Overall: 4 15/16 x 4 x 3 3/8 in. (12.5 x 10.2 x 8.6 cm)
Rogers Fund, 1967
The medallions wrapping around the neck of this jug, which was probably used to store liquids, are decorated with images of mounted riders. Such images were associated with the Holy Rider, who warded away evil, as well as with hunters who were identified with abundance and prosperity.
Stavros Ioannides, Thessaloniki (date unknown); [ Hesperia Art, Philadelphia (sold date unknown)]; [ Royal-Athena Galleries, New York (sold 1967)]
New York. The Metropolitan Museum of Art. "Patterns of Collecting," December 6, 1975–March 23, 1976.
Knoxville, TN. Frank H. McClung Museum, University of Tennessee. "Sacred Beauty: A Millennium of Religious Art, 600–1600," September 7, 2007–January 6, 2008.
The Metropolitan Museum of Art. Notable Acquisitions (Metropolitan Museum of Art) no. 1965/1975 (1975). p. 160.
Neff, Amy. "Christianity." In Sacred Beauty: A Millennium of Religious Art, 600–1600. Occasional Paper, Vol. 19. Knoxville: Frank H. McClung Museum, University of Tennessee, 2007. ill. p. 12.
Neff, Amy. "Christianity." In Sacred Beauty: A Millennium of Religious Art, 600-1600. Knoxville: Frank H. McClung Museum, University of Tennessee, 2007. pp. 12-15.
Evans, Helen C., and Brandie Ratliff, ed. Byzantium and Islam: Age of Transition, 7th–9th century. New York: The Metropolitan Museum of Art, 2012. no. 57, p. 90.