Maharana Amar Singh II Is Shown Two Silver Elephants
Stipple Master (Indian, active ca. 1690–1715)
India (Rajasthan, Mewar)
Ink, opaque watercolor, silver, and gold on paper
18 x 13 in. (45.7 x 33 cm)
Cynthia Hazen Polsky and Leon B. Polsky Fund, 2003
Not on view
The semi-colored drawing technique seen here, a cross between grisalle tonal drawing—known in the Mughal tradition as nim qalam—and watercolor, developed at Udaipur and is associated with a master painter in the service of Amar Singh II and Sangram Singh II in the early eighteenth century. The style of this anonymous artist, called the Stipple Master, remained a singular phenomenon at that court. He devoted himself exclusively to painting portraits of his patrons.
[ Francesca Galloway Ltd. , London, until 2003, sold to MMA]
New York. The Metropolitan Museum of Art. "Painting at Mewar," May 17, 2004–October 5, 2004.
New York. The Metropolitan Museum of Art. "New Acquisitions in Perspective," 2006.
New York. The Metropolitan Museum of Art. "Painting at Mewar," July 10, 2007–November 19, 2007.
Artist: Attributed to the Stipple Master (Indian, active ca. 1690–1715) Date: ca. 1715Medium: Brush drawing in black ink, and opaque watercolor and gold on paper
Accession: TR.211.2018On view in:Not on view