Richly patterned like the stone carvings at the Umayyad palace at Mshatta, these doors are said to have been found near the Abbasid capital Baghdad in Iraq. With their distinctive mixture of naturalism, abstraction, and geometry, they epitomize the transitional style characteristic of the late Umayyad and early Abbasid periods. Taste for surface pattern and stylization spread widely at this time, appearing in monuments throughout the Islamic empire from Central Asia to North Africa, including the lost southern provinces of the Byzantine Empire.
New York. The Metropolitan Museum of Art. "Byzantium and Islam: Age of Transition (7th–9th Century)," March 12, 2012–July 8, 2012.