Donate Membership

Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 134 results for pietà

Sort by:

Pietà (Vesperbild), Poplar, plaster, paint, gilt, German — Pietà (Vesperbild)
German
1375–1400

Pietà, Basse-taille and painted enamel on silver; champlevé enamel on silver; silver filigree with traces of enamel; gilt bronze, Italian, Lombardy — Pietà
Italian, Lombardy
probably late 15th or early 16th century

Pietà, Alabaster, with traces of original polychromy, Spanish — Pietà
Spanish
second quarter 16th century

Pietà, Jean-Baptiste Carpeaux French, Terracotta, French, Paris — Pietà
Jean-Baptiste Carpeaux
1864

Pietà, Juan de Valdés Leal Spanish, Oil on canvas — Pietà
Juan de Valdés Leal
ca. 1657–60

Pietà, Hubert Gerhard Netherlandish, Bronze, German — Pietà
Hubert Gerhard
after 1595

Pietà, Carlo Crivelli Italian, Tempera on wood, gold ground — Pietà
Carlo Crivelli
1476

Pietà (Vesperbild), Limestone with polychrome highlight, Bohemian — Pietà (Vesperbild)
Bohemian
ca. 1400

Pietà (Lamentation), Wood, paint and gilding, French — Pietà (Lamentation)
French
early 16th century

Pietà with Donors, Limestone, traces of polychromy, French — Pietà with Donors
French
ca. 1515

Pietà, Michelangelo Buonarroti Italian, Gilt bronze, Italian, Rome — Pietà
Michelangelo Buonarroti
mid-16th century

Pietà, Simon Bening , with borders by an assistant Netherlandish, Tempera and gold leaf on parchment — Pietà
Simon Bening
probably 1522–23

Gothic Pietà, Albert Renger-Patzsch German, Gelatin silver print — Gothic Pietà
Albert Renger-Patzsch
1928

Triptych Panel with Pietá, Master of the Triptych of Louis XII, Painted enamel, copper, French — Triptych Panel with Pietá
Master of the Triptych of Louis XII
15th–16th century

Pietà, Basse-taille and painted enamel on silver; champlevé enamel on silver; silver filigree, partly enameled; gilt copper and gilt brass, Italian, Lombardy — Pietà
Italian, Lombardy
late 15th–early 16th century, with later additions

Pietà, Giovanni della Robbia Italian, Terracotta, painted, Italian, Florence — Pietà
Giovanni della Robbia
early 16th century

Pietà, Bronze, Spanish — Pietà
Spanish
late 16th century

Pietà, Crystal, silver gilt, enamel, emeralds, rubies, probably French — Pietà
probably French
second half 19th century

Pietà, Gold, enamel, crystal, rubies, pearls, German or French — Pietà
German or French
19th century

Pietà, Bronze, Northern Italian — Pietà
Northern Italian
early 17th century

Pietà, Alabaster, German — Pietà
German
early 15th century

Pietà, Wood, paint, and gilt, German — Pietà
German
1435–40

Pietà, Oak, South Netherlandish — Pietà
South Netherlandish
1515–20

Pietà, Italian [Tuscan] Painter, first quarter of 14th century Italian, Tempera on panel, Italian, Tuscany — Pietà
Italian [Tuscan] Painter, first quarter of 14th century
first quarter 14th century

Pietà, Bertoldo di Giovanni Italian, Bronze, Italian, Florence — Pietà
Bertoldo di Giovanni
1430–40

Virgin and Child with the Pietà and Saints, Spanish (Castilian) Painter Spanish, Tempera and gold on wood — Virgin and Child with the Pietà and Saints
Spanish (Castilian) Painter

The Madonna of Humility, the Annunciation, the Nativity, and the Pietà, Bartolomeo Vivarini Italian, Tempera and gold on wood — The Madonna of Humility, the Annunciation, the Nativity, and the Pietà
Bartolomeo Vivarini
ca. 1465

Pieta, Jacopo Sansovino (Jacopo Tatti) Italian, Silvered copper alloy. — Pieta
Jacopo Sansovino (Jacopo Tatti)
model second quarter of the 16th century (19th century silvering)

Pietà with Sorrowing Angels, Mattheus van Beveren Flemish, Boxwood; base: wood, ebony, tortoiseshell and ivory or bone, Flemish — Pietà with Sorrowing Angels
Mattheus van Beveren
17th century

Study for a Pietà, Fabrizio Boschi Italian, Red chalk, traces of black chalk — Study for a Pietà
Fabrizio Boschi
1620s

Pietà (one of a pair), Pierre Reymond French, Painted enamel on copper, partly gilt, French, Limoges — Pietà (one of a pair)
Pierre Reymond
Alfred André
probably third quarter 16th century

Michelangelo Buonarroti

1550–55

Entombment of Christ, Limestone, polychromy, French — Entombment of Christ
French
ca. 1515

Pieta, Detail, John Singer Sargent American, Graphite on off-white wove paper, American — Pieta, Detail
John Singer Sargent
Guido Reni
ca. 1873

La Pietà, Eugène Delacroix French, Etching on chine collé; second state of two — La Pietà
Multiple artists/makers
1852

Pietà, Hendrick Goltzius Netherlandish, Engraving; second state of two — Pietà
Hendrick Goltzius
1596

Pietà, Jacques Bellange French, Etching with stippling and engraving — Pietà
Jacques Bellange
Le Blond
1612–16

Pietà, Hendrick Goltzius Netherlandish, Engraving; second state of two — Pietà
Hendrick Goltzius
1596

Pietà, Anonymous, Italian, 19th century Italian, Watercolor, pen and brown ink; framing lines in pen and brown ink — Pietà
Anonymous, Italian, 19th century
1800–1900

Pietà, Hieronymus (Jerome) Wierix Netherlandish, Engraving — Pietà
Multiple artists/makers