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Art and Autoradiography: Insights into the Genesis of Paintings by Rembrandt, Van Dyck, and Vermeer

Ainsworth, Maryan Wynn, Egbert Haverkamp-Begemann, John Brealey, and Pieter Meyers, with contributions by Karin Groen, Maurice J. Cotter, Lambertus van Zelst, and Edward V. Sayre

(1982)

Byzantium: Faith and Power (1261–1557)

Evans, Helen C., ed., with essays by Helen C. Evans, Alice-Mary Talbot, Slobodan Curcic, Sarah Brooks, Anna Ballian, Annemarie Weyl Carr, Arne Effenberger, Jannic Durand, Warren Woodfin, Scott Redford, Thelma K. Thomas, Anne Derbes, Amy Neff, Maria Georgopoulou, Robert S. Nelson, and Maryan W. Ainsworth

(2004)

Dürer and Beyond: Central European Drawings, 1400–1700

Alsteens, Stijn, and Freyda Spira, with contributions by Maryan W. Ainsworth, Dirk H. Breiding, George R. Goldner, Guido Messling, Marjorie Shelley, and Joshua P. Waterman

(2012)

Early Netherlandish Painting at the Crossroads: A Critical Look at Current Methodologies

Ainsworth, Maryan W., ed., with texts by Maryan W. Ainsworth, Reindert Falkenberg, Molly Faries, Noël Geirnaert, Maximiliaan P. J. Martens, John Michael Montias, Peter Parshall, and Filip Vermeylen

(2001)

From Van Eyck to Bruegel: Early Netherlandish Painting in The Metropolitan Museum of Art

Ainsworth, Maryan W., and Keith Christiansen, eds., with contributions by Maryan W. Ainsworth, Julien Chapuis, Keith Christiansen, Everett Fahy, Nadine M. Orenstein, Véronique Sintobin, Della C. Sperling, and Mary Sprinson de Jesús

(1998)

Gerard David: Purity of Vision in an Age of Transition

Ainsworth, Maryan W.

(1998)

German Paintings in The Metropolitan Museum of Art, 1350–1600

Ainsworth, Maryan W. and Joshua P. Waterman with contributions by Timothy B. Husband and Karen E. Thomas, with Dorothy Mahon, Charlotte Hale, George Bisacca, Silvia A. Centeno, and Peter Klein

(2013)

"Implications of Revised Attributions in Netherlandish Painting": Metropolitan Museum Journal, v. 27 (1992)

Ainsworth, Maryan W.

(1992)

"Intentional Alterations of Early Netherlandish Paintings": Metropolitan Museum Journal, v. 40 (2005)

Ainsworth, Maryan W.

(2005)

"Lucas Cranach's Saint Maurice" The Metropolitan Museum of Art Bulletin, v. 72, no. 4 (Spring, 2015)

Ainsworth, Maryan, Sandra Hindriks, and Pierre Terjanian

(2015)

Man, Myth, and Sensual Pleasures: Jan Gossart's Renaissance

Ainsworth, Maryan W., ed., with Stijn Alsteens and Nadine M. Orenstein, and with contributions by Lorne Campbell, Ethan Matt Kavaler, Peter Klein, and Stephanie Schrader

(2010)

Petrus Christus: Renaissance Master of Bruges

Ainsworth, Maryan W., with contributions by Maximilliaan P. J. Martens

(1994)

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Search results (17)

Art and Autoradiography: Insights into the Genesis of Paintings by Rembrandt, Van Dyck, and Vermeer

Byzantium: Faith and Power (1261–1557)

Dürer and Beyond: Central European Drawings, 1400–1700

Early Netherlandish Painting at the Crossroads: A Critical Look at Current Methodologies

From Van Eyck to Bruegel: Early Netherlandish Painting in The Metropolitan Museum of Art

Gerard David: Purity of Vision in an Age of Transition

German Paintings in The Metropolitan Museum of Art, 1350–1600

"Implications of Revised Attributions in Netherlandish Painting": Metropolitan Museum Journal, v. 27 (1992)

"Intentional Alterations of Early Netherlandish Paintings": Metropolitan Museum Journal, v. 40 (2005)

"Lucas Cranach's Saint Maurice" The Metropolitan Museum of Art Bulletin, v. 72, no. 4 (Spring, 2015)

Man, Myth, and Sensual Pleasures: Jan Gossart's Renaissance

Petrus Christus: Renaissance Master of Bruges