Sultans of Deccan India, 1500–1700: Opulence and Fantasy

Sultans of Deccan India, 1500–1700: Opulence and Fantasy

Haidar, Navina Najat and Marika Sardar
2015
384 pages
360 illustrations
Foreword Reviews' Book of the Year Award, Silver Winner in Art (2015)
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The vast Deccan plateau of south-central India stretches from the Arabian Sea to the Bay of Bengal. In the sixteenth and seventeenth centuries, the region was home to several major Muslim kingdoms and became a nexus of international trade — most notably in diamonds and textiles, through which the sultanates attained remarkable wealth. The opulent art of the Deccan courts, invigorated by cultural connections to the Middle East, Africa, and Europe, developed an otherworldly character distinct from that of the contemporary Mughal north: in painting, a poetic lyricism and audacious use of color; in the decorative arts, lively creations of inlaid metalware and painted and dyed textiles; and in architecture, a somber grandeur still visible today in breathtaking monuments throughout the plateau.

The first book to fully explore the history and legacy of these kingdoms, Sultans of Deccan India elucidates the predominant themes in Deccani art—the region’s diverse spiritual traditions, its exchanges with the outside world, and the powerful styles of expression that evolved under court patronage—with fresh insights and new scholarship. Alongside the discussion of the art, lively, engaging essays by some of the field’s leading scholars offer perspectives on the cycles of victory and conquest as dynasties competed with one another, vied with Vijayanagara, a great empire to the south, and finally succumbed to the Mughals from the north. Featuring some 200 of the finest works from the Deccan sultanates, as well as spectacular site photographs and informative maps, this magnificently illustrated catalogue provides the most comprehensive examination of this world to date and constitutes a pioneering resource for specialists and general readers alike.

Met Art in Publication

Fragmentary Cenotaph Cover with Qur'anic Calligraphy, Silk; lampas
17th–18th century
Coverlet, Silk satin, embroidered with silk and gilt-paper-wrapped thread, Chinese, for European market
17th century
Brazier, Bronze; cast and chased
probably 15th century
"Suhrab Slain by Rustam", Folio from a Shahnama (Book of Kings) of Firdausi, Abu'l Qasim Firdausi  Iranian, Ink, opaque watercolor, and gold on paper
Abu'l Qasim Firdausi
ca. 1610
"Death of Farud", Folio from a Shahnama (Book of Kings) of Firdausi, Abu'l Qasim Firdausi  Iranian, Ink, opaque watercolor, and gold on paper
Abu'l Qasim Firdausi
ca. 1610
"Rescue of Bizhan by Piran", Folio from a Shahnama (Book of Kings) of Firdausi, Abu'l Qasim Firdausi  Iranian, Ink, opaque watercolor, and gold on paper
Abu'l Qasim Firdausi
ca. 1610
"Kai Khusrau Crosses the Sea", Folio from a Shahnama (Book of Kings) of Firdausi, Abu'l Qasim Firdausi  Iranian, Ink, opaque watercolor, and gold on paper
Abu'l Qasim Firdausi
ca. 1610
Spittoon or Incense Burner, Brass; cast in sections, joined, engraved
late 16th–early 17th century
Album Page with Cut-Paper Decoration, Cut paper on paper, opaque watercolor, and gold
ca. 1625–50
Dagger with Zoomorphic Hilt, Hilt: copper; cast, chased, gilded, and inlaid with rubies.<br/>Blade: steel; forged
second half 16th century
Futuh al-Haramayn (Description of the Holy Cities), Muhi al-Din Lari  Iranian or Indian, Ink, opaque watercolor, and gold on paper
Muhi al-Din Lari
dated 1089 AH/1678 CE
The House of Bijapur, Kamal Muhammad, Ink, opaque watercolor, gold, and silver on paper
Kamal Muhammad
ca. 1680
Emaciated Horse and Rider, Ink, opaque watercolor, and gold on paper; marbleized paper
ca. 1625
Bidri Box for Holding Pan, Zinc alloy; cast, engraved, inlaid with silver and brass (bidri ware)
early–mid 17th century
Base for a Water Pipe (Huqqa) with Irises, Zinc alloy; cast, engraved, inlaid with brass (bidri ware)
late 17th century
Fragment of a Processional Standard ('Alam), Brass with relief and pierced decoration
late 16th century
Processional Standard ('Alam), Brass
late 17th–early 18th century
Roundel with Repeated Inscription, Wood, gesso; painted and metal-leafed with gold and silver
late 16th century
Shaffron (Horse's Head Defense), Steel, copper alloy (brass), Indian, Deccan, Golconda
dated A.H. 1026/1617–18 CE
Garden Fountain, Brass; cast in sections, joined and engraved
early 17th century
Showing 20 of 36

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———, eds. 2015. Sultans of Deccan India, 1500-1700: Opulence and Fantasy. New York: Metropolitan Museum of Art.