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Showing 1,365 results for sultan muhammad nur

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Illuminated Frontispiece of a Bustan of Sa`di, Sultan Muhammad Nur Iranian, Folio: Ink, opaque watercolor, and gold on paper<br/>Binding: Leather — Illuminated Frontispiece of a Bustan of Sa`di
Sultan Muhammad Nur
dated 920 AH/1514 CE

Page of Calligraphy, Sultan Muhammad Nur Iranian, Ink, opaque watercolor, and gold on paper — Page of Calligraphy
Sultan Muhammad Nur
early 16th century

"Farhad Carves a Milk Channel for Shirin", Folio 74 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper — "Farhad Carves a Milk Channel for Shirin", Folio 74 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
931 AH/1524–25 CE

Page of Calligraphy from the Bellini Album, Sultan Muhammad Nur Iranian, Ink, opaque watercolor, and gold on paper — Page of Calligraphy from the Bellini Album
Sultan Muhammad Nur
ca. 1600

Page of Calligraphy from the Bellini Album, Sultan Muhammad Nur Iranian, Ink, opaque watercolor, and gold on paper — Page of Calligraphy from the Bellini Album
Sultan Muhammad Nur
ca. 1600

"The Mi'raj or The Night Flight of Muhammad on his Steed Buraq", Folio 3v from a Bustan of Sa`di, Sultan Muhammad Nur Iranian, Ink, gold, and colors on paper — "The Mi'raj or The Night Flight of Muhammad on his Steed Buraq", Folio 3v from a Bustan of Sa`di
Sultan Muhammad Nur
ca. 1525–35

Anthology of Persian Poetry in Oblong Format (Safina), Sultan Muhammad Nur Iranian, Ink, watercolor, and gold on paper.<br/>Binding: leather — Anthology of Persian Poetry in Oblong Format (Safina)
Sultan Muhammad Nur
dated 905 AH/1499–1500 CE

"Battle between Alexander and Darius", Folio 279 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper — "Battle between Alexander and Darius", Folio 279 from a Khamsa (Quintet) of Nizami of Ganja
Nizami
Sultan Muhammad Nur
931 AH/1524–25 CE

"Alexander at a Banquet", Folio 321b from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, silver, and gold on paper — "Alexander at a Banquet", Folio 321b from a Khamsa (Quintet) of Nizami of Ganja
Nizami
Sultan Muhammad Nur
dated 931 AH/1524–25 CE

"Marriage of Khusrau and Shirin", Folio 104 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper — "Marriage of Khusrau and Shirin", Folio 104 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
dated 931 AH/1524–25 CE

"Laila and Majnun in School", Folio 129 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper — "Laila and Majnun in School", Folio 129 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
931 AH/1524–25 CE

"Bahram Gur in the Sandal Palace on Thursday", Folio 230 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, silver, and gold on paper — "Bahram Gur in the Sandal Palace on Thursday", Folio 230 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
931 AH/1524–25 CE

"Bahram Gur in the White Palace on Friday", Folio 235 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Opaque watercolor, ink, and gold on paper — "Bahram Gur in the White Palace on Friday", Folio 235 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
931 AH/1524–25 CE

Overflap and Inside Cover of a Khamsa (Quintet) of Nizami of Ganja, Nizami, Binding: leather; embossed, gold, and color <br/>Manuscript: ink, opaque watercolor, and gold on paper — Overflap and Inside Cover of a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
dated 931 AH/1524–25 CE

"Sultan Sanjar and the Old Woman", Folio 17 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper — "Sultan Sanjar and the Old Woman", Folio 17 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
931 AH/1524–25 CE

"Bahram Gur in the Red Palace on Tuesday", Folio 220 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper — "Bahram Gur in the Red Palace on Tuesday", Folio 220 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
931 AH/1524–25 CE

"Khusrau Seated on his Throne", Folio 64 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper — "Khusrau Seated on his Throne", Folio 64 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
dated 931 AH/1524–25 CE

"Khusrau Catches Sight of Shirin Bathing", Folio 50 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper — "Khusrau Catches Sight of Shirin Bathing", Folio 50 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
dated 931 AH/1524–25 CE

"Bahram Gur in the Dark Palace on Saturday", Folio 207 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, silver, and gold on paper — "Bahram Gur in the Dark Palace on Saturday", Folio 207 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
931 AH/1524–25 CE

"Bahram Gur in the Yellow Palace on Sunday", Folio 213 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, silver, and gold on paper — "Bahram Gur in the Yellow Palace on Sunday", Folio 213 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
931 AH/1524–25 CE

"Bahram Gur in the Turquoise Palace on Wednesday", Folio 216 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, silver, and gold on paper — "Bahram Gur in the Turquoise Palace on Wednesday", Folio 216 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
dated 931 AH/1524–25 CE

"The Feast of Sada", Folio 22v from the Shahnama (Book of Kings) of Shah Tahmasp, Abu'l Qasim Firdausi Iranian, Opaque watercolor, ink, silver, and gold on paper — "The Feast of Sada", Folio 22v from the Shahnama (Book of Kings) of Shah Tahmasp
Abu'l Qasim Firdausi
Sultan Muhammad
ca. 1525

"Tahmuras Defeats the Divs", Folio 23v from the Shahnama (Book of Kings) of Shah Tahmasp, Abu'l Qasim Firdausi Iranian, Opaque watercolor, ink, silver, and gold on paper — "Tahmuras Defeats the Divs", Folio 23v from the Shahnama (Book of Kings) of Shah Tahmasp
Abu'l Qasim Firdausi
Sultan Muhammad
ca. 1525

The House of Bijapur, Kamal Muhammad, Ink, opaque watercolor, gold, and silver on paper — The House of Bijapur
Kamal Muhammad
Chand Muhammad
ca. 1680

"Zahhak is Told His Fate", Folio 29v from the Shahnama (Book of Kings) of Shah Tahmasp, Abu'l Qasim Firdausi Iranian, Opaque watercolor, ink, silver, and gold on paper — "Zahhak is Told His Fate", Folio 29v from the Shahnama (Book of Kings) of Shah Tahmasp
Abu'l Qasim Firdausi
Sultan Muhammad
ca. 1524

Qur'an of Ibrahim Sultan, Ibrahim Sultan Iranian, Ink, opaque watercolor, and gold on paper; leather binding — Qur'an of Ibrahim Sultan
Ibrahim Sultan
dated 830 AH/1427 CE

Pen Box with a Europeanizing Landscape, Haji Muhammad Iranian, Papier-maché; painted and lacquered — Pen Box with a Europeanizing Landscape
Haji Muhammad
late 17th–early 18th century

Man with Prayer Beads, Muhammad `Ali, Ink, transparent and opaque watercolor, and gold on paper — Man with Prayer Beads
Muhammad `Ali
mid-17th century

Instrument Case, Muhammad Baqir Iranian, Papier-maché and pasteboard; painted and lacquered — Instrument Case
Muhammad Baqir
dated 1204 AH/1789 CE

Sitar, Muhammad Azim, Wood, gourd, and bone, Pakistani — Sitar
Muhammad Azim
early 1940s

"Allegory of Worldly and Otherworldly Drunkenness", Folio from the Divan of Hafiz, Hafiz Iranian, Opaque watercolor, ink, and gold on paper — "Allegory of Worldly and Otherworldly Drunkenness", Folio from the Divan of Hafiz
Hafiz
Sultan Muhammad
ca. 1531–33

"Zal Consults the Magi", Folio 73v from the Shahnama (Book of Kings) of Shah Tahmasp, Abu'l Qasim Firdausi Iranian, Opaque watercolor, ink, silver, and gold on paper — "Zal Consults the Magi", Folio 73v from the Shahnama (Book of Kings) of Shah Tahmasp
Abu'l Qasim Firdausi
Sultan Muhammad
ca. 1530–35

Incense Burner of Amir Saif al-Dunya wa’l-Din ibn Muhammad al-Mawardi, Ja`far ibn Muhammad ibn `Ali, Bronze; cast, engraved, chased, pierced — Incense Burner of Amir Saif al-Dunya wa’l-Din ibn Muhammad al-Mawardi
Ja`far ibn Muhammad ibn `Ali
dated 577 AH/1181–82 CE

Folio from a Mu'nis al-ahrar fi daqa'iq al-ash'ar (The Free Man's Companion to the Subtleties of Poems) of Jajarmi, Muhammad ibn Badr al-Din Jajarmi Iranian, Ink, opaque watercolor, and gold on paper — Folio from a Mu'nis al-ahrar fi daqa'iq al-ash'ar (The Free Man's Companion to the Subtleties of Poems) of Jajarmi
Muhammad ibn Badr al-Din Jajarmi
dated 741 AH/1340–41 CE

Sitara, Interior Door Curtain of the Ka'ba, Sultan Abdülhamid II (r. 1876–1909) Ottoman Turkish, Silk; embroidered with heavy silver and silver-gilt thread with additional colored silk panels — Sitara, Interior Door Curtain of the Ka'ba
Sultan Abdülhamid II
Warshat al-Khurunfish
dated 1315 AH/1897–98 CE

"Faridun Embraces Manuchihr", Folio 59v from the Shahnama (Book of Kings) of Shah Tahmasp, Abu'l Qasim Firdausi Iranian, Opaque watercolor, ink, silver, and gold on paper — "Faridun Embraces Manuchihr", Folio 59v from the Shahnama (Book of Kings) of Shah Tahmasp
Multiple artists/makers
ca. 1525

Star-Shaped Plaque, Muhammad Talib Gilani Iranian, Ivory; carved with traces of pigment — Star-Shaped Plaque
Muhammad Talib Gilani
first half 16th century

Folio from a Qur'an Manuscript, Muhammad al-Zanjani Iranian, Ink, gold, and opaque watercolor on paper — Folio from a Qur'an Manuscript
Muhammad al-Zanjani
dated 531 AH/1137 CE

"Ali and Omar on the Battlefield," Folio from a Hamla-yi Haidari (Attack of the Lion), Muhammad Rafi Khan Indian, Translucent and opaque watercolor, ink, gold, and silver on paper — "Ali and Omar on the Battlefield," Folio from a Hamla-yi Haidari (Attack of the Lion)
Muhammad Rafi Khan
ca. 1820

"Bilal Calling to Prayer While Prophet Muhammad and Ali are Visited by Emissaries," Folio from a Hamla-yi Haidari (Attack of the Lion), Muhammad Rafi Khan Indian, Translucent and opaque watercolor, ink, and gold on paper — "Bilal Calling to Prayer While Prophet Muhammad and Ali are Visited by Emissaries," Folio from a Hamla-yi Haidari (Attack of the Lion)
Muhammad Rafi Khan
ca. 1820