Results for "probably Austrian or Italian" - The Metropolitan Museum of Art

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1-42 of 27,889 results for probably Austrian or Italian

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Cameo with the Triumph of Bacchus, Onyx, probably Austrian or Italian — Cameo with the Triumph of Bacchus
probably Austrian or Italian
second quarter 19th century

Hercules and Achelous, Master of the Martyrdom of St. Sebastian Austrian, Ivory, probably Austrian — Hercules and Achelous
Master of the Martyrdom of St. Sebastian
probably mid-17th century

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

Adoration of the Magi from Seven Scenes from the Life of Christ, Pot-metal and colorless glass, vitreous paint and silver stain, Austrian — Adoration of the Magi from Seven Scenes from the Life of Christ
Austrian
ca. 1390

Standing Virgin and Child, Niclaus Gerhaert von Leyden North Netherlandish, Boxwood, tinted lips and eyes, Austrian — Standing Virgin and Child
Niclaus Gerhaert von Leyden
ca. 1470

Adoration of the Magi from Seven Scenes from the Life of Christ, Pot-metal and colorless glass, vitreous paint and silver stain, Austrian — Adoration of the Magi from Seven Scenes from the Life of Christ
Austrian
ca. 1390

A Hypocrite and a Slanderer, Franz Xaver Messerschmidt German, Tin alloy, Austrian, probably Pressburg (Bratislava) — A Hypocrite and a Slanderer
Franz Xaver Messerschmidt
ca. 1770–83

Dish: The Destruction of the Hosts of Pharaoh, Master IC (probably Jean Court) or French, Limoges, Painted enamel on copper, partly gilt. — Dish: The Destruction of the Hosts of Pharaoh
Master IC (probably Jean Court)
Jean Cour (or Court)
probably early 17th century

Tournament or Cavalry Shield (Targe), Wood, leather, gesso, silver, paint, probably Austrian — Tournament or Cavalry Shield (Targe)
probably Austrian
early 15th century

Mantel clock, Case: carved and gilded wood; Revolving rings for hours and minutes: gilded brass; Movement: brass and steel, probably Austrian — Mantel clock
probably Austrian
ca. 1780–90

Orphica, Various materials, probably Austrian — Orphica
probably Austrian
early 19th century

Shield, Girolamo da Treviso Italian, Wood, linen, gesso, gold leaf, polychromy, Italian, probably Bologna — Shield
Girolamo da Treviso
ca. 1535

Armet, LIONARDO Italian, Steel, copper alloy, Italian, probably Milan — Armet
LIONARDO
ca. 1440

Celestial globe with clockwork, Gerhard Emmoser German, Case: partially gilded silver, gilded brass; movement: brass, steel, Austrian, Vienna — Celestial globe with clockwork
Gerhard Emmoser
1579

Presentation medal (Gnadenpfennig) of Maximilian, Archduke of Austria (1558–1620), Alessandro Abondio Italian, Gold, partly enameled; pearl, Austrian, probably Vienna — Presentation medal (Gnadenpfennig) of Maximilian, Archduke of Austria (1558–1620)
Alessandro Abondio
ca. 1612

Watch in the form of an Egyptian lyre, Michael Ranna Austrian, Case of gold and enamel, probably Austrian, Vienna — Watch in the form of an Egyptian lyre
Michael Ranna
Philippe Meynadier
ca. 1800–10

Chair Seat Cushion, Italian or Spanish Italian or Spanish, 17th century, Leather, tooled and painted, Italian or Spanish — Chair Seat Cushion
Italian or Spanish
17th century

Grand Piano, Ferdinand Hofmann Austrian, Cherry wood, brass, enamel, ebony, bone, Austrian — Grand Piano
Ferdinand Hofmann
ca. 1790

Relief from a Pulpit with the Symbol of Saint Luke, Master Christophanus or Stephanus , and his Workshop Italian, Limestone with lead, Italian — Relief from a Pulpit with the Symbol of Saint Luke
Master Christophanus or Stephanus
ca. 1180

Ewer in the Shape of a Sitting Dog, Italian , Milan, second half of the 16th century and, Rock crystal, cut on the wheel, enameled gold, rubies, and reverse-painted and gilded glass (verre églomisé)., Italian, Milan and German (Aachen) or French (Paris) — Ewer in the Shape of a Sitting Dog
Multiple artists/makers
second half 16th century and second half 19th century

Breastplate, Steel, German or Austrian — Breastplate
German or Austrian
ca. 1475–85

Side Panel of a Flank Defense (Crupper) from a Horse Armor, Steel, gold, German or Austrian — Side Panel of a Flank Defense (Crupper) from a Horse Armor
German or Austrian
ca. 1490–1500

Mitten Gauntlet for the Left Hand, Steel, German or Austrian — Mitten Gauntlet for the Left Hand
German or Austrian
ca. 1500

Head of a Hunting Spear, Steel, copper alloy, German or Austrian — Head of a Hunting Spear
German or Austrian
1425–50

Reliquary vitrine, Wood (pine?), gilded and polychromed and glass, German or Austrian — Reliquary vitrine
German or Austrian
mid-18th century

Tracery Light, Pot-metal, colorless glass, and vitreous paint, Austrian or British — Tracery Light
Austrian or British
late 14th century

Grisaille Roundel, Pot-metal glass, colorless glass, and vitreous paint, German or Austrian (?) — Grisaille Roundel
German or Austrian (?)
mid-14th century

Grisaille Roundel, Pot-metal glass, colorless glass, and vitreous paint, German or Austrian (?) — Grisaille Roundel
German or Austrian (?)
mid-14th century

Louis II 1506-26, King of Hungary 1516-26, and his wife Maria (1505–1558), sister of Charles V, Michael Hohenauer, Silver, old fire-gilding, German or Austrian — Louis II 1506-26, King of Hungary 1516-26, and his wife Maria (1505–1558), sister of Charles V
Michael Hohenauer
1526

Shield (Pavise), Wood, leather, gesso, polychromy, Austrian — Shield (Pavise)
Austrian
1450–1500

Queen Victoria’s Jubilee, 1887, Anton Scharff Austrian, Bronze, brown patina, Austrian — Queen Victoria’s Jubilee, 1887
Anton Scharff
1887

Fan, Rodeck Brothers Austrian, tortoiseshell, feather, silk, Austrian — Fan
Rodeck Brothers
1895

Faith, Hope and Charity, Balthasar Ferdinand Moll Austrian, Walnut, dark-stained ivory, Austrian — Faith, Hope and Charity
Balthasar Ferdinand Moll
ca. 1739–40

Hercules and Achelous (in the form of a bull), Master of the Martyrdom of St. Sebastian Austrian, Ivory, Austrian — Hercules and Achelous (in the form of a bull)
Master of the Martyrdom of St. Sebastian
ca. 1670

Joseph and Potiphar's Wife, Balthasar Griessmann , or his circle, Ivory, Austrian — Joseph and Potiphar's Wife
Balthasar Griessmann
second half 17th century

Secretary (sécretaire à abattant), Walnut, parcel-ebonized and mounted with gilt bronze; leather, glass, brass, Austrian — Secretary (sécretaire à abattant)
Austrian
ca. 1815–20 with later additions

The Agony in the Garden, Pot-metal and colorless glass, vitreous paint and silver stain, Austrian — The Agony in the Garden
Austrian
ca. 1390

Christ Before Pilate, Pot-metal and colorless glass, vitreous paint and silver stain, Austrian — Christ Before Pilate
Austrian
ca. 1390

The Harrowing of Hell, Pot-metal and colorless glass, vitreous paint and silver stain, Austrian — The Harrowing of Hell
Austrian
ca. 1390

Architectural canopy, Pot-metal and colorless glass, vitreous paint and silver stain, Austrian — Architectural canopy
Austrian
ca. 1390

Architectural canopy, Pot-metal and colorless glass, vitreous paint and silver stain, Austrian — Architectural canopy
Austrian
ca. 1390

Architectural canopy, Pot-metal and colorless glass, vitreous paint and silver stain, Austrian — Architectural canopy
Austrian
ca. 1390

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