Gift of I. N. Phelps Stokes, Edward S. Hawes, Alice Mary Hawes, and Marion Augusta Hawes, 1937
Not on view
Until recently, this daguerreotype was attributed to Alfred Sands Southworth (1811-1894), a partner in the Boston-based photography firm Southworth and Hawes, who headed west in 1849 with dreams of finding his fortune in gold. Recent scholarship, however, suggests that Southworth left his camera behind when he set out from Boston and that he purchased this photograph in San Francisco in 1849 or 1850. A number of daguerreotypists in the San Francisco area in the early 1850s made photographic views to compete with the lithographic "bird's-eye" views of the booming gold-rush city.
Inscription: Inscribed in pencil, verso, TC: "San Francisco"
Marking: Hallmark, TL: Doublé / J.P. [see Spirit of Fact (Sobieszek and Appel, 1976) #9, p. 153]
Edward S. Hawes, Alice Mary Hawes, and Marion Augusta Hawes; [Holman's Print Shop, Boston]; I.N. Phelps Stokes, New York, 1937
The Metropolitan Museum of Art. "The Hawes-Stokes Collection of American Daguerreotypes by Albert Sands Southworth and Josiah Johnson Hawes," November 4, 1939–December 7, 1939.
The Metropolitan Museum of Art. "Johnson Gallery, Selections from the Collection 44," August 29, 2006–January 7, 2007.
Stokes, Isaac Newton Phelps. The Hawes-Stokes Collection of American Daguerreotypesby Albert Sands Southworth and Josiah Johnson Hawes. New York: The Metropolitan Museum of Art, 1939. fig. 23.
Moore, Charles LeRoy. "Two Partners in Boston: The Careers and Daguerreian Artistry of Albert Southworth and Josiah Hawes." Master's thesis, University of Michigan, 1975. no. 49.
Sobieszek, Robert A., and Odette M. Appel. The Spirit of Fact: The Daguerreotypes of Southworth & Hawes, 1843–1862. Rochester: George Eastman House International Museum of Photography and Film, 1976.
Romer, Grant B., and Brian Wallis, ed. Young America: The Daguerreotypes of Southworth & Hawes. New York: George Eastman House International Museum of Photography and Film, 2005. no. 1822.