Exhibitions/ Art Object
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"Hamza's Heroes Fight in Support of Qasim and Badi'uzzaman", Folio from a Hamzanama (The Adventures of Hamza)

Artist:
Attributed to Shravana
Artist:
Attributed to Dasavanta
Artist:
Attributed to Tara (Indian, active mid-16th century)
Object Name:
Folio from an illustrated manuscript
Date:
ca. 1564–69
Geography:
Attributed to India
Medium:
Ink, opaque watercolor, and gold on cloth; mounted on paper
Dimensions:
H. 27 in. (68.6 cm) W. 21 1/4 in. (54 cm)
Classification:
Codices
Credit Line:
Rogers Fund, 1918
Accession Number:
18.44.2
Not on view
The Hamzanama relates the story of Hamza, an uncle of the prophet Mohammad and an ardent defender of Muslim faith. In this folio, two of Hamza’s allies, Qazim and Badiʿuzzaman fight under a pavilion. The scene is overrun with chaos as other groupings of rivals join the brawl. The drama-filled story of the Hamzanama was a favorite of the Mughal emperor Akbar, who commissioned this magnificent manuscript in 1562. Composed of 1400 illustrations and bound into several volumes, the work took nearly one hundred artists fifteen years to complete.
Lockwood de Forest (American, New York 1850–1932 Santa Barbara, California), New York (until 1918; sold to MMA)
Mexico City. Colegio de San Ildefonso. "Arte islamico del Museo Metropolitano de Arte de Nueva York," September 30, 1994–January 8, 1995, not in catalog.

Comstock, Helen. "The Romance of Amir Hamzah." International Studio vol. 80 (1925). p. 352, ill., ill. p. 352 (b/w).

Comstock, Helen, ed. "The Romance of Amir Hamzah." International Studio LXXX (1925). pp. 349-357, ill., pp. 352, 354 (b/w).

Seyller, John, Thackston M. Wheeler, Ebba Koch, Antoinette Owen, and Rainald Franz. The Adventures of Hamza. Washington, D.C.; London: Azimuth Editions, 2002. no. 83, pp. 246-247, 261, ill., (related) p. 311.

Ekhtiar, Maryam, Sheila R. Canby, Navina Haidar, and Priscilla P. Soucek, ed. Masterpieces from the Department of Islamic Art in The Metropolitan Museum of Art. 1st ed. ed. New York: The Metropolitan Museum of Art, 2011. p. 7, ill. fig 9 (b/w).



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