Standing Vishnu as Keshava

Dasoja of Balligrama
Hoysala period
first quarter of the 12th century
India (Karnataka, probably Belur)
H. 56 1/2 in. (143.5 cm); W. 28 in. (71.1 cm)
Credit Line:
Rogers Fund, 1918
Accession Number:
On view at The Met Fifth Avenue in Gallery 240
A Hindu text favored by the Hoysalas cites twenty-four names for Vishnu, beginning with Keshava. Each name is associated with a form, and all of the forms have four arms and hold the same attributes: a shankha (conch battle trumpet), a gada (mace), a chakra (war discus), and a padma (lotus). It is the order in which the attributes are held in the god's four hands that varies and that signifies the various names of the god. Here, Keshava is flanked by two of his consorts, Shridevi and Bhudevi. Surrounding his head are Vishnu's ten avatars (earthly appearances), five in the form of animals (seen at the left) and five of humans (right).

Hoysala sculptures are unusual in that many are signed by the carvers who created them. The inscription on the base of this image records it as the work of Dasoja of Balligrama, an artist known to us from inscribed images at Belur, where he and his son Chavana worked.
#7963. Standing Vishnu as Keshava
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Inscription: Three-line inscription on base: Sarasvati-Ganadasi Balligrame-ya Ruvari Dasojana Besa Kesava-Murti (Trans: [This is] the work of Sarasvati-Ganadasi [title] Dasoja, sculptor of Balligrame, the image of Kesava.).

Translation by Dr. M. Seshadri, Director of the Mysore Department of Archaeology. See Asian Art Dept. files for letter dated 8/10/59.
[ H. K. Kevorkian , New York, by 1918; sold to MMA]