Overall: 21 5/8 x 1 15/16 x 3/8 in. (55 x 4.9 x 0.9 cm) chain: 21 5/8 in. (55 cm) hexagonal shaped beads: 1 7/16 x 3/8 in. (3.6 x 0.9 cm) medallions: 1 15/16 x 1 1/2 x 1/4 in. (4.9 x 3.8 x 0.7 cm) petal shaped pendants: 1 7/8 x 1 x 1/4 in. (4.7 x 2.6 x 0.7 cm)
The intricately worked pendants are separated by hexagonal spacers.
Opus interrasile was a technique used by goldsmiths to make elegant jewelry from the 200s through the 600s. Designs were traced onto sheets of gold; the background was punched with holes of various sizes to highlight the pattern; and fine details were then worked on the surface. The patterns formed by piercing the metal ground encouraged the play of light and shadow across an object's surface.
[ Amedeo Canessa, Paris (sold 1911)]; J. Pierpont Morgan (American), London and New York (1911–1913); Estate of J. Pierpont Morgan, New York (1913–1917)
Los Angeles. Los Angeles County Museum of Art. "Gifts of the Sultan: The Arts of Giving at the Islamic Courts," June 5, 2011–September 5, 2011.
Houston. Museum of Fine Arts, Houston. "Gifts of the Sultan: The Arts of Giving at the Islamic Courts," October 23, 2011–January 15, 2012.
Brown, Katharine R., Dafydd Kidd, and Charles T. Little, ed. From Attila to Charlemagne: Arts of the Early Medieval Period in the Metropolitan Museum of Art. New York and New Haven: The Metropolitan Museum of Art, 2000. p. 123, 341, fig. 11.6.
Cutler, Anthony. "The Enduring Present: Gifts in Medieval Islam and Byzantium." In Gifts of the Sultan: The Arts of Giving at the Islamic Courts, edited by Linda Komaroff. Los Angeles; New Haven and London: Los Angeles County Museum of Art, 2011. no. 238, p. 78-79, fig. 70.
Komaroff, Linda. Gifts of the Sultan: The Arts of Giving at the Islamic Courts, edited by Linda Komaroff. Los Angeles; New Haven and London: Los Angeles County Museum of Art, 2011. no. 238, p. 285.
Evans, Helen C., and Brandie Ratliff, ed. Byzantium and Islam: Age of Transition, 7th–9th century. New York: The Metropolitan Museum of Art, 2012. no. 130, p. 190.
Artist: Date: late 19th–early 20th century Accession Number: 2012.206.8 Date: late 19th–early 20th centuryMedium: Silver, fire-gilded and engraved/punched with stamped, beaded and applique decoration and table cut carnelians and slightly domed carbelians with silver link chains, bells/beads and embossed pendantsAccession: 2012.206.8On view in:Not on view
Artist: Date: first half of the 7th century Accession Number: 17.191.21a, b Date: first half of the 7th centuryMedium: Gold sheet, beaded wire; granulation, clear glass inlaid with red glazing on the underside; gold sheet attached to a copper alloy back with silver rivets; no spring/pin or attachment posts extant.Accession: 17.191.21a, bOn view in:Not on view
Artist: Date: first quarter 17th century Accession Number: 1982.60.387 Date: first quarter 17th centuryMedium: Rock crystal and enameled gold set with a ruby and with pendant pearlsAccession: 1982.60.387On view in:Gallery 540