Lustration of the Infant Jina Mahavira: Folio from a Kalpasutra Manuscript
late 14th century
Opaque watercolor on paper
3 1/2 x 10 15/16 in. (8.9 x 27.8 cm)
Cynthia Hazen Polsky and Leon B. Polsky Fund, 2005
Not on view
This painting typifies the finest achievement of the late fourteenth-century western Indian style. It is a masterful rendering of a popular subject, the bathing of Mahavira at birth. The jina's identity is indicated by the pair of kneeling buffalo, his cognitive symbol. The infant is seated on the lap of the presiding god Shakra (Indra), and two attendant gods (further manifestations of Shakra) hold lustration vessels aloft in anticipation of his first bath (a legend shared with early Buddhism). An innovation of this period is the introduction of fantastic rocks to indicate the celestial Mount Meru—the setting for this divine abhisheka—a mannerism absorbed from Iranian paintings of the period.
[ Prahlad Bubbar , London, until 2005, sold to MMA]
New York. The Metropolitan Museum of Art. "New Acquisitions in Perspective," 2006.
New York. The Metropolitan Museum of Art. "Peaceful Conquerors: Jain Manuscript Painting," September 10, 2009–March 28, 2010.