Attributed to Central Asia or Iran, possibly Karakalpak
Silver; fire gilded, with applied and stamped decoration, inset carnelians and turquoises, and carnelian, turquoise and coral beads
3 1/4 x 9 in. (8.3 x 22.9 cm)
Gift of Marshall and Marilyn R. Wolf, 2017
Not on view
Drinking Bowls: MMA 2017.693.11 and cat. no. 187 in this volume.
Drinking bowls outfitted with spouts are commonly carried by water-sellers in eastern Turkey. Cat. no. 187 and MMA 2017.698.11, luxurious versions of a drinking bowls, may have served as a symbol of the water-seller’s trade rather than as a functional object.. MMA 2017.693.11 has straight sides, while cat. no. 187 is based on the shape of a half coco-de-mer or coconut.. Nineteenth-century begging bowls were often made of coco-de-mer shells, sometimes enriched with gold or silver decoration and carved versified inscriptions and vegetal designs (see photograph on p. 225 in this volume). The coco-de-mer form was also popular for metalwork and, more rarely, for porcelain begging bowls.
Both bowls are embellished with a double bird’s-head design on either side of the opening at the top. The overall organization of the surface is similar in the two works, but cat. no. 187 is embellished with brilliant primary colors and bold designs, whereas MMA 2017.693.11 is ornamented with softer hues and daintier patterns related to textiles or embroideries.
Layla S. Diba in [Diba 2011]
15. Marilyn Wolf, conversation with the author, August 2008.
16. The form was originally thought to have existed as early as the seventeenth century in Persian steelwork. See Allan, James W. Nishapur: Metalwork of the Early Islamic Period. New York, 1982, pp. 114–15, for an example dated 1608 from Isfahan signed Hajji 'Abbas. However, the entire group signed Hajji 'Abbas has recently been re-dated to the late nineteenth century. For other nineteenth-century examples, see Piotrovsky, Mikhail B., and John Vrieze. Earthly Beauty, Heavenly Art: Art of Islam. Exh. cat., Die Nieuwe Kerk. Amsterdam, 1999, pp. 128–32, fig. 72, for a steel and gold example, figs. 73–75 for similar coco-de-mer examples, and fig. 76 for a rare porcelain example. See also Froom, Aimée, et al. Spirit and Life: Masterpieces of Islamic Art from the Aga Khan Museum Collection. Exh. cat., Palazzo della Pilotta, Parma; Ismaili Centre, p. 67, fig. 40, for a coco-de-mer begging bowl with spout.
Marshall and Marilyn R. Wolf, Toronto, Canada (by 2006–2017; gifted to MMA)
New York. The Metropolitan Museum of Art. "Turkmen Jewelry," October 9, 2012–February 24, 2013, no. 188.
Diba, Layla S. "Silver Ornaments from the Marshall and Marilyn R. Wolf Collection." In Turkmen Jewelry. The Metropolitan Museum of Art, 2011. no. 188, pp. 224–25, ill. pl. 188 (color).
Artist: Date: late 19th–early 20th century Accession Number: 2013.968.8 Date: late 19th–early 20th centuryMedium: Silver; fire-gilded and repousse with openwork and beaded stamped decoration, table cut carnelian, embossed pendants, and perforated terminations.Accession: 2013.968.8On view in:Not on view
Artist: Date: late 19th–early 20th century Accession Number: 2017.693.11 Date: late 19th–early 20th centuryMedium: Silver; fire gilded, with applied and stamped decoration, inset carnelians and turquoises, and carnelian, turquoise and coral beadsAccession: 2017.693.11On view in:Not on view
Artist: Date: early 20th century Accession Number: 2007.497.6 Date: early 20th centuryMedium: Silver, with parcel-gilt stamping, embossing, glass stones, and turquoise beadsAccession: 2007.497.6On view in:Not on view
Artist: Date: late 19th–early 20th century Accession Number: 2014.714.6 Date: late 19th–early 20th centuryMedium: Silver, with decorative wire, stamped beading, glass and turquoise beads, and incised table-cut carnelianAccession: 2014.714.6On view in:Not on view