Writing Box (Suzuribako) with Woodcutter
In the style of Hon'ami Kōetsu (Japanese, 1558–1637)
Edo period (1615–1868)
18th or early 19th century
Gold maki-e on black lacquer with mother-of-pearl inlay
H. 3 3/4 in. (9.5 cm); W. 9 in. (22.9 cm); L. 9 3/8 in. (23.8 cm)
H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929
Not on view
Both the image of a rustic figure carrying a load of kindling and the rounded box lid on which it appears are based on a lacquer writing box attributed to the noted calligrapher and potter Hon’ami Kōetsu (1558–1637). Kōetsu is recognized as one of the founders of the Rinpa movement, which drew inspiration from traditional Japanese literature. The motif of the woodcutter was often repeated in lacquers and may allude to chapter 48 of The Tale of Genji (Genji monogatari), in which a former teacher sends shoots of bracken fern (warabi) to Nakanokimi, the bride of Genji’s grandson Niou; to a Noh play referring to a poet of ancient times who meets a woodcutter in the mountains; or, perhaps, to both.
Whatever the precise inspiration, the Kōetsu design was copied by lacquer artists in subsequent centuries and became one of the most popular Rinpa design motifs for lacquer writing boxes and inrō. The Metropolitan Museum has no fewer than four lacquer writing boxes with the same design, demonstrating how motifs were transmitted from generation to generation by direct copying and by the study of woodblock-printed drawing manuals of Rinpa motifs.
Mrs. H. O. (Louisine W.) Havemeyer , New York (until d. 1929; bequeathed to MMA)
New York. Japan House Gallery. "Rimpa, Masterworks of the Japanese Decorative School," September 13, 1971–November 14, 1971.
New York. The Metropolitan Museum of Art. "Courtly Romance in Japanese Art," May 12, 1989–July 12, 1989.
New York. The Metropolitan Museum of Art. "Blossoms of Many Colors: A Selection from the Permanent Collection of Japanese Art," March 21, 2000–August 9, 2000.
New York. The Metropolitan Museum of Art. "Arts of Japan," August 19, 2000–February 5, 2001.
The Metropolitan Museum of Art. "Mother-of-Pearl: A Tradition in Asian Lacquer," December 2, 2006–April 1, 2007.
New York. The Metropolitan Museum of Art. "Designing Nature: The Rinpa Aesthetic in Japanese Art," May 26, 2012–January 13, 2013.
Artist: Hon'ami Kōetsu (Japanese, 1558–1637)Date: 17th centuryMedium: Square with sunken panels on all sides and bottom; four moulded feet; light brown clay; yellow glaze; decoration of flowers, grasses and butterflies in green and dark blue; perforated iron cover (Kyoto ware)Accession: 36.120.643a, bOn view in:Not on view
Artist: Attributed to Hon'ami Kōetsu (Japanese, 1558–1637)Date: ca. 1600Medium: Cclay, pitted, covered with glaze having patches; vertical incisions near lip, under glaze (Raku ware)Accession: 36.120.492a–cOn view in:Not on view