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Mars and Venus United by Love, Paolo Veronese (Paolo Caliari)  Italian, Oil on canvas
Paolo Veronese (Paolo Caliari)
1570s
Cassetta-type frame, Poplar. Carved, gilt; deep brown-orange bole, coarse blue color in background., Veronese
Veronese
early 16th century
Alessandro Vittoria (1525–1608), Paolo Veronese (Paolo Caliari)  Italian, Oil on canvas
Paolo Veronese (Paolo Caliari)
ca. 1580
Boy with a Greyhound, Paolo Veronese (Paolo Caliari)  Italian, Oil on canvas
Paolo Veronese (Paolo Caliari)
possibly 1570s
The Veronese Print, J. Carroll Beckwith  American, Black chalk and pastel on grey wove paper, American
J. Carroll Beckwith
ca. 1890
Head of a Bearded Man, School of Paolo Veronese  Venice, Black chalk, heightened with white, on greenish blue paper.
School of Paolo Veronese
Former Attribution Paolo Veronese (Paolo Caliari)
ca. 1565
Giovanni Caroto (1495?–1555), Veronese Painter, Giulio della Torre, Bronze, Italian
Medalist: Giulio della Torre
16th century
Saint Catherine of Alexandria in Prison, Paolo Veronese (Paolo Caliari)  Italian, Oil on canvas
Paolo Veronese (Paolo Caliari)
ca. 1585
The Legend of the Infant Servius Tullius, Bonifacio de' Pitati (Bonifacio Veronese)  Italian, Oil on canvas
Bonifacio de' Pitati (Bonifacio Veronese)
Madonna and Child with Saints, Bonifacio de' Pitati (Bonifacio Veronese)  Italian, Oil on wood
Bonifacio de' Pitati (Bonifacio Veronese)
The Supper at Emmaus, Bonifacio de' Pitati (Bonifacio Veronese) (?) Italian, Brush and brown ink, brown wash, heightened with white, over black chalk underwriting, on blue paper.
Bonifacio de' Pitati (Bonifacio Veronese)
mid-16th century
The Childhood of Paolo Veronese, from "L'Artiste", Adolphe Pierre Riffaut  French, Lithograph
Multiple artists/makers
August 10, 1845
Nine heads after Paolo Veronese, Ercole Procaccini The Younger  Italian, Red chalk on light tan paper
Ercole Procaccini The Younger
After Paolo Veronese (Paolo Caliari)
17th century
Leonello d'Este, Marquis of Ferrara (1407–1450), Pisanello (Antonio Pisano)  Italian, Bronze, Italian
Medalist: Pisanello (Antonio Pisano)
School of Veronese
ca. 1441–44
Sigismondo Pandolfo Malatesta, Lord of Rimini (1417–1468), Matteo de' Pasti  Italian, Bronze, Italian
Medalist: Matteo de' Pasti
School of Veronese
1446
Isotta degli Atti of Rimini, d. 1470, Matteo de' Pasti  Italian, Bronze, Italian
Medalist: Matteo de' Pasti
School of Veronese
1446
Sigismondo Malatesta as Captain of the Roman Church, Matteo de' Pasti  Italian, Bronze, Italian
Medalist: Matteo de' Pasti
School of Veronese
1446
Isotta degli Atti of Rimini, d. 1470, Matteo de' Pasti  Italian, Bronze, Italian, Ferrara
Medalist: Matteo de' Pasti
School of Veronese
1446
Isotta degli Atti of Rimini, d. 1470, Matteo de' Pasti  Italian, Bronze, Italian
Medalist: Matteo de' Pasti
School of Veronese
1446
Benedetto de' Pasti, Canon of Verona, Matteo de' Pasti  Italian, Lead, Italian
Medalist: Matteo de' Pasti
School of Veronese
1440–44
The Wedding Feast at Cana (after Paolo Veronese), Federico Zuccaro (Zuccari)  Italian, Pen and brown ink on blue paper
After Federico Zuccaro (Zuccari)
After Paolo Veronese (Paolo Caliari)
Traditionally attributed to Maerten de Vos
1540–1609
Studies for The Allegories of Love, Paolo Veronese (Paolo Caliari)  Italian, Pen and brown ink, brush and brown wash
Paolo Veronese (Paolo Caliari)
1570–75
Allegory of the Redemption of the World, Paolo Veronese (Paolo Caliari)  Italian, Pen and black ink, brush and gray wash, highlighted with white gouache, on gray washed paper
Paolo Veronese (Paolo Caliari)
1528–88
Sketches for Compositions and Groups of Figures (recto and verso), Paolo Veronese (Paolo Caliari)  Italian, Pen and brown ink, brush and brown wash
Circle of Paolo Veronese (Paolo Caliari)
ca. 1568–88
Young woman in bust-length turning to the left, Paolo Veronese (Paolo Caliari)  Italian, Soft, grayish black chalk, with slight highlights in white gouache or chalk
Circle of Paolo Veronese (Paolo Caliari)
1548–88
Design for the Decoration of a Palace Wall (Veronese Palazzo?), Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa)  Italian, Pen and brown ink, brush and brown wash, over black chalk
Circle of Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa)
Former Attribution Lorenzo Rubini
Former Attribution Paolo Veronese (Paolo Caliari)
ca. 1550–70
Charles Nicolas Cochin I
After Paolo Veronese (Paolo Caliari)
1703–54
After Paolo Veronese (Paolo Caliari)
Engraver Lucas Kilian
Publisher Dominicus Custos
1579–1637
After Paolo Veronese (Paolo Caliari)
Lucas Kilian
Publisher Dominicus Custos
1579–1637
Baron Dominique Vivant Denon
Publisher Published by A. Barrand
1873
The Family of Cain, Peter Oliver  British, Pen and black and brown ink, brush and gray wash over red chalk, highlighted with white gouache (bodycolor)
Peter Oliver
After Paolo Veronese (Paolo Caliari)
ca. 1638–47
Three Dogs, Giovanni Domenico Tiepolo  Italian, Black chalk, highlighted with white chalk, on blue paper
Giovanni Domenico Tiepolo
After Paolo Veronese (Paolo Caliari)
1727–1804
The Crucifixion, Agostino Carracci  Italian, Engraving
Agostino Carracci
After Paolo Veronese (Paolo Caliari)
1582
Mars, Venus, and Cupid, Simone Cantarini  Italian, Etching
Simone Cantarini
After Paolo Veronese (Paolo Caliari)
ca. 1637–39
Mars, Venus and Cupid, Simone Cantarini  Italian, Etching
Simone Cantarini
After Paolo Veronese (Paolo Caliari)
ca. 1637–39
Mars, Venus and Cupid, Simone Cantarini  Italian, Etching
Simone Cantarini
After Paolo Veronese (Paolo Caliari)
ca. 1637–39
Allegory of the Course of Human Life (Choosing Virtue), Jan van der Straet, called Stradanus  Netherlandish, Pen and brown ink, brush and brown wash, with heightening in opaque white; framing lines in pen and brown ink, by the artist
Jan van der Straet, called Stradanus
Former Attribution Paolo Veronese (Paolo Caliari)
1570 or before

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