Pennsylvania Light Artillery, Battery B, Petersburg, Virginia
Timothy H. O'Sullivan (American, born Ireland, 1840–1882)
Formerly attributed to Mathew B. Brady (American, born Ireland, 1823?–1896 New York)
Albumen silver print from glass negative
Harris Brisbane Dick Fund, 1933
Not on view
Civil War photographers were most effective at chronicling things that did not move, such as heavy mortars, bridges, tents, and ruins—subjects that cameras had more or less successfully recorded since the medium’s birth twenty years earlier. The essential problem for a war photographer interested in frontline drama was not lack of daring but the long times (two to five seconds depending on the amount of sun) required to properly expose a large-format collodion-on-glass negative typically used in the field. Here, in Petersburg, Virginia, Timothy H. O’Sullivan attempted something extraordinary for the period—an action shot. Whether or not Battery B was truly under fire or just drilling is moot, as the photograph is a welcome exception that offers a lyrical view of the poetics of battlefield artillery.
Loyal Legion, Boston Chapter, Commandery of the State of Massachusetts
New York. The Metropolitan Museum of Art. "Thirty Photographers: A Selection from the Museum's Collection," April 12, 1969–June 1, 1969.
The Metropolitan Museum of Art. "Photographs from the Museum's Collection," December 4, 1984–March 17, 1985.
The Metropolitan Museum of Art. "Photography and the American Civil War," April 2, 2013–September 2, 2013.
Gibbes Museum of Art. "Photography and the American Civil War," September 27, 2013–January 5, 2014.
New Orleans Museum of Art. "Photography and the American Civil War," January 31, 2014–May 4, 2014.