Counterparts: Form and Emotion in Photographs

Counterparts: Form and Emotion in Photographs

Naef, Weston J.

1982

171 pages

64 illustrations

This title is out of print.

Table of contents

About the authors

Foreword
Philippe de Montebello

Acknowledgments
Weston J. Naef

Preface

Text and Plates

Notes

Bibliography

Chronologies
Joan Morgan

Index of Photographers

Met Art in Publication

Margaret Prosser Sorting Blueberries, Lake George

Alfred Stieglitz

ca. 1936

Eleanor, Harry Callahan American, Gelatin silver print — Eleanor
Harry Callahan
1947, printed 1980

Sunday on the Banks of the Marne, Henri Cartier-Bresson French, Gelatin silver print — Sunday on the Banks of the Marne
Henri Cartier-Bresson
1936–38, printed 1950s

André Kertész

1928, printed 1970s

Weegee

1940

Right of Assembly

Arthur S. Siegel

1939

Nazi Rally, Czechoslovakia

Margaret Bourke-White

1937

Saturday Night, Fort Peck, Montana

Margaret Bourke-White

1936

[Butterflies], Man Ray American, Gelatin silver print — [Butterflies]
Man Ray
ca. 1930

[Mary Wigman's Dance School], Albert Renger-Patzsch German, Gelatin silver print — [Mary Wigman's Dance School]
Albert Renger-Patzsch
ca. 1935

Ludwig Schorer

ca. 1928

Kate Steinitz

ca. 1945

Reflection, Old St. Louis County Courthouse, St. Louis, Missouri

William Clift

1976

Untitled, Jerry N. Uelsmann American, Gelatin silver print — Untitled
Jerry N. Uelsmann
1976, printed 1980

[Boston from a Hot-Air Balloon], James Wallace Black American, Albumen silver print from glass negative — [Boston from a Hot-Air Balloon]
James Wallace Black
1860s

[Trees on Hill with Shadows, near Paso Robles, California]

William A. Garnett

1979

Lotte Jacobi

1946–55

André Kertész

1931

Un Regard Oblique

Robert Doisneau

1948, printed 1981

Nubie. Ibsamboul. Colosse médial (enfoui) du Spéos de Phrè

Maxime Du Camp

1850

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