The striking features of Mercedes de Cordoba—a tall, slender Spanish mezzosoprano who danced and played the piano—inspired several portraits by Steichen and other members of the Photo-Secession. In Paris, Steichen introduced her to the American modernist painter Arthur B. Carles, whom she married in 1909 and with whom she had a daughter, Mercedes Matter, an abstract painter who founded the New York Studio School in Greenwich Village.
Whitney Museum of American Art. "Edward Steichen," October 5, 2000–February 4, 2001.
Museu Nacional d'Art de Catalunya, Barcelona. "Jewelry by Artists, from Art Nouveau to the Avant-gardes," October 26, 2010–February 13, 2011.
The Metropolitan Museum of Art. "Photographic Treasures from the Collection of Alfred Stieglitz," October 13, 2011–February 26, 2012.
Stieglitz, Alfred, ed. Camera Work: A Photographic Quarterly (April 1906).
Naef, Weston J. The Collection of Alfred Stieglitz: Fifty Pioneers of Modern Photography. Studio Book. 1st ed. New York: The Metropolitan Museum of Art, 1978. no. 463.
Smith, Joel. Edward Steichen: The Early Years. Princeton: The Metropolitan Museum of Art, 1999. pl. 33.
Fondevila, Mariàngels. Joyas de Artista: Del Modernismo a la Vanguardia. Barcelona: Museu Nacional d'Art de Catalunya, Barcelona, 2010. p. 151.