The dove, with wings spread and feet tucked up as if in flight, represents the Holy Spirit that appeared over the head of Christ as he was baptized by Saint John the Forerunner (John 1:32). Early authors mention the presence of doves over altars in churches from Constantinople to Tours in France. This is the earliest known example of the type. Originally a small cross hung from the loop in its beak.
Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
API
Public domain data for this object can also be accessed using the Met's Open Access API.
This artwork is meant to be viewed from right to left. Scroll left to view more.
Artwork Details
Use your arrow keys to navigate the tabs below, and your tab key to choose an item
Title:The Attarouthi Treasure - Silver Dove
Date:500–650
Geography:Made in Attarouthi, Syria
Culture:Byzantine
Medium:Silver
Dimensions:Overall (with wings): 3 5/8 x 6 1/4 x 2 11/16 in. (9.2 x 15.8 x 6.8 cm) Overall (Body only): 2 7/16 x 2 7/16 x 6 1/4 in. (6.2 x 6.2 x 15.8 cm)
Classification:Metalwork-Silver
Credit Line:Purchase, Rogers Fund and Henry J. and Drue E. Heinz Foundation, Norbert Schimmel, and Lila Acheson Wallace Gifts, 1986
Accession Number:1986.3.15
Church in Attarouthi, Syria; [ Elias Bustros, Beirut (by 1940)]; [ Sleiman Abou Taam, Beirut and Switzerland (1965–1986)]
New York. The Metropolitan Museum of Art. "Mirror of the Medieval World," March 9–June 1, 1999.
New York. The Metropolitan Museum of Art. "Byzantium and Islam: Age of Transition," March 14–July 8, 2012.
Frazer, Margaret English. "Oreficerie altomedievali." In Monza: il Duomo e i suoi tesori, edited by Roberto Conti. Milan: Electa, 1988. pp. 19–22.
Frazer, Margaret English. "Silver Liturgical Objects from Attarouthi in Syria." In Byzantine Studies Conference Abstracts of Papers. Vol. 14. Madison, Wisconsin: Byzantine Studies Conference, 1988. pp. 13–14.
Metropolitan Museum of Art. "One Hundred Twentieth Annual Report of the Trustees for the Fiscal Year July 1, 1989, through June 30, 1990." Annual Report of the Trustees of the Metropolitan Museum of Art 120 (1990). p. 28.
Howard, Kathleen, ed. The Metropolitan Museum of Art Guide. 2nd ed. New York: The Metropolitan Museum of Art, 1994. no. 12, p. 376.
Maguire, Henry P. The Icons of their Bodies: Saints and Their Images in Byzantium. Princeton: Princeton University Press, 1996. p. 105.
Wixom, William D., ed. Mirror of the Medieval World. New York: The Metropolitan Museum of Art, 1999. no. 46, pp. 37–38.
Dandridge, Pete. "A Study of the Gilding of Silver in Byzantium." In Gilded Metals: History, Technology and Conservation. London: Archetype Publications, 2000. pp. 125–139, fig. 7.1.
Eisenberg, Jerome M. "The New Byzantine Galleries at the Metropolitan Museum of Art." Minerva 12, no. 3 (2001). pp. 26–27, fig. 13.
Evans, Helen C., Melanie Holcomb, and Robert Hallman. "The Arts of Byzantium." The Metropolitan Museum of Art Bulletin, n.s., 58, no. 4 (Spring 2001). pp. 38, 50, 60.
Elbern, Victor. "Zehn Kelche und eine Taube : Bemerkungen zum liturgischen Schatzfund von Attarouhti [ Attarouthi ]." Oriens Christianus 88 (2004). pp. 233–253, fig. 1, 8–9.
Dandridge, Pete. "The Exhibition of Unlacquered Silver at the Metropolitan Museum of Art." Journal of the American Institute for Conservation 44 (2005). pp. 178–179.
Bouras, Laskarina, and Maria G. Parani. Lighting in Early Byzantium. Washington, D.C.: Dumbarton Oaks Research Library and Collection, 2008. pp. 17–18.
Elbern, Victor. "Zehn Kelche und eine Taube. Bemerkungen zum liturgischen Schatzfund von Attarouhti." In Fructus operis III : ausgewählte kunsthistorische Schriften aus den Jahren 1961-2007, edited by Michael Brandt. Regensburg: Schnell & Steiner, 2008. pp. 391–2, figs. 8, 9.
Barnet, Peter. "Medieval Europe." In Philippe de Montebello and The Metropolitan Museum of Art: 1977–2008, edited by James R. Houghton. New York: The Metropolitan Museum of Art, 2009. p. 25.
Piguet-Panayotova, Dora. "The Attarouthi Chalices." Mitteilungen zur spätantiken Archäologie und byzantinischen Kunstgeschichte 6 (2009). pp. 9–76, fig. 1.
Scott, David A. Ancient Metals: Microstructure and Metallurgy. Vol. 1. Los Angeles: Conservation Science Press, 2011. p. 41.
Evans, Helen C., and Brandie Ratliff, ed. Byzantium and Islam: Age of Transition, 7th–9th century. New York: The Metropolitan Museum of Art, 2012. no. 22n, pp. 4, 8–9, 41–44.
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
The Museum's collection of medieval and Byzantine art is among the most comprehensive in the world, encompassing the art of the Mediterranean and Europe from the fall of Rome to the beginning of the Renaissance.
