Composite image of two identical drawings of a woman with a large hat and her hands holding her billowing dress

New Rotation

New Acquisitions in Context: Selections from the Department of Drawings and Prints

September 7–December 5, 2023

Now on view at The Met Fifth Avenue, Gallery 690

Free with Museum admission

Plan Your Visit All exhibitions

Overview Exhibition Objects

A Woman getting up (Intimite, Le Lever), Marie-Louis-Pierre Vidal French, Watercolor over graphite — A Woman getting up (Intimite, Le Lever)
Marie-Louis-Pierre Vidal (French, Tours, 1849–1929 (?))
1907

The Mattress Workers (Les Matelassieres), Edgar Chahine French, Etching and Drypoint (2nd state of two) — The Mattress Workers (Les Matelassieres)
Edgar Chahine (French (born Austria), Vienna 1874–1947 Paris)
1908

Wrestlers: Double Down with Head to the Ground (Double Prise de Tete a Terre), Edgar Chahine French, Soft-ground etching (Vernis Mou); fourth state of four — Wrestlers: Double Down with Head to the Ground (Double Prise de Tete a Terre)
Edgar Chahine (French (born Austria), Vienna 1874–1947 Paris)
1904

Polo at Bagatelle (Bagatelle Le Polo), Marie-Louis-Pierre Vidal French, Watercolor over graphite — Polo at Bagatelle (Bagatelle Le Polo)
Marie-Louis-Pierre Vidal (French, Tours, 1849–1929 (?))
1906

Dinner at Palace Hotel (Palace Hotel Le Diner), Marie-Louis-Pierre Vidal French, Watercolor over graphite — Dinner at Palace Hotel (Palace Hotel Le Diner)
Marie-Louis-Pierre Vidal (French, Tours, 1849–1929 (?))
1908

The French Fries (Les Frites), Edgar Chahine French, Etching and drypoint (2nd state of two) — The French Fries (Les Frites)
Edgar Chahine (French (born Austria), Vienna 1874–1947 Paris)
1908

Morphine Addicts, Paul-Albert Besnard French, Etching, only state — Morphine Addicts
Paul-Albert Besnard (French, Paris 1849–1934 Paris)
1887

A Visit to the department store (Viste aux grands magasins), Marie-Louis-Pierre Vidal French, Watercolor over graphite — A Visit to the department store (Viste aux grands magasins)
Marie-Louis-Pierre Vidal (French, Tours, 1849–1929 (?))
1907

Ouvriers Sortant de L'Usine, Théophile-Alexandre Steinlen French, born Switzerland, Lithograph; single state — Ouvriers Sortant de L'Usine
Théophile-Alexandre Steinlen (French (born Switzerland), Lausanne 1859–1923 Paris)
1903

The Poor Bench in Saint-Germain-des-près, Léon-Augustin Lhermitte French, Charcoal — The Poor Bench in Saint-Germain-des-près
Léon-Augustin Lhermitte (French, Mont Saint-Père 1844–1925 Paris)
1867

A Gentleman goes to his club (Monsieur va au cercle), Marie-Louis-Pierre Vidal French, Watercolor over graphite — A Gentleman goes to his club (Monsieur va au cercle)
Marie-Louis-Pierre Vidal (French, Tours, 1849–1929 (?))
1907

Presentation Drawing of a late Baroque Altar inside a Church, Anonymous, Central European, 18th century Central European, Pen and black and brown ink, brush and gray wash, watercolor, and metallic pigment — Presentation Drawing of a late Baroque Altar inside a Church
Anonymous, Central European, 18th century
ca. 1720-30

Design for an Altarpiece with a Figure of St. Sebastian, Joseph Anton Feuchtmayer German, Pen and gray ink, and watercolor. Broad framing line in pen and black ink. — Design for an Altarpiece with a Figure of St. Sebastian
Joseph Anton Feuchtmayer (German, Linz 1696–1770 Mimmenhausen)
1741

Design for the Transeptal Altars in the Klosterkirche Zwiefalten, Johann Michael Feichtmayr German, Pen and gray ink, gray and gray-blue wash, and graphite. Framing lines in pen and black ink. — Design for the Transeptal Altars in the Klosterkirche Zwiefalten
Johann Michael Feichtmayr (German, 1709–1772)
ca. 1740–50

Design for a Pulpit, Michael Furtner the Elder German, Pen and ink, brush and wash — Design for a Pulpit
Michael Furtner the Elder (German, active Bavaria)
Michael Furtner the Younger (German, active Bavaria)
1690–1720

Elevation and Floorplan of a Neoclassical Confessional, Anonymous, Central European, 18th century Central European, Pen and black ink with grey wash — Elevation and Floorplan of a Neoclassical Confessional
Anonymous, Central European, 18th century
ca. 1760-80

The Prophets David and Daniel, Peter Paul Rubens Flemish, Red chalk, brush and red and pink wash, bodycolor, heightened with white — The Prophets David and Daniel
Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp)
After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483–1520 Rome)
ca. 1601–2

A Sibyl Holding a Scroll (Study for the Cimmerian Sibyl), Guercino (Giovanni Francesco Barbieri) Italian, Pen and dark brown ink — A Sibyl Holding a Scroll (Study for the Cimmerian Sibyl)
Guercino (Giovanni Francesco Barbieri) (Italian, Cento 1591–1666 Bologna)
1638

The Shade of the Prophet Samuel Invoked by King Saul and Conjured by the Witch of Endor, Antoine Coypel French, Black and red chalk — The Shade of the Prophet Samuel Invoked by King Saul and Conjured by the Witch of Endor
Antoine Coypel (French, Paris 1661–1722 Paris)
ca. 1695

Study for the Prophet Jeremiah (recto); Studies of a Horse Seen from Below and of a Man Seated on a Chair, Probably a Self-Portrait and an Off-Print in Brown Ink of a Nude Female Abdomen and Legs (verso), Henry Fuseli Swiss, Pen and brown ink over graphite on paper; verso, pen and brown ink; framing lines in graphite — Study for the Prophet Jeremiah (recto); Studies of a Horse Seen from Below and of a Man Seated on a Chair, Probably a Self-Portrait and an Off-Print in Brown Ink of a Nude Female Abdomen and Legs (verso)
Henry Fuseli (Swiss, Zürich 1741–1825 London)
1764–70

The Cumaean Sibyl (after Michelangelo), Jean Robert Ango French, Red chalk — The Cumaean Sibyl (after Michelangelo)
Jean Robert Ango (French, active Rome, 1759–70, died after 1773)
After Michelangelo Buonarroti (Italian, Caprese 1475–1564 Rome)
1767

Chef des Eunuques (head of the Eunuchs), from the series "Caravane du Sultan à la Mecque..." (Caravan of a Sultan Going to Mecca), Joseph Marie Vien French, Etching — Chef des Eunuques (head of the Eunuchs), from the series "Caravane du Sultan à la Mecque..." (Caravan of a Sultan Going to Mecca)
Joseph Marie Vien (French, Montpellier 1716–1809 Paris)
1748

The Sultan, Jean Honoré Fragonard French, Brush and brown wash (possibly bistre) over black chalk underdrawing — The Sultan
Jean Honoré Fragonard (French, Grasse 1732–1806 Paris)
1774

A woman of European descent in Pera, Constantinople receiving visitors, followed by a young girl (Une Dame Franques de Pera à Constantinople recevant visite), Jean Etienne Liotard Swiss, Etching and engraving — A woman of European descent in Pera, Constantinople receiving visitors, followed by a young girl (Une Dame Franques de Pera à Constantinople recevant visite)
Jean Etienne Liotard (Swiss, Geneva 1702–1789 Geneva)
Giuseppe Camerata II (Italian, Frascati or Venice 1718–1803 Dresden)
1745

Dame Grecque, dans son Apartement, plate 68 from "Recueil de cent estampes représentent differentes nations du Levant", Jean Baptiste Vanmour French, Etching and engraving — Dame Grecque, dans son Apartement, plate 68 from "Recueil de cent estampes représentent differentes nations du Levant"
Multiple artists/makers
1714–15

Dame de Constantinople, from Recueil de diverses fig.res étrangeres Inventées par F. Boucher P.tre du Roy et Gravées par F. Ravenet (Collection of Various Foreign Figures, Devised by F. Boucher, Painter of the King and Engraved [etched] by F. Ravenet), plate 5, Simon Francis Ravenet, the elder French, Etching and engraving — Dame de Constantinople, from Recueil de diverses fig.res étrangeres Inventées par F. Boucher P.tre du Roy et Gravées par F. Ravenet (Collection of Various Foreign Figures, Devised by F. Boucher, Painter of the King and Engraved [etched] by F. Ravenet), plate 5
Multiple artists/makers
ca. 1730–50

Woman of Constantinople, François Boucher French, Red chalk — Woman of Constantinople
François Boucher (French, Paris 1703–1770 Paris)
ca. 1730–31

A Man Tormented by Jealousy Takes Revenge on Cupid, Bénigne Gagneraux French, Etching and aquatint — A Man Tormented by Jealousy Takes Revenge on Cupid
Bénigne Gagneraux (French, Dijon 1756–1795 Florence)
ca.1790–95

The Constancy of Coriolanus, Jean François Janinet French, Etching and roulette — The Constancy of Coriolanus
Jean François Janinet (French, Paris 1752–1814 Paris)
After Jean Guillaume Moitte (French, Paris 1746–1810 Paris)
ca. 1778

Tomb with Death Enthroned as a Sphinx, Louis Jean Desprez French, Etching and aquatint, printed in brown ink, ii/ii — Tomb with Death Enthroned as a Sphinx
Louis Jean Desprez (French, Auxerre 1743–1804 Stockholm)
ca. 1779–84

Revolutionary Calendar, Louis Philibert Debucourt French, Etching and aquatint — Revolutionary Calendar
Louis Philibert Debucourt (French, Paris 1755–1832 Paris)
1793

Designs for Silver, Jean Guillaume Moitte French, Pen and black ink, brush and black and gray wash, with framing lines in pen and black ink. — Designs for Silver
Jean Guillaume Moitte (French, Paris 1746–1810 Paris)

Design for a Covered Footed Serving Dish, Henri Auguste French, Pen and gray ink, brush and gray wash. Framing lines in pen and black ink. — Design for a Covered Footed Serving Dish
Circle of Henri Auguste (French, Paris 1759–1816 Port-au-Prince)
ca. 1770–1816

Design for a Silver Knife, Fork and Spoon "St. Marcus Pattern", Anonymous, Czech, early 20th century Czech, Ink and gouache on gray paper — Design for a Silver Knife, Fork and Spoon "St. Marcus Pattern"
Anonymous, Czech, early 20th century
early 20th century

Specimens of Tinted Glassware with Decorations in Gold and Blue, Compagnia di Venezia e Murano Italian, Pencil, pen and ink, and watercolor on tissue paper — Specimens of Tinted Glassware with Decorations in Gold and Blue
Compagnia di Venezia e Murano (Italian 1872–1909)
1866–1880

Specimens of White and Colored Glassware, Compagnia di Venezia e Murano Italian, Watercolor, pen and black ink, and graphite — Specimens of White and Colored Glassware
Compagnia di Venezia e Murano (Italian 1872–1909)
1866–1880

Design for a Lidded Crystal and Silver-Plated Water Pitcher or Claret Jug, Elkington & Co. British, Watercolor and gouache (bodycolor) on beige paper — Design for a Lidded Crystal and Silver-Plated Water Pitcher or Claret Jug
Elkington & Co. (British, ca. 1830–1963)
George Richards Elkington (British, Birmingham 1801–1865 Denbinghshire)
c. 1890–1910

Design for a Covered Dish in the "Service au Filet" (Fish Net Ware), Maison J. Vieillard et Cie, Bordeaux, Amédée de Caranza French, Graphite, pen and black and brown ink, watercolor, gold paint — Design for a Covered Dish in the "Service au Filet" (Fish Net Ware), Maison J. Vieillard et Cie, Bordeaux
Attributed to Amédée de Caranza (French, born Istanbul, 1834–1914)
Manufactured by Maison J. Vieillard et Cie (French (Bordeaux), 1845-1895) , Bordeaux
1875–85

Design for a Table Service with a Compotier, Sauce Boat and a Plate, Hélène Forichon French, Graphite, watercolor, and gold paint on laid paper — Design for a Table Service with a Compotier, Sauce Boat and a Plate
Hélène Forichon (French, 1896–1989)
1918

Bleeding Heart Biscuit Jar Design, Hannah Borger Overbeck American, Pen and ink and brush and wash — Bleeding Heart Biscuit Jar Design
Hannah Borger Overbeck (American, Cambridge City, Indiana 1870–1931 Cambridge City, Indiana)
1913

Bleeding Heart Milk Pitcher Design, Hannah Borger Overbeck American, Pen and ink and brush and wash — Bleeding Heart Milk Pitcher Design
Hannah Borger Overbeck (American, Cambridge City, Indiana 1870–1931 Cambridge City, Indiana)
1913

Bleeding Heart Vase Design, Hannah Borger Overbeck American, Pen and ink and brush and wash — Bleeding Heart Vase Design
Hannah Borger Overbeck (American, Cambridge City, Indiana 1870–1931 Cambridge City, Indiana)
1913

Sample Book of Asian-inspired Porcelain Patterns from the Staatliche Porzellan Manufaktur Meißen, Offizin Drugulin, Etched title page and 41 hand-colored etched plates, some heightened with gold — Sample Book of Asian-inspired Porcelain Patterns from the Staatliche Porzellan Manufaktur Meißen
Offizin Drugulin (Leipzig, 1866-present)
Meissen Manufactory (German, 1710–present)
ca. 1920

Plate, Meissen Manufactory German, Hard-paste porcelain, German, Meissen — Plate
Meissen Manufactory (German, 1710–present)
ca. 1725–30

Plate, Meissen Manufactory German, Hard-paste porcelain, German, Meissen — Plate
Meissen Manufactory (German, 1710–present)
ca. 1735

Shimmering Duet (Red Pink), Tunji Adeniyi-Jones American, Monotype — Shimmering Duet (Red Pink)
Tunji Adeniyi-Jones (American, born London 1992)
Two Palms Press (New York, NY)
2022

Un coup de dés jamais n'abolira le hasard [A Throw of the Dice Will Never Abolish Chance], Marcel Broodthaers Belgian, Artist's book — Un coup de dés jamais n'abolira le hasard [A Throw of the Dice Will Never Abolish Chance]
Multiple artists/makers
1969

For Zitkála Šá Series (For Buffy Sainte-Marie), Raven Chacon American, Lithograph — For Zitkála Šá Series (For Buffy Sainte-Marie)
Raven Chacon (American, born Fort Defiance, Arizona, 1977)
2020

For Zitkála Šá Series (For Heidi Senungetuk), Raven Chacon American, Lithograph — For Zitkála Šá Series (For Heidi Senungetuk)
Raven Chacon (American, born Fort Defiance, Arizona, 1977)
2020

Lithograph #13, Piero Dorazio Italian, Lithograph — Lithograph #13
Piero Dorazio (Italian, Rome 1927–2005 Perugia)
1961

Yellow Span, Helen Frankenthaler American, Sugar-lift aquatint — Yellow Span
Helen Frankenthaler (American, New York 1928–2011 Darien, Connecticut)
Published by Universal Limited Art Editions
1968

Phase, Sam Gilliam American, Screenprint — Phase
Sam Gilliam (American, born Tupelo, Mississippi, 1933–2022 Washington, D.C.)
1974

Lineas, Gego (Gertrud Goldschmidt) Venezuelan, born Germany, Lithograph — Lineas
Gego (Gertrud Goldschmidt) (Venezuelan (born Germany), Hamburg 1912–1994 Caracas)
1966

After Degas, Howard Hodgkin British, Intaglio print with carborundum in colors, with hand coloring — After Degas
Multiple artists/makers
1990

Escrito en Piedra, from the portfolio "Guariquen: Images and Words Rican/Structured", Juan Sanchez American, Hand-colored lithograph with collage — Escrito en Piedra, from the portfolio "Guariquen: Images and Words Rican/Structured"
Multiple artists/makers
1987

Recoge Tu Destino, from the portfolio "Guariquen: Images and Words Rican/Structured", Juan Sanchez American, Hand-colored lithograph and screenprint with collage — Recoge Tu Destino, from the portfolio "Guariquen: Images and Words Rican/Structured"
Multiple artists/makers
1986

La Lucha Continua, from the portfolio "Guariquen: Images and Words Rican/Structured", Juan Sanchez American, Hand-colored lithograph and screenprint with collage — La Lucha Continua, from the portfolio "Guariquen: Images and Words Rican/Structured"
Multiple artists/makers
1986

Para Carmen María Colón, from the portfolio "Guariquen: Images and Words Rican/Structured", Juan Sanchez American, Hand-colored lithograph with collage — Para Carmen María Colón, from the portfolio "Guariquen: Images and Words Rican/Structured"
Multiple artists/makers
1986

Un Sueño Libre, from the portfolio "Guariquen: Images and Words Rican/Structured", Juan Sanchez American, Hand-colored lithograph with collage — Un Sueño Libre, from the portfolio "Guariquen: Images and Words Rican/Structured"
Multiple artists/makers
1987

Cloth: Label 1, Richard Tuttle American, Etching with aquatint, spitbite, sugarlift, softground, fabric collé — Cloth: Label 1
Multiple artists/makers
2002–05

Yellow Changing, Stanley Whitney American, Aquatint — Yellow Changing
Stanley Whitney (American, born Philadelphia, Pennsylvania, 1946)
2011

Untitled, Stanley Whitney American, Single color etching — Untitled
Stanley Whitney (American, born Philadelphia, Pennsylvania, 1946)
2017

Guariquen: images & words Rican/structed

Multiple artists/makers

1986–87

La Femme à Paris, Nos Contemporaires, Octave Uzanne French — La Femme à Paris, Nos Contemporaires
Written by Octave Uzanne (French, Auxerre 1851–1931)
1894

Orange Downpour, Helen Frankenthaler American, Pochoir — Orange Downpour
Helen Frankenthaler (American, New York 1928–2011 Darien, Connecticut)
Published by Abrams Original Editions, New York
1970

Cloth: Label 2, Richard Tuttle American, Etching with aquatint, spitbite, sugarlift, softground, fabric collé — Cloth: Label 2
Multiple artists/makers
2002–05

Cloth: Label 3, Richard Tuttle American, Etching with aquatint, spitbite, sugarlift, softground, fabric collé — Cloth: Label 3
Multiple artists/makers
2002–05

La Vie à Montmartre, Georges Montorgueil French — La Vie à Montmartre
Georges Montorgueil (French, 1857–1933)
Marie-Louis-Pierre Vidal (French, Tours, 1849–1929 (?))
1899

Cloth: Label 4, Richard Tuttle American, Etching with aquatint, spitbite, sugarlift, softground, fabric collé — Cloth: Label 4
Multiple artists/makers
2002–05

MAB: (Etching II) 1971 Yellow, McArthur Binion American, Color aquatint with hardground etching — MAB: (Etching II) 1971 Yellow
McArthur Binion (American, born 1946)
2016

A suite of five linocuts individually titled: Juapong, Kpetoe, Tsito, Vane, Kpong, Atta Kwami Ghanaian, Linocut — A suite of five linocuts individually titled: Juapong, Kpetoe, Tsito, Vane, Kpong
Atta Kwami (Ghanaian, Accra 1956–2021)
2006

Plan Your Visit

Dates

September 7–December 5, 2023

The Met Fifth Avenue

Free with Museum admission

Plan Your Visit All exhibitions

Composite image of two identical drawings of a woman with a large hat and her hands holding her billowing dress