The Cloisters: Studies in Honor of the Fiftieth Anniversary

The Cloisters: Studies in Honor of the Fiftieth Anniversary

Parker, Elizabeth C., ed., with the assistance of Mary B. Shepard
1992
484 pages
450 illustrations
View More Publication Info

In 1988, The Cloisters celebrated its fiftieth anniversary as a branch museum of The Metropolitan Museum of Art. Devoted to the art of medieval Europe, The Cloisters is a twentieth-century museum designed in a style evocative of medieval architecture. Its combination of medieval and modern architectural elements, organized around arcades of five medieval cloisters, creates a unique and sympathetic context for the exhibition of sculpture, metalwork, textiles, and painting. This contextual approach has been enormously influential in introducing medieval art to the American public. The opportunity for both visitor and scholar to examine works of art in evocative settings has informed and inspired viewers since the Museum's opening in 1938. The collection continues to grow in a wide-ranging fashion, as exemplified by the recently acquired Langobardic reliefs and fourteenth-century stained glass from the Austrian castle chapelat Ebreichsdorf, which are examined here.

A two-day scholarly symposium marked the fiftieth anniversary of The Cloisters, bringing together fifteen distinguished scholars from Europe and North America. Jointly sponsored by The Metropolitan Museum of Art and the International Center of Medieval Art, the symposium offered discussions of The Cloisters' history as well as concise papers emphasizing new research on specific works of art in the collection. Keynote papers by Ilene H. Forsyth and Willibald Sauerlander presented provocative critical reviews of the present state of research on Romanesque and Gothic art—the predominant strengths of the collection. Their appraisals and proposals for new directions of research confirm the rapidly changing and challenging state of medieval art scholarship. Symposium participants have revised their papers for publication, and contributions by members of the Museum's staff have been added. The twenty-two studies presented in this commemorative volume demonstrate the methodological diversity confronting the field of medieval art history. As a group, they offer an extraordinary tribute to the significance of The Cloisters Collection.

Met Art in Publication

Lion, Fresco, mounted on canvas, Spanish
after 1200
Pricket Candlestick (one of a pair), Copper: engraved, scraped, stippled, and gilt; champlevé enamel: dark, medium, and light blue; green, yellow, red, and white on bronze, French
ca. 1180
Pricket Candlestick (one of a pair), Copper: engraved, scraped, stippled, and gilt; champlevé enamel: dark, medium, and light blue; green, yellow, red, and white on bronze, French
ca. 1180
Ornamental Window, Pot-metal glass and vitreous paint, French
ca. 1180
Vision of Saint Germain of Paris, Pot-metal glass, vitreous paint, French
1245–47
Reliquary Chasse, Copper; shaped, engraved, chased, and gilded; feet cast, British
1207–13
Reliquary Shrine, Jean de Touyl  French, Gilded silver, translucent enamel, paint, French
Jean de Touyl
ca. 1325–50
Panel with the Annunciation, Pot-metal glass, colorless glass, and vitreous paint, Austrian
ca. 1390
Roundel, Pot-metal glass, colorless glass, and vitreous paint, Austrian
1390
Adoration of the Magi from Seven Scenes from the Life of Christ, Pot-metal and colorless glass, vitreous paint and silver stain, Austrian
ca. 1390
Adoration of the Magi from Seven Scenes from the Life of Christ, Pot-metal and colorless glass, vitreous paint and silver stain, Austrian
ca. 1390
The Presentation in the Temple, Pot-metal and colorless glass, vitreous paint and silver stain, Austrian
ca. 1390
The Baptism of Christ, Pot-metal and colorless glass, vitreous paint and silver stain, Austrian
ca. 1390
The Agony in the Garden, Pot-metal and colorless glass, vitreous paint and silver stain, Austrian
ca. 1390
Christ Before Pilate, Pot-metal and colorless glass, vitreous paint and silver stain, Austrian
ca. 1390
The Harrowing of Hell, Pot-metal and colorless glass, vitreous paint and silver stain, Austrian
ca. 1390
Architectural canopy, Pot-metal and colorless glass, vitreous paint and silver stain, Austrian
ca. 1390
Architectural canopy, Pot-metal and colorless glass, vitreous paint and silver stain, Austrian
ca. 1390
Architectural canopy, Pot-metal and colorless glass, vitreous paint and silver stain, Austrian
ca. 1390
Architectural canopy, Pot-metal and colorless glass, vitreous paint and silver stain, Austrian
ca. 1390
Showing 20 of 63

Citation

View Citations

Parker, Elizabeth C., Mary B. Shepard, Metropolitan Museum of Art (New York, N.Y.), International Center of Medieval Art, and Cloisters (Museum), eds. 1992. The Cloisters: Studies in Honor of the Fiftieth Anniversary. New York: Metropolitan Museum of Art : International Center of Medieval Art.