Overall: 7 13/16 × 6 3/16 in., 12.4oz. (19.9 × 15.7 cm, 351g) Diam. of foot: 3 3/16 in. (8.1 cm) Diam. of knop: 1 5/16 in. (3.3 cm) Capacity of cup: 1100 ml
Purchase, Rogers Fund and Henry J. and Drue E. Heinz Foundation, Norbert Schimmel, and Lila Acheson Wallace Gifts, 1986
With a youthful Christ with cruciform halo flanked by a deacon saint with censer (probably Saint Stephen) and a youthful saint with staff, and the Virgin Mary in orant pose flanked by archangels, under arcades
Inscribed in Greek: For his salvation Diodoros of the village of Attaroutha has offered [this].
The Virgin stands with her hands lifted in prayer. The orant pose—hands raised to heaven—is the earliest position for prayer in the Christian church.
Inscription: [in Greek:] For his salvation Diodoros has offered [ this ] to [ the Church of ] Saint Stephen of the village of Attarouthi
From Attarouthi, Syria; [ Elias Bustros, Beirut (by 1940)]; [ Sleiman Abou Taam, Beirut and Switzerland (1965–1986)]
Frazer, Margaret English. "Silver Liturgical Objects from Attarouthi in Syria." In Byzantine Studies Conference Abstracts of Papers. Vol. 14. Madison, Wisconsin: Byzantine Studies Conference, 1988. pp. 13-14.
The Metropolitan Museum of Art. "One Hundred Twentieth Annual Report of the Trustees for the Fiscal Year July 1, 1989, through June 30, 1990." Annual Report of the Trustees of the Metropolitan Museum of Art 120 (1990). p. 28.
Pushkin Museum and State Hermitage Museum. Dekorativno-Prikladnoe Iskusstvo ot Pozdnei Antichnosti do Pozdnei Gotiki: Kratkii Katalog Vystavki. Moscow: Pushkin Museum, 1990. no. 9, p. 10.
State Hermitage Museum. Dekorativno-Prikladnoe Iskusstvo ot Pozdnei Antichnosti do Pozdnei Gotiki. St. Petersburg: State Hermitage Museum, 1990. no. 9, pp. 26-27.
Maguire, Henry P. The Icons of their Bodies: Saints and Their Images in Byzantium. Princeton: Princeton University Press, 1996. p. 105.
Wixom, William D., ed. Mirror of the Medieval World. New York: The Metropolitan Museum of Art, 1999. no. 46, pp. 37–38.
Dandridge, Pete. "A Study of the Gilding of Silver in Byzantium." In Gilded Metals: History, Technology and Conservation. London: Archetype Publications, 2000. pp. 125-139, fig. 7.1.
Eisenberg, Jerome M. "The New Byzantine Galleries at the Metropolitan Museum of Art." Minerva 12, no. 3 (2001). pp. 26-27, fig. 13.
Evans, Helen C., Melanie Holcomb, and Robert Hallman. "The Arts of Byzantium." The Metropolitan Museum of Art Bulletin, n.s., 58, no. 4 (Spring 2001). pp. 38, 50, 60.
Elbern, Victor. "Zehn Kelche und eine Taube : Bemerkungen zum liturgischen Schatzfund von Attarouhti [ Attarouthi ]." Oriens Christianus 88 (2004). pp. 233-253, fig. 1.
Dandridge, Pete. "The Exhibition of Unlacquered Silver at the Metropolitan Museum of Art." Journal of the American Institute for Conservation 44 (2005). pp. 178-179.
Barnet, Peter. "Medieval Europe." In Philippe de Montebello and The Metropolitan Museum of Art: 1977–2008, edited by James R. Houghton. New York: The Metropolitan Museum of Art, 2009. p. 25.
Piguet-Panayotova, Dora. "The Attarouthi Chalices." Mitteilungen zur spätantiken Archäologie und byzantinischen Kunstgeschichte 6 (2009). pp. 9-76, fig. 1, 4.1-4.6.
Hunter-Crawley, Heather. "The Cross of Light: Experiencing Divine Presence in Byzantine Syria." In Experiencing Byzantium: Papers from the 44th Spring Symposium of Byzantine Studies, Newcastle and Durham, April 2011, edited by Claire Nesbitt, and Mark Jackson. Farnham, Surrey: Ashgate, 2011. p. 178.
Scott, David A. Ancient Metals: Microstructure and Metallurgy. Vol. 1. Los Angeles: Conservation Science Press, 2011. p. 41.
Evans, Helen C., and Brandie Ratliff, ed. Byzantium and Islam: Age of Transition, 7th–9th century. New York: The Metropolitan Museum of Art, 2012. no. 22D, pp. 9, 42-43.