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“‘A Lovely Garland’ (Tamakazura): Tamatori-ama,” from the series Scenes amid Genji Clouds Matched with Ukiyo-e Pictures (Genji-gumo ukiyo e-awase), Utagawa Kuniyoshi  Japanese, Woodblock ōban print (nishiki-e); ink and color on paper, Japan
Utagawa Kuniyoshi
1845–46
“‘A Boat Cast Adrift’ (Ukifune): Omatsu and Akabori Mizuemon,” from the series Scenes amid Genji Clouds Matched with Ukiyo-e Pictures (Genji-gumo ukiyo e-awase), Utagawa Kuniyoshi  Japanese, Woodblock ōban print (nishiki-e); ink and color on paper, Japan
Utagawa Kuniyoshi
1845–46
“‘Little Purple Gromwell’ (Wakamurasaki): Shōshō,” from the series Scenes amid Genji Clouds Matched with Ukiyo-e Pictures (Genji-gumo ukiyo e-awase), Utagawa Kuniyoshi  Japanese, Woodblock ōban print (nishiki-e); ink and color on paper, Japan
Utagawa Kuniyoshi
ca. 1845–61
“‘Exile to Suma’ (Suma): Tamaori-hime,” from the series Scenes amid Genji Clouds Matched with Ukiyo-e Pictures (Genji-gumo ukiyo e-awase), Utagawa Kuniyoshi  Japanese, Woodblock ōban print (nishiki-e); ink and color on paper, Japan
Utagawa Kuniyoshi
ca. 1845–61
“‘A Molted Cicada Shell’ (Utsusemi): Soga Gorō Tokimune,” from the series Scenes amid Genji Clouds Matched with Ukiyo-e Pictures (Genji-gumo ukiyo e-awase), Utagawa Kuniyoshi  Japanese, Woodblock ōban print (nishiki-e); ink and color on paper, Japan
Utagawa Kuniyoshi
ca. 1845–61
Shiraito Waterfall at Hakone, Utagawa Hiroshige  Japanese, Matted painting; ink and color on silk (Ukiyo-e), Japan
Utagawa Hiroshige
19th century
''‘Lady of the Evening Faces’ (Yūgao): Yazama’s Wife Orie (Yazama-shi no shitsu Orie),” from the series Scenes amid Genji Clouds Matched with Ukiyo-e Pictures (Genji-gumo ukiyo e-awase), Utagawa Kuniyoshi  Japanese, Woodblock ōban print (nishiki-e); ink and color on paper, Japan
Utagawa Kuniyoshi
1845–46
Maeno Shuntei
late 19th–early 20th century
Picture Book: Thousand-Year Mountain? (Ehon Chitoseyama? 絵本千年山?, Nishikawa Sukenobu 西川祐信  Japanese, Woodblock print; ink on paper, Japan
Nishikawa Sukenobu 西川祐信
1740
Oriental Masterprint – 14, from the series Oriental Masterprints, Roger Shimomura  American, Color screen print on wove paper, Japan
Roger Shimomura
1975
Street Scene in Yoshiwara, Hishikawa Moronobu  Japanese, Monochrome woodblock print; ink on paper, Japan
Hishikawa Moronobu
late 17th century
Beauty on a Veranda in Snow, Sakai Hōitsu 酒井抱一  Japanese, Hanging scroll; ink and color on silk, Japan
Sakai Hōitsu 酒井抱一
ca. 1794–95
Shellfish and Apparitions of the Yoshiwara Pleasure Quarter, Chōbunsai Eishi  Japanese, Triptych of hanging scrolls with inscribed mountings; painting: ink and color on silk; calligraphy: ink on silk mounting fabric, Japan
Chōbunsai Eishi
Calligrapher Shokusanjin (Ōta Nanpo)
ca. 1811
Perspective Print (Uki-e) of the Theaters in Sakaichō and Fukiyachō on Opening Night, Utagawa Toyoharu  Japanese, Woodblock print (nishiki-e); ink and color on paper; horizontal ōban, Japan
Utagawa Toyoharu
ca. 1780
Two Figures, Okumura Masanobu  Japanese, Woodblock print; ink and color on paper, Japan
Okumura Masanobu
Onoe Kikugorō in the role of Yaoya Oshichi and Nakamura Kiyosaburō as her lover the koshō (page) Kichisaburō, Okumura Masanobu  Japanese, Woodblock print; ink and color on paper, Japan
Okumura Masanobu
1750
Woman with a Folding Fan and Hand Mirror, from the series Sensuous Young Women of Contemporary Times, Utagawa Kunisada  Japanese, Woodblock print (nishiki-e), Japan
Utagawa Kunisada
1838
Sudden Shower over Shin-Ōhashi Bridge and Atake (Ōhashi Atake no yūdachi), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei), Utagawa Hiroshige  Japanese, Woodblock print; ink and color on paper, Japan
Utagawa Hiroshige
1857
Okita of the Naniwa-ya Teahouse, Kitagawa Utamaro  Japanese, Woodblock print (nishiki-e); ink and color on paper, Japan
Kitagawa Utamaro
ca. 1793
Three Niwaka Performers, Chasenuri, Kurokiri, and Saimon (Tea-whisk Seller, Firewood Seller, Shrine Festival Perfomer), from the “Geisha of the Yoshiwara Niwaka Festival” (Seiro Niwaka Onna Geisha), Kitagawa Utamaro  Japanese, Woodblock print; ink and color on paper, Japan
Kitagawa Utamaro
ca. 1794
Woman Applying Makeup, Hashiguchi Goyō  Japanese, Woodblock print; ink, color, gold, and mica on paper, Japan
Hashiguchi Goyō
1918 (Taishō 7)
The Coming Thunderstorm, from the illustrated book Flowers of the Four Seasons, Kitagawa Utamaro  Japanese, Woodblock print; ink and color on paper, Japan
Kitagawa Utamaro
1801
Women at Takanawa Beach, Utagawa Toyokuni I  Japanese, Woodblock print; ink and color on paper, Japan
Utagawa Toyokuni I
ca. 1790s
“The Pyramids of Egypt” Egefutekoku senkei kodai), from the series Newly Published Dutch Perspective Prints 
(Shinpan Oranda uki-e)
, Utagawa Kuninaga  Japanese, Woodblock print (nishiki-e); ink and color on paper, Japan
Utagawa Kuninaga
1829
Nishikawa Sukenobu 西川祐信
ca. 1755
Woman with Battledore and Shuttlecock, Torii Kiyotomo  Japanese, Hanging scroll; ink, color and gold on paper, Japan
Torii Kiyotomo
1815–20
Night Rain at Karasaki, Torii Kiyomasu II  Japanese, Woodblock print; (beni-e); black, red and green on paper, Japan
Torii Kiyomasu II
early 18th century
Geisha Walking through the Snow at Night, Kitagawa Utamaro  Japanese, Woodblock print; ink and color on paper, Japan
Kitagawa Utamaro
ca. 1797
A Woman Dressing a Girl for a the Kabuki Dance “Musume Dojōji,” with “Brother Picture” (E-kyōdai) of a Monkey Trainer, Kitagawa Utamaro  Japanese, Woodblock print in the e-kyodai format; ink and color on paper, Japan
Kitagawa Utamaro
ca. 1795–96
Brocade Prints of the Thirty-six Poetesses (Nishiki zuri onna sanjūrokkasen) 錦摺女三十六歌仙, Chōbunsai (Hosoda) Eishi , 鳥文斎(細田)栄之  Japanese, Ink and color on paper, Japan
Chōbunsai (Hosoda) Eishi , 鳥文斎(細田)栄之
Frontispiece by Katsushika Hokusai 葛飾北斎
1801
View From Here to Eternity, Masami Teraoka  Japanese, Woodcut, etching, aquatint (hand-coloring)
Masami Teraoka
1993
Ema (Votive Painting) of a Chinese Lion and Peony Tree

, Ink, color, and gold leaf on wood, Japan
Japan
1631
Fair Travellers Fording the River Oi, Utagawa Toyokuni I  Japanese, Triptych of woodblock prints; ink and color on paper, Japan
Utagawa Toyokuni I
Wakasaya Yoichi
ca. 1800
Summer Flowers, Katsushika Isai  Japanese, Folding fan remounted as a hanging scroll; ink and color on silk, Japan
Katsushika Isai
Amorous Couple, Okumura Masanobu  Japanese, Monochrome woodblock print; ink and color on paper, Japan
Okumura Masanobu
early 18th century
Rose Mallow (Fuyō), Katsukawa Shunshō 勝川春章  Japanese, Hanging scroll; ink and color on silk, Japan
Katsukawa Shunshō 勝川春章
18th century
Young Lady in Waiting, Katsukawa Shunshō 勝川春章  Japanese, Hanging scroll; ink and color on silk, Japan
Katsukawa Shunshō 勝川春章
18th century
Kingfisher on a Branch of Yamabuki, Katsukawa Shunshō 勝川春章  Japanese, Hanging scroll; ink and color on silk, Japan
Katsukawa Shunshō 勝川春章
18th century
Beautiful Woman, Kaigetsudō Dohan  Japanese, Hanging scroll; ink and color on paper, Japan
Kaigetsudō Dohan
early 18th century
Ōtsu-e of a Youth Holding Irises (Yarō), Hanging scroll; ink and color on paper, Japan
Japan
17th century
Geisha and Attendant on a Rainy Night, Kitagawa Utamaro  Japanese, Woodblock print; ink and color on paper, Japan
Kitagawa Utamaro
ca. 1797
Shirt, Miyake Design Studio  Japanese, silk, mother-of-pearl, Japanese
Design House Miyake Design Studio
Designer Issey Miyake
Designer Textile design by Tadanori Yokoo
1976 (textile); ca. 2003 (shirt)

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