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1-42 of 706 results for ukiyo-e painting
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Two Girls Catching Fireflies, Kawamata Tsunemasa Japanese, Hanging scroll; ink, color, and gold on silk, Japan
Two Girls Catching Fireflies
Kawamata Tsunemasa
first half of the 18th century
Woman with Battledore and Shuttlecock, Torii Kiyotomo Japanese, Hanging scroll; ink, color and gold on paper, Japan
Woman with Battledore and Shuttlecock
Torii Kiyotomo
1815–20
Yukihira and Two Brinemaidens at Suma, Okumura Masanobu Japanese, Hanging scroll; ink and color on silk, Japan
Yukihira and Two Brinemaidens at Suma
Okumura Masanobu
18th century
The Warrior Asahina Yoshihide Lifting a Puppet of a Courtesan on a Go Board , Torii Kiyoshige Japanese, Hanging scroll; ink, color and gold on paper, Japan

The Warrior Asahina Yoshihide Lifting a Puppet of a Courtesan on a Go Board

Torii Kiyoshige
mid-18th century
Beauty on a Veranda in Snow, Sakai Hōitsu 酒井抱一 Japanese, Hanging scroll; ink and color on silk, Japan
Beauty on a Veranda in Snow
Sakai Hōitsu 酒井抱一
ca. 1794–95
Hototogisu, Kubo Shunman Japanese, Hanging scroll; ink and color on silk, Japan
Hototogisu
Multiple artists/makers
early 19th century
Wall painting, Fresco, Roman
Wall painting
Roman
ca. 40–30 BCE
“‘A Molted Cicada Shell’ (Utsusemi): Soga Gorō Tokimune,” from the series Scenes amid Genji Clouds Matched with Ukiyo-e Pictures (Genji-gumo ukiyo e-awase), Utagawa Kuniyoshi Japanese, Woodblock ōban print (nishiki-e); ink and color on paper, Japan
“‘A Molted Cicada Shell’ (Utsusemi): Soga Gorō Tokimune,” from the series Scenes amid Genji Clouds Matched with Ukiyo-e Pictures (Genji-gumo ukiyo e-awase)
Utagawa Kuniyoshi
ca. 1845–61
The Veteran in a New Field, Winslow Homer American, Oil on canvas, American
The Veteran in a New Field
Winslow Homer
1865
Shiraito Waterfall at Hakone, Utagawa Hiroshige Japanese, Matted painting; ink and color on silk (Ukiyo-e), Japan
Shiraito Waterfall at Hakone
Utagawa Hiroshige
19th century
Heart of the Andes, Frederic Edwin Church American, Oil on canvas, American
Heart of the Andes
Frederic Edwin Church
1859
Shellfish and Apparitions of the Yoshiwara Pleasure Quarter, Chōbunsai Eishi Japanese, Triptych of hanging scrolls with inscribed mountings; painting: ink and color on silk; calligraphy: ink on silk mounting fabric, Japan
Shellfish and Apparitions of the Yoshiwara Pleasure Quarter
Chōbunsai Eishi
Calligrapher Shokusanjin (Ōta Nanpo)
ca. 1811
Woman with a Folding Fan and Hand Mirror, from the series Sensuous Young Women of Contemporary Times, Utagawa Kunisada Japanese, Woodblock print (nishiki-e), Japan
Woman with a Folding Fan and Hand Mirror, from the series Sensuous Young Women of Contemporary Times
Utagawa Kunisada
1838
Courtesan with a Young Man (Wakashu) beside a Screen, Hishikawa Moronobu Japanese, Woodblock print (sumizuri-e); ink and hand-applied color on paper; horizontal ōban, Japan
Courtesan with a Young Man (Wakashu) beside a Screen
Hishikawa Moronobu
ca. 1679–84
1950-E, Clyfford Still American, Oil on canvas
1950-E
Clyfford Still
1950
“‘Little Purple Gromwell’ (Wakamurasaki): Shōshō,” from the series Scenes amid Genji Clouds Matched with Ukiyo-e Pictures (Genji-gumo ukiyo e-awase), Utagawa Kuniyoshi Japanese, Woodblock ōban print (nishiki-e); ink and color on paper, Japan
“‘Little Purple Gromwell’ (Wakamurasaki): Shōshō,” from the series Scenes amid Genji Clouds Matched with Ukiyo-e Pictures (Genji-gumo ukiyo e-awase)
Utagawa Kuniyoshi
ca. 1845–61
Brocade Prints of the Thirty-six Poetesses (Nishiki zuri onna sanjūrokkasen) 錦摺女三十六歌仙, Chōbunsai (Hosoda) Eishi , 鳥文斎(細田)栄之 Japanese, Ink and color on paper, Japan
Brocade Prints of the Thirty-six Poetesses (Nishiki zuri onna sanjūrokkasen) 錦摺女三十六歌仙
Chōbunsai (Hosoda) Eishi , 鳥文斎(細田)栄之
Frontispiece by Katsushika Hokusai 葛飾北斎
1801
“‘Exile to Suma’ (Suma): Tamaori-hime,” from the series Scenes amid Genji Clouds Matched with Ukiyo-e Pictures (Genji-gumo ukiyo e-awase), Utagawa Kuniyoshi Japanese, Woodblock ōban print (nishiki-e); ink and color on paper, Japan
“‘Exile to Suma’ (Suma): Tamaori-hime,” from the series Scenes amid Genji Clouds Matched with Ukiyo-e Pictures (Genji-gumo ukiyo e-awase)
Utagawa Kuniyoshi
ca. 1845–61
“‘A Lovely Garland’ (Tamakazura): Tamatori-ama,” from the series Scenes amid Genji Clouds Matched with Ukiyo-e Pictures (Genji-gumo ukiyo e-awase), Utagawa Kuniyoshi Japanese, Woodblock ōban print (nishiki-e); ink and color on paper, Japan
“‘A Lovely Garland’ (Tamakazura): Tamatori-ama,” from the series Scenes amid Genji Clouds Matched with Ukiyo-e Pictures (Genji-gumo ukiyo e-awase)
Utagawa Kuniyoshi
1845–46
Oriental Masterprint – 14, from the series Oriental Masterprints, Roger Shimomura American, Color screen print on wove paper, Japan
Oriental Masterprint – 14, from the series Oriental Masterprints
Roger Shimomura
1975
Beauty by the Shore, Kubo Shunman Japanese, Hanging scroll; ink and color on paper, Japan
Beauty by the Shore
Kubo Shunman
late 18th century
Charles E. Irvin, Jr., Virginia Hendrickson Irvin American, Watercolor on ivory, American
Charles E. Irvin, Jr.
Virginia Hendrickson Irvin
ca. 1935
“The Pyramids of Egypt” Egefutekoku senkei kodai), from the series Newly Published Dutch Perspective Prints (Shinpan Oranda uki-e) , Utagawa Kuninaga Japanese, Woodblock print (nishiki-e); ink and color on paper, Japan

“The Pyramids of Egypt” Egefutekoku senkei kodai), from the series Newly Published Dutch Perspective Prints (Shinpan Oranda uki-e)

Utagawa Kuninaga
1829
Charles E. Irvin, Sr., Virginia Hendrickson Irvin American, Watercolor on ivory, American
Charles E. Irvin, Sr.
Virginia Hendrickson Irvin
ca. 1945
Perspective Print (Uki-e) of the Theaters in Sakaichō and Fukiyachō on Opening Night, Utagawa Toyoharu Japanese, Woodblock print (nishiki-e); ink and color on paper; horizontal ōban, Japan
Perspective Print (Uki-e) of the Theaters in Sakaichō and Fukiyachō on Opening Night
Utagawa Toyoharu
ca. 1780
Rose Mallow (Fuyō), Katsukawa Shunshō　勝川春章 Japanese, Hanging scroll; ink and color on silk, Japan
Rose Mallow (Fuyō)
Katsukawa Shunshō　勝川春章
18th century
Young Lady in Waiting, Katsukawa Shunshō　勝川春章 Japanese, Hanging scroll; ink and color on silk, Japan
Young Lady in Waiting
Katsukawa Shunshō　勝川春章
18th century
Kingfisher on a Branch of Yamabuki, Katsukawa Shunshō　勝川春章 Japanese, Hanging scroll; ink and color on silk, Japan
Kingfisher on a Branch of Yamabuki
Katsukawa Shunshō　勝川春章
18th century
Standing Courtesan, Baiōken Eishun Japanese, Hanging scroll; ink and color on silk, Japan
Standing Courtesan
Baiōken Eishun
probably 1720s
Monks in the Cloister of the Church of Gesù e Maria, Rome, François Marius Granet French, Oil on canvas
Monks in the Cloister of the Church of Gesù e Maria, Rome
François Marius Granet
1808
[E. F. Brigham Painting]
William Notman
1880s
Sound, e. e. cummings American, Oil on canvas
Sound
e. e. cummings
1919
Picture Book: Thousand-Year Mountain? (Ehon Chitoseyama? 絵本千年山?, Nishikawa Sukenobu 西川祐信 Japanese, Woodblock print; ink on paper, Japan
Picture Book: Thousand-Year Mountain? (Ehon Chitoseyama? 絵本千年山?
Nishikawa Sukenobu 西川祐信
1740
Ōtsu-e of a Youth Holding Irises (Yarō), Hanging scroll; ink and color on paper, Japan
Ōtsu-e of a Youth Holding Irises (Yarō)
Japan
17th century
“‘A Boat Cast Adrift’ (Ukifune): Omatsu and Akabori Mizuemon,” from the series Scenes amid Genji Clouds Matched with Ukiyo-e Pictures (Genji-gumo ukiyo e-awase), Utagawa Kuniyoshi Japanese, Woodblock ōban print (nishiki-e); ink and color on paper, Japan
“‘A Boat Cast Adrift’ (Ukifune): Omatsu and Akabori Mizuemon,” from the series Scenes amid Genji Clouds Matched with Ukiyo-e Pictures (Genji-gumo ukiyo e-awase)
Utagawa Kuniyoshi
1845–46
Onoe Kikugorō in the role of Yaoya Oshichi and Nakamura Kiyosaburō as her lover the koshō (page) Kichisaburō, Okumura Masanobu Japanese, Woodblock print; ink and color on paper, Japan
Onoe Kikugorō in the role of Yaoya Oshichi and Nakamura Kiyosaburō as her lover the koshō (page) Kichisaburō
Okumura Masanobu
1750
Two Figures, Okumura Masanobu Japanese, Woodblock print; ink and color on paper, Japan
Two Figures
Okumura Masanobu
E, 1963, James Brooks American, Oil on canvas
E, 1963
James Brooks
1963
Wall painting fragment from the peristyle of the Villa of P. Fannius Synistor at Boscoreale, Fresco, Roman
Wall painting fragment from the peristyle of the Villa of P. Fannius Synistor at Boscoreale
Roman
ca. 50–40 BCE
White Rectangles, Number 3, Irene Rice Pereira American, Oil on canvas
White Rectangles, Number 3
Irene Rice Pereira
1939
Night Rain at Karasaki, Torii Kiyomasu II Japanese, Woodblock print; (beni-e); black, red and green on paper, Japan
Night Rain at Karasaki
Torii Kiyomasu II
early 18th century
“The Tomb of King Mausolus” (Ajia-shū Maurirya-ō keibo), from the series Newly published Dutch Perspective Pictures (Shimpan Oranda uki-e), Utagawa Kuninaga Japanese, Woodblock print (nishiki-e), ink and color on paper, Japan
“The Tomb of King Mausolus” (Ajia-shū Maurirya-ō keibo), from the series Newly published Dutch Perspective Pictures (Shimpan Oranda uki-e)
Utagawa Kuninaga
ca. 1829