi  Iranian, Opaque watercolor, ink, silver, and gold on paper
Abu'l Qasim Firdausi
Sultan Muhammad
ca. 1525
"Isfandiyar's Third Course: He Slays a Dragon", Folio 434v from the Shahnama (Book of Kings) of Shah Tahmasp, Abu'l Qasim Firdausi  Iranian, Opaque watercolor, ink, silver, and gold on paper
Abu'l Qasim Firdausi
Qasim ibn 'Ali
ca. 1530
Folio from a Qur'an Manuscript, Ink, opaque watercolor, and gold on parchment
late 13th–early 14th century
"Men Treading Grapes", Folio from a Materia Medica of Dioscorides, Ink, opaque watercolor, and gold on paper
dated 621 AH/1224 CE
"Krishna Holds Up Mount Govardhan to Shelter the Villagers of Braj", Folio from a Harivamsa (The Legend of Hari (Krishna)), Ink, opaque watercolor, and gold on paper
ca. 1590–95
"The Elephant Clock", Folio from a Book of the Knowledge of Ingenious Mechanical Devices by al-Jazari, Farrukh ibn `Abd al-Latif, Ink, opaque watercolor, and gold on paper
Farrukh ibn `Abd al-Latif
Badi' al-Zaman ibn al-Razzaz al-Jazari
dated 715 AH/1315 CE
The Belles Heures of Jean de France, duc de Berry, The Limbourg Brothers  Franco-Netherlandish, Tempera, gold, and ink on vellum, French
The Limbourg Brothers
1405–1408/1409
Leaf from a Beatus Manuscript: the First Angel Sounds the Trumpet; Fire, Hail-stones, and Blood are Cast Upon the Earth, Tempera, gold, and ink on parchment, Spanish
Spanish
ca. 1180
Autographs and Sketches from Artist Friends to Samuel P. Avery, Samuel Putnam Avery Sr.  American, Letter-book (manuscript)
Samuel Putnam Avery Sr.
1874–80
Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, silver, and gold on paper
Nizami
15th century
Folio from a Qur'an Manuscript, Ahmad ibn al-Suhrawardi al-Bakri, Ink, opaque watercolor, and gold on paper
Ahmad ibn al-Suhrawardi al-Bakri
Muhammad ibn Aibak ibn 'Abdallah
dated 707 AH/1307–8 CE
Munajat (Confidential Talks) of 'Ali ibn Abu-Talib, Ink, opaque watercolor, and gold on paper; morocco leather binding
ca. 1200
Calligraphic Galleon, 'Abd al-Qadir Hisari  Turkish, Ink and gold on paper
'Abd al-Qadir Hisari
dated 1180 AH/1766–67 CE
Mantiq al-Tayr (Language of the Birds), Farid al-Din `Attar  Iranian, Binding: doublure
Farid al-Din `Attar
Sultan 'Ali al-Mashhadi
ca. 1600
Folio from the "Blue Qur'an", Gold and silver on indigo-dyed parchment
second half 9th–mid-10th century
Portable Qur’an Manuscript, Ink and gold on paper; leather binding
17th century
Qur'an, Ink and opaque watercolor on paper; embossed leather cover
19th century
A Medieval Bakery, from the Book of Problems of Pseudo-Aristotle, translated into the French by Évrart de Conty, Master of the Second Roman de la Rose of the Duke of Berry, working late fourteenth-early fifteenth century, Ink, colors, and gold on vellum, French (Paris)
Master of the Second Roman de la Rose of the Duke of Berry,
ca. 1400