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1-42 of 331 results for preparatory-study
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Preparatory Study for a Portrait of Man Singh and His Harem, Ink and opaque watercolor on paper, pricked for transfer, India (Rajasthan, Jodhpur)
India (Rajasthan, Jodhpur)
1810–15
Preparatory Study for Plate 34 in "Maisons de plaisance" Vol. II, Jacques François Blondel  French, Red chalk
Jacques François Blondel
18th century
Preparatory Study for Plate 41 in "Maisons de plaisance," Vol. II, Jacques François Blondel  French, Red chalk
Jacques François Blondel
18th century
Youth with Right Arm Raised in a Shoulder-Length Portrayal (preparatory study for St. Sebastian), Timoteo Viti  Italian, Soft black chalk, or charcoal, on paper now very darkened (to beige color)
Timoteo Viti
ca. 1515
Exterior Window Bay from the Farnese Palace of Caprarola, Preparatory Study for the 'Oeuvres Complètes de Jacques Barozzi de Vignole', François Debret  French, Pen and black ink over graphite underdrawing, pink, gray and yellow watercolor
François Debret
1815–23
Grotto from the Gardens of the Farnese Palace at Caprarola, Preparatory Study for the 'Oeuvres Complètes de Jacques Barozzi de Vignole', François Debret  French, Pen and black ink over graphite underdrawing, pink, gray and yellow watercolor
François Debret
After Jacopo [Giacomo] Barozzi da Vignola
1815–23
Study of a couple, preparatory for "La Famille" (The Family), Virginie Demont-Breton, Charcoal
Virginie Demont-Breton
ca. 1882
The Englishman (William Tom Warrener, 1861–1934) at the Moulin Rouge, Henri de Toulouse-Lautrec  French, Oil on cardboard
Henri de Toulouse-Lautrec
1892
Untitled (for Never Before, h,c,f,d), Josef Albers  American, born Germany, Graphite, ink and paint swatch
Josef Albers
ca. 1976
Study of Four Saints, Correggio (Antonio Allegri)  Italian, Red chalk; squared in red chalk
Correggio (Antonio Allegri)
1525–34
The Martyrdom of Saint Paul, Taddeo Zuccaro  Italian, Pen and brown and gray ink, brown wash, over black chalk, heightened with white, on buff paper.
Taddeo Zuccaro
ca. 1557–58
Perseus and the Origin of Coral, Claude Lorrain (Claude Gellée)  French, Black chalk, sepia and black ink, sepia and gray wash heightened with white
Claude Lorrain (Claude Gellée)
ca. 1671
Madame Théodore Gobillard (Yves Morisot, 1838–1893), Edgar Degas  French, Oil on canvas
Edgar Degas
1869
Virginia Amélie Avegno Gautreau, Study for "Madame X", John Singer Sargent  American, Graphite on off-white wove paper, American
John Singer Sargent
1883–84
Study for "Poseuses", Georges Seurat  French, Conté crayon on laid paper.
Georges Seurat
1886–87
Honoré de Balzac, Auguste Rodin  French, Terracotta, French
Auguste Rodin
1891
Study for South End of the Special Collections Hall, John Singer Sargent  American, Graphite on off-white wove paper, American
John Singer Sargent
ca. 1895–1900
Davida Johnson Clark, Augustus Saint-Gaudens  American, Plaster, shellac, American
Augustus Saint-Gaudens
1886
Christ and the Woman of Samaria, Benedetto Luti  Italian, Oil on copper
Benedetto Luti
1715–20
Study for "A Sunday on La Grande Jatte", Georges Seurat  French, Oil on wood
Georges Seurat
1884
Studies of the Virgin and Holy Women for "The Lamentation", Eugène Delacroix  French, Graphite
Eugène Delacroix
1842–43
Seated Woman, Antoine Watteau  French, Black, red and white chalk
Antoine Watteau
1716–17
Wolf hunt, Etienne Delaune  French, Pen and black, dark gray, and gray brown ink, and (between the pen lines of the illusionistic frame) brush and gray ink, on vellum.
Etienne Delaune
second half 16th century
The Madonna Adoring the Child, with an Angel, Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo)  Italian, Pen and brown ink, traces of white, over red chalk underdrawing of the Madonna.
School of Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo)
early 16th century
Saint Sebastian (recto); sketches of a male head and a standing figure in a short cape; a copy of the figure on the recto (verso), Sodoma (Giovanni Antonio Bazzi)  Italian, Pen and brown ink, brown wash, over black chalk (recto); pen and brown ink, black chalk (verso)
Follower of Sodoma (Giovanni Antonio Bazzi)
early–mid-16th century
Studies for a Sculpture with Figures of Prudence, Industry and Economy Supported by Slaves and an Oval Plaque with Cartouche; Separate Study for a Cupola (recto); Studies for Figural Ornament (verso), Giovanni Battista Foggini  Italian, Pen and brown ink, brush and gray wash, over black chalk (recto and verso)
Giovanni Battista Foggini
1672–1725
Tigers Hunting Boars and Deer, Ink on paper, Western India, Rajasthan, Kota
Western India, Rajasthan, Kota
ca. 1830
Tahitian Faces (Frontal View and Profiles), Paul Gauguin  French, Charcoal on laid paper
Paul Gauguin
ca. 1899
Study for "Young Girl in a Green Coat", Berthe Morisot  French, Pencil on polished buff laid paper
Berthe Morisot
ca. 1894
Studies for a Kneeling Figure of Christ and Altar Fronts, Giovanni Battista Foggini  Italian, Pen and brown ink, brush and gray wash over traces of black chalk; the secondary paper support is outlined with brush and pink wash on the verso
Giovanni Battista Foggini
1652–1725
A Kneeling Man in Fifteenth-Century Costume (recto); a small, fragmentary sketch of a recumbant boy, probably by a later hand (verso), Pinturicchio  Italian, Metalpoint, heightened with white, reworked with the point of the brush and gray ink, on gray prepared paper.
Circle of Pinturicchio
ca. 1509
Study for Ceiling Decoration, Kenyon Cox  American, Graphite on off-white laid paper for transfer, American
Kenyon Cox
ca. 1894
Male Nude, Seen from Behind, Hippolyte Flandrin  French, Oil on paper, laid down on canvas
Hippolyte Flandrin
or Paul Flandrin
ca. 1829–46
The Summons: Study for the Head of Gawaine, Sir Edward Burne-Jones  British, Fabricated black crayon on paper
Sir Edward Burne-Jones
1893
Untitled (for Never Before, a,b,g,e), Josef Albers  American, born Germany, Graphite, ink and paint swatch
Josef Albers
ca. 1976
Head of Krishna: cartoon for a mural of the Raslila 

, Sahib Ram, Ink and opaque watercolor on paper, India (Rajasthan, Jaipur)
Attributed to Sahib Ram
ca. 1800
Saint Francis Receiving the Stigmata, Lo Spagna (Giovanni di Pietro)  Italian, Point of the brush and brown ink, heightened with white (partly oxidized), traces of black chalk, on paper washed with light brown.
Lo Spagna (Giovanni di Pietro)
early 16th century
Man with Red Drapery, John Singer Sargent  American, Watercolor and graphite on white wove paper, American
John Singer Sargent
After 1900
Singer and Sarinda Player, Sahib Ram, Ink on paper, India (Rajasthan, Jaipur)
Attributed to Sahib Ram
ca. 1800
The Holy Kinship (Madonna and Child and St. John) with Prophets and Symbols of the Four Evangelists, Joachim von Sandrart  German, Red chalk
Joachim von Sandrart
17th century
Édouard Manet, Seated, Holding His Hat, Edgar Degas  French, Graphite and black chalk
Edgar Degas
Sitter Edouard Manet
ca. 1868
[Nude Before a Mirror], Bruno Braquehais  French, Albumen silver print from glass negative
Attributed to Bruno Braquehais
ca. 1857

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