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Architecture arabe : ou, Monuments du Kaire, mesurés et dessinés, de 1818 à 1826, Pascal Coste French, Etching — Architecture arabe : ou, Monuments du Kaire, mesurés et dessinés, de 1818 à 1826
Pascal Coste
Firmin Didot Freres
1839

Scrapbook of Drawings and Prints, Gideon Saint British, Pen and ink, engraving and etching — Scrapbook of Drawings and Prints
Gideon Saint
ca. 1760

Hercules and the Nemean Lion, Bronze, with etched golden-brown surface, oxidized dark brown where rubbed, possibly French — Hercules and the Nemean Lion
possibly French
early 17th century

Fan, Fernando Coustellier y Vital, Hand-colored etching on paper; painted parchment (verso); ivory, silver, French, Paris — Fan
Fernando Coustellier y Vital
Between 1816 and 1830

Partisan of the Polish Noble Guard of Friedrich August I of Saxony, who twice ruled as king of Poland (1697–1704 and 1709–1733), Steel, pierced, etched, and gilt; wood, German — Partisan of the Polish Noble Guard of Friedrich August I of Saxony, who twice ruled as king of Poland (1697–1704 and 1709–1733)
German
ca. 1720

Vase, New England Glass Company American, Blown, etched, and enameled Pomona glass, American — Vase
New England Glass Company
1885–88

Mascarade à la Grecque; Suite des Vases; and [Cheminées], Ennemond Alexandre Petitot French, Etching — Mascarade à la Grecque; Suite des Vases; and [Cheminées]
Multiple artists/makers
1771, 1764

Seated Giant, Goya (Francisco de Goya y Lucientes) Spanish, Burnished aquatint, scaper, roulette, lavis (along the top of the landscape and within the landscape) — Seated Giant
Goya (Francisco de Goya y Lucientes)
by 1818 (possibly 1814–18)

Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal), Canaletto (Giovanni Antonio Canal) Italian, Etching; undivided plate, only state — Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal)
Canaletto (Giovanni Antonio Canal)
Joseph Smith
1741

The Genius of Castiglione, Giovanni Benedetto Castiglione (Il Grechetto) Italian, Etching — The Genius of Castiglione
Multiple artists/makers
ca. 1645–47 (published 1648)

The Entrance Hall of the Regensburg Synagogue, Albrecht Altdorfer German, Etching — The Entrance Hall of the Regensburg Synagogue
Albrecht Altdorfer
1519

Landscape with a Double Spruce, Albrecht Altdorfer German, Etching — Landscape with a Double Spruce
Albrecht Altdorfer
ca. 1521–22

Self-Portrait, from "The Iconography", Anthony van Dyck Flemish, Etching; first state of seven — Self-Portrait, from "The Iconography"
Anthony van Dyck
ca. 1640

Reclining Female Nude, Rembrandt (Rembrandt van Rijn) Dutch, Etching, drypoint, and engraving on Japanese paper; second of six states — Reclining Female Nude
Rembrandt (Rembrandt van Rijn)
1658

The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of four (Robison) — The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50

Nocturne: Palaces, James McNeill Whistler American, Etching and drypoint; printed in dark brown ink on drum mounted medium weight ivory laid paper. — Nocturne: Palaces
James McNeill Whistler
1879–80

Mountain Valley with a Plateau, Hercules Segers Dutch, Line etching, drypoint, and metal punch printed in blue-green, on a yellow-green ground, colored with brush; second state of two — Mountain Valley with a Plateau
Hercules Segers
ca. 1625–30

Folding Fan with Representations of Musical Instruments, Musicians and a Fisherman in a Landscape, with calendar, Hand-colored etching on paper; ivory, metal; printed paper, Chinese with European sticks — Folding Fan with Representations of Musical Instruments, Musicians and a Fisherman in a Landscape, with calendar
Chinese with European sticks
ca. 1765

Fan, Hand-colored etching on paper, hand-colored parchment; mother-of-pearl, gilded, beads, French — Fan
French
ca. 1821

Brigandine, Etched steel with silver and gold, linen., Italian — Brigandine
Italian
ca. 1550

The interior of the Oplotheca in Brook St. Bond St. being the finest Collection of Antient Armour in Europe, now open for public inspection, William Marshall Craig British, Etching and engraving, British, London — The interior of the Oplotheca in Brook St. Bond St. being the finest Collection of Antient Armour in Europe, now open for public inspection
Multiple artists/makers
1816

Oil Bottle, Clay with lines etched through; covered with a transparent glaze (Kiyomizu ware), Japan — Oil Bottle
Japan
19th century

Stamp seal (oval conoid) with cultic scene
, Neutral Chalcedony (Quartz), possibly etched to produce mottling, Assyrian — Stamp seal (oval conoid) with cultic scene
Assyrian
7th century BCE

Stamp seal (octagonal pyramid) with cultic scene
, Flawed and veined neutral Chalcedony (Quartz), possibly etched to produce mottling, Assyro-Babylonian — Stamp seal (octagonal pyramid) with cultic scene
Assyro-Babylonian
7th–6th century BCE

Cylinder sea and modern impression: three figures
, Neutral Steatite, differentialy etched to produce coral veining, Elamite — Cylinder sea and modern impression: three figures
Elamite
late 2nd millennium or 10th–9th century BCE

Cylinder seal with cultic scene
, Neutral Chalcedony (Quartz), possibly etched to produce white mottling, Assyrian — Cylinder seal with cultic scene
Assyrian
late 8th–7th century BCE

Stamp seal (conoid) with cultic scene
, Brown Chalcedony (Quartz), possibly etched to produce yellow mottling, Assyro-Babylonian — Stamp seal (conoid) with cultic scene
Assyro-Babylonian
second half of 8th–6th century BCE

Stamp seal (conoid) with cultic scene and divine beings
, Neutral Chalcedony (Quartz), possibly etched to produce white mottling, Assyro-Babylonian — Stamp seal (conoid) with cultic scene and divine beings
Assyro-Babylonian
late 8th–6th century BCE

Stamp seal (octagonal pyramid) with cultic scene
, Neutral Chalcedony (Quartz), possibly etched to produce yellow mottling, Assyro-Babylonian — Stamp seal (octagonal pyramid) with cultic scene
Assyro-Babylonian
7th–6th century BCE

Shield, Etched and gilt steel, leather, Italian — Shield
Italian
ca. 1585–90

City Hall, John Hill American, born England, Fragment of a black and white watercolor aquatint on off-white wove paper, American — City Hall
John Hill
1826

Helmet Reinforce from Armor Garniture of Maximilian II (1527–1576), Steel, etched and gilt, German, Augsburg — Helmet Reinforce from Armor Garniture of Maximilian II (1527–1576)
German, Augsburg
ca. 1550

Stamp seal (oval conoid) with cultic scene
, Banded pink Carnelian (Quartz), possibly etched to produce white mottling, Assyro-Babylonian — Stamp seal (oval conoid) with cultic scene
Assyro-Babylonian
late 8th–6th century BCE

Stamp seal (octagonal pyramid) with cultic scene
, Neutral Chalcedony (Quartz), possibly etched to produce yellow mottling, Assyrian — Stamp seal (octagonal pyramid) with cultic scene
Assyrian
7th century BCE

Stamp seal (octagonal pyramid) with cultic scene
, Flawed neutral Chalcedony (Quartz), possibly etched to produce mottling, Assyro-Babylonian — Stamp seal (octagonal pyramid) with cultic scene
Assyro-Babylonian
7th–6th century BCE

Stamp seal (ovoid) with cultic scene
, Neutral Chalcedony (Quartz), possibly etched or heated to produce white mottling, Assyro-Babylonian — Stamp seal (ovoid) with cultic scene
Assyro-Babylonian
late 8th–6th century BCE

Design for a Rapier Hilt and Scabbard Chape, Pierre Woeiriot de Bouzey II French, Etching, engraving, French — Design for a Rapier Hilt and Scabbard Chape
Pierre Woeiriot de Bouzey II
1555

Design of a Flintlock, Side Plate, Butt Plate, and Trigger Guard, unnumbered plate from Nouveaux Desseins d'Arquebuserie Inventez et Gravez par Le Sr. Gillot, Claude Gillot French, Etching, engraving, French, Paris — Design of a Flintlock, Side Plate, Butt Plate, and Trigger Guard, unnumbered plate from Nouveaux Desseins d'Arquebuserie Inventez et Gravez par Le Sr. Gillot
Claude Gillot
ca. 1715

Electar Lap Steel Electric Guitar, Epiphone American, Maple, etched metal, rosewood, chrome, American — Electar Lap Steel Electric Guitar
Epiphone
ca. 1937

Jesus and the Samaritan Woman at the Well, Gold leaf, paint, and etching on glass, Southwest German (?) — Jesus and the Samaritan Woman at the Well
Southwest German (?)
ca. 1420