Help us bring life to art, and art to lives. Make a donation.

close_button
Exhibitions/ Art Object

酒井抱一筆 柿図屏風
Persimmon Tree

Artist:
Sakai Hōitsu (Japanese, 1761–1828)
Period:
Edo period (1615–1868)
Date:
1816
Culture:
Japan
Medium:
Two-panel folding screen; ink and color on paper
Dimensions:
Image: 56 9/16 x 56 5/8 in. (143.7 x 143.8 cm) Overall: 65 1/4 x 64 in. (165.7 x 162.6 cm)
Classification:
Screens
Credit Line:
Rogers Fund, 1957
Accession Number:
57.156.3
Not on view
This painting, while exhibiting the trademark mottled-ink (tarashikomi) technique of the Rinpa school, reflects the artist’s interest in Western-style realism, which is combined with sophisticated, graceful forms. The intricately curling leaves of the tree and grass evoke the cold sky of the clear fall day alluded to in the inscription, which dates the screen to late autumn 1816.

Hōitsu was born into a wealthy, influential samurai family and had all the advantages of the finest education, including the opportunity to study many of the painting styles available to artists in Edo Japan. He became a monk in 1797 and adopted the priestly name Monsen Kishin, which appears in the seal and signature on this screen.
Signature: Hōitsu Kishin; seal: Monsen
[ Mathias Komor , New York, until 1957; sold to MMA]
New York. Asia House Gallery. "Byōbu: Japanese Screens from New York Collections," January 14, 1971–March 14, 1971.

Tokyo National Museum. "Rimpa: Outstanding Works of the Korin School," October 10, 1972–December 3, 1972.

Fukuoka Art Museum. "Nihon no bi : Rimpa: Sōtatsi, Kōrin, Hoitsu kara gendai made," October 7, 1989–November 5, 1989.

New York. The Metropolitan Museum of Art. "Seasonal Pleasures in Japanese Art (Part One)," October 12, 1995–April 28, 1996.

New York. The Metropolitan Museum of Art. "Blossoms of Many Colors: A Selection from the Permanent Collection of Japanese Art," March 21, 2000–August 9, 2000.

New York. The Metropolitan Museum of Art. "Birds, Flowers, and Buddhist Paradise Imagery in Japanese Art," February 14, 2004–June 13, 2004.

New York. The Metropolitan Museum of Art. "A Sensitivity to the Seasons: Autumn and Winter," June 22, 2006–September 10, 2006.

Tokyo National Museum. "Celebrating the 350th Anniversary of Ogata Korin's Birth, Treasures by Rinpa Masters: Inheritance and Innovation," October 7, 2008–November 16, 2008.

New York. The Metropolitan Museum of Art. "A Sensitivity to the Seasons: Summer and Autumn in Japanese Art," June 24, 2011–October 23, 2011.

New York. The Metropolitan Museum of Art. "Designing Nature: The Rinpa Aesthetic in Japanese Art," May 26, 2012–January 13, 2013.

New York. Japan Society Gallery. "Silver Winds: the Art of Sakai Hoitsu (1761–1828) and His Circle," September 28, 2012–January 6, 2013.

Related Objects

One-hundred Paintings of Kōrin (Kōrin hyakuzu)

Artist: Sakai Hōitsu (Japanese, 1761–1828) Date: sequel edition, vol. 2, 1826 Medium: Four volumes of woodblock-printed books; ink on paper Accession: L.2012.5.1a–d On view in:Not on view

Picture Album by Ōson (Hōitsu) (Ōson fuga)

Artist: Sakai Hōitsu (Japanese, 1761–1828) Date: 1817 Medium: Woodblock printed book; ink and color on paper Accession: 2013.699 On view in:Not on view

Ōson (Hōitsu) Picture Album (Ōson gafu)

Artist: Sakai Hōitsu (Japanese, 1761–1828) Date: 1817 Medium: Woodblock printed book; ink and color on paper Accession: 2013.700 On view in:Not on view

Peony Sheltered by Rice Straw

Artist: Attributed to Sakai Hōitsu (Japanese, 1761–1828) Medium: Hanging scroll; ink and color on silk Accession: 36.100.24 On view in:Not on view

Flowering Plum

Artist: Attributed to Sakai Hōitsu (Japanese, 1761–1828) Medium: Hanging scroll; ink and color on paper Accession: 36.100.25 On view in:Not on view