"Guercino": The Metropolitan Museum of Art Bulletin, v. 48, no. 4 (Spring, 1991)
THE METROPOLITAN MUSEUM OF ART BULLETIN | VOLUME 48 | NUMBER 4

"Guercino"

Griswold, William M.
1991
56 pages
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William Griswold

Met Art in Publication

Sketchbook, Italy, Sir Joshua Reynolds  British, Graphite, black chalk, pen and brown ink
Sir Joshua Reynolds
1750–52
Saint Francis of Assisi and Saint Louis of France Venerating an Image of the Virgin, Guercino (Giovanni Francesco Barbieri)  Italian, Pen and brown ink, on beige paper
Guercino (Giovanni Francesco Barbieri)
ca. 1618
Samson Captured by the Philistines, Guercino (Giovanni Francesco Barbieri)  Italian, Oil on canvas
Guercino (Giovanni Francesco Barbieri)
1619
The Raising of Lazarus, Guercino (Giovanni Francesco Barbieri)  Italian, Pen and brown ink, brush and brown wash, over traces of black chalk
Guercino (Giovanni Francesco Barbieri)
ca. 1619
Youth Kneeling before a Prelate (recto); Another Study of a Youth Kneeling before a Prelate (verso), Guercino (Giovanni Francesco Barbieri)  Italian, Pen and brown ink, brush and light brown wash (recto and verso)
Guercino (Giovanni Francesco Barbieri)
ca. 1620
Seated Old Man with Right Arm Upraised (Tithonus) (recto); Seated Nude Youth (figure of Day) (verso), Guercino (Giovanni Francesco Barbieri)  Italian, Red chalk on blue paper
Guercino (Giovanni Francesco Barbieri)
1621
Youth in a Chariot with Attendant Young Woman, Guercino (Giovanni Francesco Barbieri)  Italian, Pen and brown ink, brush and brown wash
Guercino (Giovanni Francesco Barbieri)
ca. 1621–23
The Adoration of the Magi, Guercino (Giovanni Francesco Barbieri)  Italian, Pen and brown ink, brush and brown wash
Guercino (Giovanni Francesco Barbieri)
1625–30
A Sibyl Holding a Scroll (Study for the Cimmerian Sibyl), Guercino (Giovanni Francesco Barbieri)  Italian, Pen and dark brown ink
Guercino (Giovanni Francesco Barbieri)
1638
The Vocation of Saint Aloysius (Luigi) Gonzaga, Guercino (Giovanni Francesco Barbieri)  Italian, Oil on canvas
Guercino (Giovanni Francesco Barbieri)
ca. 1650
Endymion Sleeping, Guercino (Giovanni Francesco Barbieri)  Italian, Pen and brown ink, brush and light brown wash
Guercino (Giovanni Francesco Barbieri)
1635–50
Two Studies of a Kneeling Male Figure (recto); Handwritten letter (verso), Guercino (Giovanni Francesco Barbieri)  Italian, Pen and brown ink
Guercino (Giovanni Francesco Barbieri)
ca. 1652
Saint Cecilia Playing the Organ, Guercino (Giovanni Francesco Barbieri)  Italian, Red chalk
Guercino (Giovanni Francesco Barbieri)
1650s
Boy Chasing a Butterfly, Guercino (Giovanni Francesco Barbieri)  Italian, Pen and brown ink
Guercino (Giovanni Francesco Barbieri)
1591–1666
Bust of a Man Facing Right, Guercino (Giovanni Francesco Barbieri)  Italian, Pen and dark brown ink, brush with brown and gray-brown wash
Guercino (Giovanni Francesco Barbieri)
1591–1666
Portrait of Morose Man in Half-Length, Guercino (Giovanni Francesco Barbieri)  Italian, Pen and brown ink
Guercino (Giovanni Francesco Barbieri)
1591–1666
Fireworks in a Piazza, Guercino (Giovanni Francesco Barbieri)  Italian, Pen and brown ink, brush with gray and brown wash, over traces of leadpoint (?)
Guercino (Giovanni Francesco Barbieri)
ca. 1618–23
A Diablerie, Guercino (Giovanni Francesco Barbieri)  Italian, Pen and brown ink
Guercino (Giovanni Francesco Barbieri)
1591–1666
Landscape with Figures and a Farm House, Guercino (Giovanni Francesco Barbieri)  Italian, Pen and dark brown ink, brush and dark brown wash; traces of red chalk in the figures in the first draft.
Guercino (Giovanni Francesco Barbieri)
1750–80
The Virgin Immaculate, Guercino (Giovanni Francesco Barbieri)  Italian, Pen and brown ink, brush and light brown wash; framing outlines in pen and brown ink
Guercino (Giovanni Francesco Barbieri)
ca. 1656
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