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1-42 of 225 results for pietro da cortona
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The Sacrifice of Polyxena, after Pietro da Cortona, Jean Robert Ango French, Black chalk
The Sacrifice of Polyxena, after Pietro da Cortona
Jean Robert Ango
After Pietro da Cortona (Pietro Berrettini)
ca. 1759–70
The Virgin and Child with Saint Martina, Another Study of Saint Martina, Studies of a Head, and of an Arcade (recto); Figure Studies (verso), Pietro da Cortona (Pietro Berrettini) Italian, Pen and brown ink, over black chalk
The Virgin and Child with Saint Martina, Another Study of Saint Martina, Studies of a Head, and of an Arcade (recto); Figure Studies (verso)
Pietro da Cortona (Pietro Berrettini)
1596–1669
A Wind God, Pietro da Cortona (Pietro Berrettini) Italian, Black chalk, highlighted with white, on brownish paper
A Wind God
Pietro da Cortona (Pietro Berrettini)
1669
Satyrs Supporting an Ornamental Motif, Pietro da Cortona (Pietro Berrettini) Italian, Pen and brown ink
Satyrs Supporting an Ornamental Motif
Pietro da Cortona (Pietro Berrettini)
1596–1669
Study for the Age of Bronze, Pietro da Cortona (Pietro Berrettini) Italian, Pen and brown ink, over black chalk
Study for the Age of Bronze
Pietro da Cortona (Pietro Berrettini)
1637
Study for the Age of Bronze, Pietro da Cortona (Pietro Berrettini) Italian, Pen and brown ink, brush and brown wash, over black chalk
Study for the Age of Bronze
Pietro da Cortona (Pietro Berrettini)
1637
Study of Two Figures for the Age of Gold, Pietro da Cortona (Pietro Berrettini) Italian, Black chalk, slightly reworked by the artist with the wet tip of the chalk stick
Study of Two Figures for the Age of Gold
Pietro da Cortona (Pietro Berrettini)
1637
The Triumph of Nature Over Art (design for an engraving of 'De Florum Cultura'), Pietro da Cortona (Pietro Berrettini) Italian, Pen and brown ink, brush and brown wash, over black chalk
The Triumph of Nature Over Art (design for an engraving of 'De Florum Cultura')
Pietro da Cortona (Pietro Berrettini)
ca. 1633
Design for a Thesis Print with an Allegory of Knowledge and Portrait of Cardinal Antonio Barberini the Younger (1607–1671), Pietro da Cortona (Pietro Berrettini) Italian, Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on brown paper
Design for a Thesis Print with an Allegory of Knowledge and Portrait of Cardinal Antonio Barberini the Younger (1607–1671)
Pietro da Cortona (Pietro Berrettini)
ca. 1635
Study for the Allegory of Religion, Pietro da Cortona (Pietro Berrettini) Italian, Red chalk, glued onto a light cardboard mount
Study for the Allegory of Religion
Pietro da Cortona (Pietro Berrettini)
1629–39
Sea Battle, Pietro da Cortona (Pietro Berrettini) Italian, Brush and brown wash
Sea Battle
Pietro da Cortona (Pietro Berrettini)
1596–1669
Study for Angels Sealing the Foreheads of the Children of Israel in Saint Peter's Basilica, Pietro da Cortona (Pietro Berrettini) Italian, Black chalk, brush with brown and gray wash, highlighted with white gouache, on three sheets of brownish paper glued with overlapping joints
Study for Angels Sealing the Foreheads of the Children of Israel in Saint Peter's Basilica
Pietro da Cortona (Pietro Berrettini)
1652
God the Father with Angels Holding Symbols of the Passion, Pietro da Cortona (Pietro Berrettini) Italian, Black chalk
God the Father with Angels Holding Symbols of the Passion
Pietro da Cortona (Pietro Berrettini)
1647–51
Study of a Seated Youth for the Age of Gold, Pietro da Cortona (Pietro Berrettini) Italian, Black chalk
Study of a Seated Youth for the Age of Gold
Pietro da Cortona (Pietro Berrettini)
1637
The Virgin and Child with Saint Martina, Pietro da Cortona (Pietro Berrettini) Italian, Pen and brown ink, brush and brown wash, over black chalk; framing lines in pen and brown ink
The Virgin and Child with Saint Martina
Pietro da Cortona (Pietro Berrettini)
1596–1669
The Virgin Immaculate, Pietro da Cortona (Pietro Berrettini) Italian, Red chalk
The Virgin Immaculate
After Pietro da Cortona (Pietro Berrettini)
1596–1669
Design with an Eagle Fighting with a Serpent and a Putto in the Sky Holding an Inscribed Banner, Pietro da Cortona (Pietro Berrettini) , School of Italian, Pen and black ink, brush and black wash over traces of black chalk, highlighted with white and blue-gray gouache
Design with an Eagle Fighting with a Serpent and a Putto in the Sky Holding an Inscribed Banner
Pietro da Cortona (Pietro Berrettini)
17th century
St. Michael Expurging Heresy, Pietro da Cortona (Pietro Berrettini) Italian, Pen and brown ink, brush and brown wash over traces of black chalk
St. Michael Expurging Heresy
Attributed to Pietro da Cortona (Pietro Berrettini)
1596–1669
Landscape with Wine Harvest, Pietro da Cortona (Pietro Berrettini) Italian, Brush and gray wash, touches of pen and brown ink, over traces of black chalk, with an illusionistic frame drawn in yellow and brown wash
Landscape with Wine Harvest
Pietro da Cortona (Pietro Berrettini)
ca. 1630
Christ Appearing to Mary in the Garden, Pietro da Cortona (Pietro Berrettini) Italian, Engraving
Christ Appearing to Mary in the Garden
After Pietro da Cortona (Pietro Berrettini)
Engraver William Walker
Publisher John Boydell
1766
The Adoration of the Shepherds, Pietro da Cortona (Pietro Berrettini) Italian, Pen and dark brown ink; traces of framing outlines in pen and brown ink
The Adoration of the Shepherds
Pietro da Cortona (Pietro Berrettini)
17th century
Men Digging and Constructing a Wall, Pietro da Cortona (Pietro Berrettini) Italian, Pen and brown ink, over black chalk
Men Digging and Constructing a Wall
Pietro da Cortona (Pietro Berrettini)
17th century
The holy trinity with Saint Michael vanquishing a six-headed dragon, frontispiece to 'Missale Romanum ex decreto sacrosancti Concilii tridentini restitutum', Pietro da Cortona (Pietro Berrettini) Italian, Engraving
The holy trinity with Saint Michael vanquishing a six-headed dragon, frontispiece to 'Missale Romanum ex decreto sacrosancti Concilii tridentini restitutum'
After Pietro da Cortona (Pietro Berrettini)
François Spierre
ca. 1662
Design for the Coat of Arms of a Cardinal with three Angels, Pietro da Cortona (Pietro Berrettini) Italian, Red chalk
Design for the Coat of Arms of a Cardinal with three Angels
Attributed to Pietro da Cortona (Pietro Berrettini)
Possibly by Giovanni Francesco Romanelli
Purchased as Anonymous, Italian, 17th century
ca. 1640–60
Sacrifice of Polyxena, after Pietro da Cortona
Pietro Aquila
after Pietro da Cortona (Pietro Berrettini)
Publisher Giovanni Giacomo De Rossi
ca. 1674–92
Hercules expelling the Harpies, after Pietro da Cortona
Cornelis Bloemaert
After Pietro da Cortona (Pietro Berrettini)
1642
Adoration of the Shepherd; after Pietro da Cortona
François Langot
after Pietro da Cortona (Pietro Berrettini)
ca. 1641–79
Presentation of a young king to a group of elders, after Pietro da Cortona
after Pietro da Cortona (Pietro Berrettini)
ca. 1690–1740
Hagar, followed by an angel, returns to Abraham and Sarah; after Pietro da Cortona
after Pietro da Cortona (Pietro Berrettini)
Publisher Jean Mariette
ca. 1690–1740
Martyrdom of St. Stephen, after Pietro da Cortona
Multiple artists/makers
ca. 1668–90
Martyrdom of Saint Lawrence, after Pietro da Cortona
Multiple artists/makers
ca. 1675–98
Title page from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Giove of the Palazzo Pitti, Florence
After Pietro da Cortona (Pietro Berrettini)
Publisher Giovanni Giacomo De Rossi
ca. 1677
Title page to "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
After Pietro da Cortona (Pietro Berrettini)
Publisher Giovanni Giacomo De Rossi
ca. 1677
Triumph of Divine Providence, plate 5 from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
After Pietro da Cortona (Pietro Berrettini)
Publisher Giovanni Giacomo De Rossi
ca. 1645–50
Minerva battling the giants, plate 4 from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
After Pietro da Cortona (Pietro Berrettini)
Publisher Giovanni Giacomo De Rossi
ca. 1677
Allegory with the symbols of Fortitude, including a lion at bottom left, plate 8 from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
After Pietro da Cortona (Pietro Berrettini)
Publisher Giovanni Giacomo De Rossi
ca. 1677
Human Knowledge assisted by Chastity, Piety, and Divine Love as they triumph over Earthly Love; from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
after Pietro da Cortona (Pietro Berrettini)
Publisher Giovanni Giacomo De Rossi
ca. 1677
Dedication plate to Rossi's series of engravings of the Sala di Marte, with the Medici balls held up by putti at center, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Palazzo Pitti, Florence
After Pietro da Cortona (Pietro Berrettini)
Publisher Giovanni Giacomo De Rossi
ca. 1677
Allegory with the symbols of Justice, including the griffon of Manlius Torquatus at right, plate 7 from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
After Pietro da Cortona (Pietro Berrettini)
Publisher Giovanni Giacomo De Rossi
ca. 1677
Human Knowledge assisted by Chastity, Piety, and Divine Love as they triumph over Earthly Love, plate 2 from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
After Pietro da Cortona (Pietro Berrettini)
Publisher Giovanni Giacomo De Rossi
ca. 1677
Allegory with the symbols of Temperance; including a unicorn at bottom right and Publius Scipio Africanus above, plate 9 from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
After Pietro da Cortona (Pietro Berrettini)
Publisher Giovanni Giacomo De Rossi
ca. 1677
Allegory with the symbols of Prudence, including two bears at the bottom and Fabius Cunctator above, plate 10 from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
After Pietro da Cortona (Pietro Berrettini)
Publisher Giovanni Giacomo De Rossi
ca. 1677

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