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possibly Italian, Venice (Murano)
possibly 18th century

possibly Italian, Venice
mid-16th century

possibly Italian, Venice
possibly ca. 1500

possibly Italian, Venice
late 16th century

possibly Italian, Venice
16th century

possibly Italian, Venice
ca. 1300

Stuccowork probably by Abbondio Stazio
and Carpoforo Mazzetti Tencalla
ca. 1720 or later

Italian, Venice
early 16th century

Italian
ca. 1500–1525

Italian, possibly Venice
second half 16th century

Italian, possibly Venice
17th century

Italian, possibly Venice
late 17th century

possibly Italian, Venice (Murano) or possibly French, façon de Venise
18th–19th century

Italian
early 18th century

Italian
19th century

Italian, Venice
18th century

Italian, Venice
18th century

Italian, Venice
late 15th or early 16th century

Workshop of Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa)
ca. 1565–90

Medalist: Antonio Fabris
1827

After a composition by Girolamo Campagna
late 16th century–early 17th century

Italian, Venice
ca. 1750

Italian, Venice
late 16th century

Italian, Venice
late 15th or early 16th century

Italian, Venice
late 15th–early 16th century

Master of the Barbarigo Reliefs
ca. 1520

Italian, Venice
mid-18th century

Italian, Venice
mid-18th century

Italian, Venice
late 15th or early 16th century

Vittore Gambello
ca. 1515–20

Italian, Venice
18th century

Factory Vezzi Factory
1720–27

Factory San Marco Laterizi di Noale
1995

Antonio Gai
1735

Manner of Alvise of Padua
ca. 1515–25

Italian, Venice
late 16th century or later

Workshop of Niccolò Roccatagliata
early 17th century

After a model by Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa)
late 16th century

Antonio Corradini
ca. 1723–25

Italian, Venice
ca. 1725–35

Silversmith Andrea Zambelli "L'Honnesta"
ca. 1740–50

Tullio Lombardo
1490s