Using a painstaking technique of multiple printing, Steichen achieved prints of such painterly seductiveness they have never been equaled. This view of a pond in the woods at Mamaroneck, New York is subtly colored as Whistler's Nocturnes, and like them, is a tone poem of twilight, indistinction, and suggestiveness. Commenting on such pictures in 1910, Charles Caffin wrote in Camera Work: "It is in the penumbra, between the clear visibility of things and their total extinction into darkness, when the concreteness of appearances becomes merged in half-realised, half-baffled vision, that spirit seems to disengage itself from matter to envelop it with a mystery of soul-suggestion."
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The Metropolitan Museum of Art. "The Painterly Photograph," January 9–February 28, 1973.
New York. The Metropolitan Museum of Art. "The Collection of Alfred Stieglitz," May 18–July 16, 1978.
National Gallery of Art, Washington D.C. "On the Art of Fixing a Shadow: One Hundred and Fifty Years of Photography," May 7, 1989–July 30, 1989.
Art Institute of Chicago. "On the Art of Fixing a Shadow: One Hundred and Fifty Years of Photography," September 16, 1989–November 26, 1989.
Los Angeles County Museum of Art. "On the Art of Fixing a Shadow: One Hundred and Fifty Years of Photography," December 21, 1989–February 25, 1990.
New York. The Metropolitan Museum of Art. "American Tonalism: Paintings, Drawings, Prints and Photographs," March 18–June 2, 1997.
The Metropolitan Museum of Art. "Johnson Gallery, Selections from the Collection 26," May 15–September 18, 2000.
Solomon R. Guggenheim Museum. "The Third Mind: American Artists Contemplate Asia, 1860-1989," January 30, 2009–April 22, 2009.
The Metropolitan Museum of Art. "Stieglitz, Steichen, Strand," November 8, 2010–April 10, 2011.
New York. The Metropolitan Museum of Art. "Faking It: Manipulated Photography Before Photoshop," October 10, 2012–January 27, 2013.
National Gallery of Art, Washington D.C. "Faking It: Manipulated Photography Before Photoshop," February 17–May 5, 2013.
Museum of Fine Arts, Houston. "Faking It: Manipulated Photography Before Photoshop," June 2–August 25, 2013.
New York. The Metropolitan Museum of Art. "Apollo's Muse: The Moon in the Age of Photography," July 3–September 22, 2019.
Stieglitz, Alfred, ed. Camera Work: A Photographic Quarterly 14 (April 1906).
Naef, Weston J. The Collection of Alfred Stieglitz: Fifty Pioneers of Modern Photography. 1st ed. New York: The Metropolitan Museum of Art, 1978. no. 482.
Greenough, Sarah. On the Art of Fixing a Shadow: One Hundred and Fifty Years of Photography. 1st ed. Washington, D.C.: National Gallery of Art, Washington D.C., 1989. pl. 172.
Théberge, Pierre. Lost Paradise: Symbolist Europe. Montreal: Montreal Museum of Fine Arts, 1995. ill. 167.
Smith, Joel. Edward Steichen: The Early Years. Princeton: The Metropolitan Museum of Art, 1999. pl. 26.
Brandow, Todd, and William A. Ewing. Edward Steichen: Lives in Photography. Minneapolis: Foundation for the Exhibition of Photography, 2007. fig. 217.
Fineman, Mia. Faking It: Manipulated Photography Before Photoshop. New York: The Metropolitan Museum of Art, 2012. no. 57, pp. 84, 222–223.
Vila, Anna, and Silvia A. Centeno. "FTIR, Raman and XRF Identification of the Image Materials in Turn of the 20th Century Pigment-Based Photographs." Michrochemical Journal 106 (January 2013). pp. 255–262.
Edward J. Steichen (American (born Luxembourg), Bivange 1879–1973 West Redding, Connecticut)
1902
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