Japanese White-eyes with Plum Tree and Willow, from Spring Rain Surimono Album (Harusame surimono-jō, vol. 3)
Kubo Shunman (Japanese, 1757–1820) (?)
Edo period (1615–1868)
Privately published polychrome woodblock prints (surimono) mounted in an album; ink and color on paper
8 1/4 x 7 5/16 in. (21 x 18.6 cm)
H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929
Not on view
Surimono are privately published woodblock prints, usually commissioned by poets or poetry groups as a form of New Year’s greeting card. The poems, most commonly kyōka (witty thirty-one syllable verse), inscribed on the prints usually include felicitous imagery connected with spring, which in the lunar calendar begins on the first day of the first month. Themes of surimono are often erudite, frequently alluding to Japanese literary classics in both texts and images.
This album belongs to a set of three compiled by Hayashi Tadamasa, the great Parisian dealer of Japanese art. Hayashi arranged the more than four hundred prints in the set on facing leaves according to themes, or in a way that created an attractive arrangement of designs, complementary in both color and shape. The pigments, printing techniques, and paper used for surimono often were of the highest quality, and represent the epitome of late Edo-period woodblock printing.
Signature: Seal (hand-stamped): Shunman
Mrs. H. O. (Louisine W.) Havemeyer , New York (until d. 1929; bequeathed to MMA).
Takaoka Art Museum. "Viewpoint of Tadamasa Hayashi: A Bridge between East and West," September 28, 1996–October 27, 1996.
Fukuyama Museum of Art. "Viewpoint of Tadamasa Hayashi: A Bridge between East and West," November 2, 1996–December 1, 1996.
Museum of Modern Art, Ibaraki. "Viewpoint of Tadamasa Hayashi: A Bridge between East and West," December 7, 1996–January 26, 1997.
New York. The Metropolitan Museum of Art. "Birds in the Art of Japan," February 2, 2013–July 28, 2013.