Exhibitions/ Art Object
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粟に鶉図
Quail and Millet

Artist:
Kiyohara Yukinobu (Japanese, 1643–1682)
Period:
Edo period (1615–1868)
Date:
late 17th century
Culture:
Japan
Medium:
Hanging scroll; ink and color on silk
Dimensions:
46 5/8 x 18 3/4 in. (118.4 x 47.6 cm)
Classification:
Paintings
Credit Line:
The Howard Mansfield Collection, Purchase, Rogers Fund, 1936
Accession Number:
36.100.45
Not on view
Tranquility pervades this delicate rendition of a traditional subject. Yukinobu, one of the few known female painters of the Edo period, was the daughter of Kusumi Morikage (ca. 1620–1690), a distinguished painter. Like her father, she reworked conventional themes from Muromachi ink painting in a personal manner. Here, the asymmetrical composition and realism recall twelfth-century Chinese academic prototypes of the subject, but Yukinobu’s treatment is distinctive for its delicate hint of domestic harmony in the disposition of the quail and the gently swaying stalks of grain.
Signature: Kiyohara uji jo Yukinobu hitsu; Seals: 1) Kiyohara jo 2) Yukinobu
Howard Mansfield , New York (until 1936; sold to MMA)
New York. The Metropolitan Museum of Art. "Art in Early Japan," 1999–2000.

New York. The Metropolitan Museum of Art. "The Mighty Kano School: Orthodoxy and Iconoclasm," December 18, 2004–June 5, 2005.

New York. The Metropolitan Museum of Art. "A Sensitivity to the Seasons: Autumn and Winter," June 22, 2006–September 10, 2006.

New York. The Metropolitan Museum of Art. "A Sensitivity to the Seasons: Summer and Autumn in Japanese Art," June 24, 2011–October 23, 2011.

New York. The Metropolitan Museum of Art. "Birds in the Art of Japan," February 2, 2013–July 28, 2013.

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