Exhibitions/ Art Object
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Maharaja Sidh Sen Receiving an Embassy

Artist:
A Master of the Mandi atelier (Indian)
Date:
ca. 1700–10
Culture:
India (Himachal Pradesh, Mandi)
Medium:
Ink and opaque watercolor on paper
Dimensions:
14 9/16 x 10 5/8 in. (37 x 27 cm)
Classification:
Paintings
Credit Line:
Purchase, Florence and Herbert Irving Gift and Rogers Fund, 1995
Accession Number:
1995.39
Not on view
The subdues palette of grays, greens, and whites and the sophisticated drawing of this unusually large and ambitious painting mark it as the work of the most important Mandi painter of the early eighteenth century. The dual-level composition, in which the maharaja and two visiting dignitaries sit on a raised dais covered with a summer carpet while retainers and mounts stand on the ground below, derives from Mughal models. The subject is extremely unusual within the corpus of hill-state painting; the picture probably records an actual meeting, which seems filled with import. In Hindu painting, rulers are routinely portrayed on a larger scale than their courtiers, as befits their royal stature. Here, the two massive figures face each other; the white-robed Sidh Sen and his portly petitioner.
[ John Lawrence Fine Arts Inc. , London, until 1995, sold to MMA]
New York. The Metropolitan Museum of Art. "Ragamala Paintings," 1995.

New York. The Metropolitan Museum of Art. "Indian Court Painting: 16th–19th Century," March 25, 1997–July 6, 1997.

New York. The Metropolitan Museum of Art. "Painting in the Punjab Hills," 1999–2000.

New York. The Metropolitan Museum of Art. "Indian Court Painting," 2000.

New York. The Metropolitan Museum of Art. "Pursuits at the Hindu Courts," 2002–2003.

New York. The Metropolitan Museum of Art. "Paintings in the Punjab Hills," 2003.

New York. The Metropolitan Museum of Art. "Painting in the Punjab Hills," November 20, 2007–March 16, 2008.

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