Search publication results - MetPublications - The Metropolitan Museum of Art

The Engravings of Giorgio Ghisi

Boorsch, Suzanne, Michal Lewis, and R. E. Lewis

(1985)

"Ephemera and the Print Room": Metropolitan Museum Journal, v. 24 (1989)

Byrne, Janet S.

(1989)

The Essential Art of African Textiles: Design Without End

LaGamma, Alisa, and Christine Giuntini

(2008)

Eugène Delacroix (1798–1863): Paintings, Drawings, and Prints from North American Collections

O'Neill, John P., ed.

(1991)

"Federico Zuccaro's Love Affair with Florence: Two Allegorical Designs": Metropolitan Museum Journal, v. 43 (2008)

Thompson, Wendy

(2008)

"Fine Manner vs. Broad Manner in Two Fifteenth-Century Florentine Engravings": Metropolitan Museum Journal, v. 25 (1990)

Zucker, Mark J.

(1990)

"Five Scenes from a Romance: The Identification of a Nineteenth-Century Printed Cotton": Metropolitan Museum Journal, v. 22 (1987)

Font, Lourdes M.

(1987)

"Framed in Fifteenth-Century Florence": Metropolitan Museum Journal, v. 37 (2002)

Boorsch, Suzanne

(2002)

"French Prints in the Era of Impressionism and Symbolism": The Metropolitan Museum of Art Bulletin, v. 46, no. 1 (Summer, 1988)

Ives, Colta Feller

(1988)

The Genius of Andrea Mantegna
[adapted from The Metropolitan Museum of Art Bulletin, v. 67, no. 2 (Fall, 2009)]

Christiansen, Keith

(2010)

Gifts of Art: The Met's 150th Anniversary

The Metropolitan Museum of Art, introduction by Max Hollein

(2020)

Gothic and Renaissance Art in Nuremberg, 1300–1550

Kahsnitz, Rainer, and William D. Wixom, with contributions by Martin Angerer, Guy Bauman, Barbara Drake Boehm, Rainer Brandl, Jane Hayward, Timothy Husband, Walter Karcheski, Kurt Löcher, Otto Lohr, Hermann Maué, Helmut Nickel, Klaus Pechstein, Rainer Schoch, Alfred Wendehorst, Leonie von Wilckens, and Johannes Willers

(1986)

Plan Ahead

MetPublications

Find a Publication

Printmaking (84)

The Engravings of Giorgio Ghisi

"Ephemera and the Print Room": Metropolitan Museum Journal, v. 24 (1989)

The Essential Art of African Textiles: Design Without End

Eugène Delacroix (1798–1863): Paintings, Drawings, and Prints from North American Collections

"Federico Zuccaro's Love Affair with Florence: Two Allegorical Designs": Metropolitan Museum Journal, v. 43 (2008)

"Fine Manner vs. Broad Manner in Two Fifteenth-Century Florentine Engravings": Metropolitan Museum Journal, v. 25 (1990)

"Five Scenes from a Romance: The Identification of a Nineteenth-Century Printed Cotton": Metropolitan Museum Journal, v. 22 (1987)

"Framed in Fifteenth-Century Florence": Metropolitan Museum Journal, v. 37 (2002)

"French Prints in the Era of Impressionism and Symbolism": The Metropolitan Museum of Art Bulletin, v. 46, no. 1 (Summer, 1988)

The Genius of Andrea Mantegna
[adapted from The Metropolitan Museum of Art Bulletin, v. 67, no. 2 (Fall, 2009)]

Gifts of Art: The Met's 150th Anniversary

Gothic and Renaissance Art in Nuremberg, 1300–1550

Plan Ahead

MetPublications

Find a Publication

Printmaking (84)

The Engravings of Giorgio Ghisi

"Ephemera and the Print Room": Metropolitan Museum Journal, v. 24 (1989)

The Essential Art of African Textiles: Design Without End

Eugène Delacroix (1798–1863): Paintings, Drawings, and Prints from North American Collections

"Federico Zuccaro's Love Affair with Florence: Two Allegorical Designs": Metropolitan Museum Journal, v. 43 (2008)

"Fine Manner vs. Broad Manner in Two Fifteenth-Century Florentine Engravings": Metropolitan Museum Journal, v. 25 (1990)

"Five Scenes from a Romance: The Identification of a Nineteenth-Century Printed Cotton": Metropolitan Museum Journal, v. 22 (1987)

"Framed in Fifteenth-Century Florence": Metropolitan Museum Journal, v. 37 (2002)

"French Prints in the Era of Impressionism and Symbolism": The Metropolitan Museum of Art Bulletin, v. 46, no. 1 (Summer, 1988)

The Genius of Andrea Mantegna [adapted from The Metropolitan Museum of Art Bulletin, v. 67, no. 2 (Fall, 2009)]

Gifts of Art: The Met's 150th Anniversary

Gothic and Renaissance Art in Nuremberg, 1300–1550

The Genius of Andrea Mantegna
[adapted from The Metropolitan Museum of Art Bulletin, v. 67, no. 2 (Fall, 2009)]