New Connections appear every Wednesday. Sign up for a reminder.
Prints curator Nadine Orenstein looks for the ideal man in art, from ancient Rome to Hollywood.
My name is Nadine Orenstein and I'm a curator in the Drawings and Prints department.
When you start studying art history there's a lot of talk about artists looking for an ideal figure type.
So that got me thinking about what is the ideal man in art and how
works of art can show you different aspects of what the ideal man might be in different times.
Albrecht Dürer, he was really trying to find a formula of the ideal proportions of men and women. Even he realized that that was not practical at all and later on when he did his proportion book he actually ended up with ideal figure types for different body shapes.
This great cuirass of an ideal chest, you wonder if the person wearing it actually looked like that, then that brings up the whole idea of people
changing themselves to become the ideal man. A wonderful caricature of a dandy and he's got two people who are pulling at his girdle trying to get him into the ideal figure type
and meanwhile, he looks like he's squeezing out the top of his collar.
To Lucien Freud, Leigh Bowery was his ideal man, and he'd made many paintings of this figure who to some people looks large and you can see like all the layers of flesh and fat.
Rembrandt van Rijn made many self-portraits from early in his career to very late in his career and he also put himself in a lot of paintings, so in a certain way he was his ideal man.
George Washington kind of embodies the ideal politician and this Gilbert Stewart painting became the model for the dollar bill and many other images of George Washington.
It used to be that the ideal man was the strong silent type who would take care of everything outside the home, and then the woman would be the one inside the home taking care of the shopping and all of these things, and now of course the image of the ideal man has changed and there's this great
painting that at the time was meant to make fun of him but in fact now, for many women, this would be the ideal man: the guy who goes shopping and he's there with his big basket of vegetables kind of bumbling around.
When I was in high school here in New York City and I came to the Met, I think this portrait of Anthony van Dyke showed my ideal man. He's like such a dream boat with his cute little eyes and his wonderful haircut and looking soulfully out at us.
I think the ideal man can be anything to anybody, and certainly changes so much over time.
Everybody has their own ideas that they read into these images. He could be a movie star, he could be a statesman
he could be your father. I'm always thinking about who it could be and so it's fascinating to see what other people, other cultures
think about this idea of the ideal man.
Works of art in order of appearanceLast Updated: June 22, 2015. Not all works of art in the Museum's collection may be on view on a particular day. For the most accurate location information, please check this page on the day of your visit. |
||
Statuette of the Diadoumenos (youth tying a fillet around his head) 1st century b.c. Greek; copy of a Greek bronze statue by Polykleitos Terracotta Fletcher Fund, 1932 (32.11.2) More information: The Collection Online Not on view
|
Greek and Roman ArtFirst Floor and Mezzanine | |
Portrait of Rembrandt Leaning on a Stone Sill 1639 Rembrandt (Rembrandt van Rijn) (Dutch) Etching, drypoint and burin; second state of two H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 (29.107.25) More information: The Collection Online Not on view
|
Drawings and PrintsSecond Floor | |
Plaque: Warrior and Attendants 16th–17th century Nigeria; Edo peoples, Court of Benin Brass Gift of Mr. and Mrs. Klaus G. Perls, 1990 (1990.332) More information: The Collection Online Not on view
|
Arts of Africa, Oceania, and the AmericasFirst Floor | |
Adam and Eve 1504 Albrecht Dürer (German) Engraving Fletcher Fund, 1919 (19.73.1) More information: The Collection Online Not on view
|
Drawings and PrintsSecond Floor | |
Front of a cuirass 4th century b.c. Greek, Apulian Bronze Gift of Estée Lauder, 1992 (1992.180.3a) More information: The Collection Online Not on view
|
Greek and Roman ArtFirst Floor and Mezzanine | |
Laceing [sic] a Dandy 1819 Anonymous, British, 19th century Hand-colored etching Rogers Fund, 1969 The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1969 (69.524.35) More information: The Collection Online Not on view
|
Drawings and PrintsSecond Floor | |
Naked Man, Back View 1991–92 Lucian Freud (British, born Germany) Oil on canvas Purchase, Lila Acheson Wallace Gift, 1993 (1993.71) More information: The Collection Online Not on view
|
Modern and Contemporary ArtSecond Floor | |
Self-Portrait 1660 Rembrandt (Rembrandt van Rijn) (Dutch) Oil on canvas Bequest of Benjamin Altman, 1913 (14.40.618) More information: The Collection Online Not on view
|
European PaintingsSecond Floor | |
George Washington ca. 1795–96 Gilbert Stuart (American) Oil on canvas Rogers Fund, 1907 (07.160) More information: The Collection Online Not on view
|
American Paintings and SculptureFirst and Second Floors | |
Young Husband: First Marketing 1854 Lilly Martin Spencer (American) Oil on canvas Private collection, Promised Gift to The Metropolitan Museum of Art More information: The Collection Online Not on view
|
American Paintings and SculptureFirst and Second Floors | |
Self-Portrait possibly 1620–21 Anthony van Dyck (Flemish) Oil on canvas The Jules Bache Collection, 1949 (49.7.25) More information: The Collection Online Not on view
|
European PaintingsSecond Floor | |
Gary Cooper 1934 George Hoyningen-Huene (American, born Russia) Gelatin silver print Ford Motor Company Collection, Gift of Ford Motor Company and John C. Waddell, 1987 (1987.1100.293) © Richard J. Horst More information: The Collection Online Not on view
|
PhotographsSecond Floor | |
Young Girl with Portrait of George Washington ca. 1850 Southworth & Hawes (Albert Sands Southworth [American] and Josiah Johnson Hawes [American]), Boston Daguerreotype Gift of I. N. Phelps Stokes, Edward S. Hawes, Alice Mary Hawes, and Marion Augusta Hawes, 1937 (37.14.53) More information: The Collection Online Not on view
|
PhotographsSecond Floor | |
Portrait of a Gentleman and His Daughter ca. 1810 François M. Guyol de Guiran (French, act. America) Watercolor on ivory and painted paper Purchase, Gift of The Chester Dale Collection, by exchange, 2001 (2001.95) More information: The Collection Online Not on view
|
American Paintings and SculptureFirst and Second Floors | |
© 2011 The Metropolitan Museum of Art |