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Curator of European sculpture and decorative arts Daniëlle Kisluk-Grosheide muses on the relationship she has with trees.
My name is Daniëlle Kisluk-Grosheide. I'm a curator in the department of European sculpture and decorative arts, and today I would like to talk about trees.
Trees are very important in any landscape. Either being in a grove or just an individual
tree here and there. But they certainly provide respite from the sun and
create very interesting light effects, different on any given day depending on the weather or the time or the season, which makes my walk through Central Park certainly very different, any given day.
I come with a sense of wonder and deep respect. There's something very Zen about looking at trees, even though when I was younger I probably didn't know what that meant.
Looking at these beautiful trees which are basically the largest plants that exist, also living longer than we do
I think if you look you'll find extraordinary variety in colors and textures.
Some bear lovely, pastel-colored flowers in the springtime, and others color bright red or orange in the fall, and every year it seems to be a total surprise.
And you can see bird's nests that are otherwise hidden when the trees are full of leaves.
It is particularly beautiful when they're silhouetted against the winter sky, and that silhouette is softened by a thin layer of snow.
Some of the trees are real personalities I feel. Their branches shaped in all kinds of twisting curves, perhaps beaten after decades of rain and wind and storm.
Others are standing straight like soldiers.
Sometimes the brute force of the roots have uprooted the pavement, they are very visible.
In this painting by Fragonard, this tree-lined avenue, really almost forms an open-air cathedral. The branches on either side of the road are bent almost in a gothic-style arch.
Once a tree has died, its root lives on in many different forms. All the many books in the library to
many different objects: large monumental sculptures
the very virtuous carvings, or
marvelous marquetry. This mechanical table that was created for Madame de Pompadour
which has extraordinary depictions, really as if it were painting in wood.
These exotic veneers that were so effectively used by cabinetmakers like Ruhlmann, showing off the wonderful Macassar ebony veneers.
Sometimes you find trees having formed inspiration in unlikely places, such as this cubist tree
or, very surprising to me, this incredibly festive evening gown by Charles James ,which is entitled "Tree."
They are survivors in this big city full of concrete and stone.
They're so important, they offer us oxygen and shadow on hot days, and shelter for birds and small animals.
There is indeed this warmth, at least to me, which I would way prefer over plastic or man-made materials.
There's something very comforting about them.
Works of art in order of appearanceLast Updated: June 22, 2015. Not all works of art in the Museum's collection may be on view on a particular day. For the most accurate location information, please check this page on the day of your visit. |
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Beech Trees in the English Garden, Munich early 19th century Johann Georg von Dillis (German) Oil on paper laid down on cardboard Thaw Collection, Jointly Owned by The Metropolitan Museum of Art and The Morgan Library & Museum, Gift of Eugene V. Thaw, 2009 (2009.400.48) More information: The Collection Online Not on view
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European PaintingsSecond Floor | |
Pine Tree, Rocks, Yosemite Valley, California 1967 Ansel Adams (American) Black and white instant print Gift of Virginia Best Adams and Polaroid Corporation, 1986 (1986.1042.27) © Ansel Adams Publishing Trust More information: The Collection Online Not on view
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PhotographsSecond Floor | |
Landscape with a Sunlit Stream ca. 1877 Charles-François Daubigny (French) Oil on canvas Bequest of Martha T. Fiske Collord, in memory of her first husband, Josiah M. Fiske, 1908 (08.136.4) More information: The Collection Online Not on view
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European PaintingsSecond Floor | |
Spring and Autumn Trees and Grasses by a Stream Edo period, 2nd half of the 17th century Rimpa School (Japanese) Pair of six-panel screens; ink, color, gold, and silver on paper Rogers Fund, 1915 (15.127) More information: The Collection Online Not on view
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Asian ArtSecond Floor | |
A Large Tree 1615–73 Salvator Rosa (Italian, Neapolitan) Pen and brown ink, on brown paper Rogers Fund, 1911 (11.66.7) More information: The Collection Online Not on view
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Drawings and PrintsSecond Floor | |
Autumn Oaks ca. 1878 George Inness (American) Oil on canvas Gift of George I. Seney, 1887 (87.8.8) More information: The Collection Online Not on view
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American Paintings and SculptureFirst and Second Floors | |
Peach Blossoms—Villiers-le-Bel ca. 1887–89 Childe Hassam (American) Oil on canvas Gift of Mrs. J. Augustus Barnard, 1979 (1979.490.9) More information: The Collection Online Not on view
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American Paintings and SculptureFirst and Second Floors | |
Sparrows in a Large Tree Meiji period, 19th century Kawanabe Kyôsai (Japanese) Album leaf; ink and color on silk Charles Stewart Smith Collection, Gift of Mrs. Charles Stewart Smith, Charles Stewart Smith Jr., and Howard Caswell Smith, in memory of Charles Stewart Smith, 1914 (14.76.61.4) More information: The Collection Online Not on view
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Asian ArtSecond Floor | |
Winter Yosemite Valley 1933–34 Ansel Adams (American) Gelatin silver print Alfred Stieglitz Collection, 1949 (49.55.177) © Ansel Adams Publishing Trust More information: The Collection Online Not on view
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PhotographsSecond Floor | |
Tree, Point Arena, California 1960 Ansel Adams (American) Black and white instant print Gift of Virginia Best Adams and Polaroid Corporation, 1986 (1986.1042.1) © Ansel Adams Publishing Trust More information: The Collection Online Not on view
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PhotographsSecond Floor | |
The Four Trees 1891 Claude Monet (French) Oil on canvas H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 (29.100.110) More information: The Collection Online Not on view
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European PaintingsSecond Floor | |
Roots of the Strangler Fig Tree, Everglades National Park, Florida 1954 Eliot Porter (American) Dye transfer print Gift of the artist, in honor of David Hunter McAlpin, 1979 (1979.625.39) © 1990 Amon Carter Museum, Fort Worth, Texas More information: The Collection Online Not on view
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PhotographsSecond Floor | |
A Shaded Avenue probably 1773 Jean Honoré Fragonard (French) Oil on wood The Jules Bache Collection, 1949 (49.7.51) More information: The Collection Online Not on view
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European PaintingsSecond Floor | |
Liber chronicarum (Nuremberg Chronicle) 1493 Author: Hartmann Schedel (German); Illustrators: Michael Wolgemut (German) and Wilhelm Pleydenwurff (German) Printed book with woodcut illustrations George Khuner Collection, Gift of Mrs. George Khuner, 1981 (1981.1178.29) More information: The Collection Online Not on view
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Drawings and PrintsSecond Floor | |
Bird (Sejen) 19th–mid-20th century Senufo peoples, Côte d'Ivoire, northern Côte d'Ivoire Wood, pigment The Michael C. Rockefeller Memorial Collection, Bequest of Nelson A. Rockefeller, 1979 (1979.206.176) More information: The Collection Online Not on view
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Arts of Africa, Oceania, and the AmericasFirst Floor | |
Panel 1784 Aubert-Henri-Joseph Parent (French) Lime wood Gift of Mr. and Mrs. Charles Wrightsman, 1971 (1971.206.39) More information: The Collection Online Not on view
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European Sculpture and Decorative ArtsFirst Floor | |
Mechanical table ca. 1761–63 Stamped by Jean-François Oeben (French) and Roger Vandercruse Lacroix (French) Oak veneered with mahogany, kingwood, and tulipwood with marquetry of mahogany, rosewood, holly, and various other woods, gilt-bronze mounts The Jack and Belle Linsky Collection, 1982 (1982.60.61) More information: The Collection Online Not on view
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European Sculpture and Decorative ArtsFirst Floor | |
État (State) cabinet 1926 Émile-Jacques Ruhlmann (French) Macassar ebony, amaranth, ivory Purchase, Edward C. Moore Jr. Gift, 1925 (25.231.1) More information: The Collection Online Not on view
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Modern and Contemporary ArtSecond Floor | |
Maquette for Arbre Cubiste (Cubist Tree) 1925 Jan Martel (French); Joël Martel (French) Painted wood Purchase, Gifts of Himan Brown and Adele Simpson, by exchange, 1997 (1997.110) More information: The Collection Online Not on view
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Modern and Contemporary ArtSecond Floor | |
"Tree" 1955 Charles James (American, born Great Britain) Silk Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, Gift of the Brooklyn Museum, 2009; Gift of Mrs. Douglas Fairbanks, Jr., 1981 (2009.300.991) More information: The Collection Online Not on view
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The Costume InstituteFirst Floor | |
Plaque with a tree of intertwined papyrus and pomegranates; craftsman's mark on the lower tenon Neo-Assyrian, ca. 8th–7th century b.c. Mesopotamia, Nimrud (ancient Kalhu) Ivory Rogers Fund, 1964 (64.37.12) More information: The Collection Online Not on view
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Ancient Near Eastern ArtSecond Floor | |
Woodland Road ca. 1670 Meyndert Hobbema (Dutch) Oil on canvas Bequest of Mary Stillman Harkness, 1950 (50.145.22) More information: The Collection Online Not on view
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European PaintingsSecond Floor | |
Cabinet on Stand ca. 1700 English Pine veneered with marquetry of walnut, burl walnut, and holly; oak drawers; walnut legs; brass hardware, some of it replaced From the Marion E. and Leonard A. Cohn Collection, Bequest of Marion E. Cohn, 1966 (66.64.15) More information: The Collection Online Not on view
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European Sculpture and Decorative ArtsFirst Floor | |
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