In 628–29 the Byzantine emperor Herakleios (r. 610–41) successfully ended a long, costly war with Persia and regained Jerusalem, Egypt, and other Byzantine territory. Silver stamps dating to 613–29/30 on the reverse of these masterpieces place their manufacture in Herakleios’s reign. The biblical figures on the plates wear the costume of the early Byzantine court, suggesting to the viewer that, like Saul and David, the Byzantine emperor was a ruler chosen by God. Elaborate dishes used for display at banquets were common in the late Roman and early Byzantine world; generally decorated with classical themes, these objects conveyed wealth, social status, and learning. This set of silver plates may be the earliest surviving example of the use of biblical scenes for such displays. Their intended arrangement may have closely followed the biblical order of the events, and their display may have conformed to the shape of a Christogram, or monogram for the name of Christ.
While the theme of the set of plates is clear, the subject of each individual plate is sometimes difficult to determine. The scene here has been identified as showing David’s eldest brother, Eliab, accusing David of neglecting his duty as a shepherd to watch the battle with Goliath (1 Samuel 17:28–30). It may also portray Goliath’s challenge to David (1 Samuel 17:41–45) or David’s meeting with the Egyptian soldier (1 Samuel 30:11–15).
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Artwork Details
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Title:Plate with David's Confrontation with Eliab
Date:629–630
Geography:Made in Constantinople
Culture:Byzantine
Medium:Silver
Dimensions:Overall: 5 1/2 x 7/8 in., 13.4oz. (14 x 2.3 cm, 380g) foot: 2 1/2 x 5/16 in. (6.4 x 0.8 cm)
Classification:Metalwork-Silver
Credit Line:Gift of J. Pierpont Morgan, 1917
Accession Number:17.190.395
Cyprus Treasure, found at Karavas, Cyprus, 1902; [ C. & E. Canessa, Paris (sold 1906)]; J. Pierpont Morgan (American), London and New York (1906–1913); Estate of J. Pierpont Morgan(1913–1917)
British Museum. "Wealth of the Roman world: Gold and silver, AD 300-700," April 1–September 30, 1977.
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McMullen Museum of Art, Boston College. "Memory and The Middle Ages," February 17–May 21, 1995.
New York. The Metropolitan Museum of Art. "Byzantium and Islam: Age of Transition," March 14–July 8, 2012.
Weitzmann, Kurt. "Byzantine Art and Scholarship in America." American Journal of Archaeology, 2nd series, 51, no. 4 (1947). pp. 397, 404.
Rorimer, James J. "The Authenticity of the Chalice of Antioch." In Studies in Art and Literature for Belle da Costa Greene, edited by Dorothy Miner. Princeton, N.J.: Princeton University Press, 1954. pp. 162–63, 164.
Rorimer, James J., and William Holmes Forsyth. "The Medieval Galleries." The Metropolitan Museum of Art Bulletin, n.s., 12, no. 6 (February 1954). p. 122.
Ross, Marvin C. Catalogue of the Byzantine and Early Mediaeval Antiquities in the Dumbarton Oaks Collection. Volume 1: Metalwork, Ceramics, Glass, Glyptics, Painting. Vol. 1. Washington, D.C.: Dumbarton Oaks Research Library and Collection, 1962. p. 22.
Hoving, Thomas. "Director's Choice." The Metropolitan Museum of Art Bulletin, n.s., 28, no. 5 (January 1970). pp. 24–25.
Metropolitan Museum of Art. Masterpieces of Fifty Centuries. New York: Dutton Publishing, 1970. no. 113, p. 149.
Beeson, Nora B., ed. Guide to The Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 1972. no. 15, p. 212.
Wander, Steven H. "The Cyprus Plates: The Story of David and Goliath." Metropolitan Museum Journal 8 (1973). pp. 89–104, fig. 3, 10.
Alexander, Suzanne Spain. "Heraclius, Byzantine Imperial Ideology, and the David Plates." Speculum 52, no. 2 (April 1977). pp. 217–37.
Weitzmann, Kurt, ed. Age of Spirituality: Late Antique and Early Christian Art, Third to Seventh Century. New York: The Metropolitan Museum of Art, 1979. no. 425, pp. 475–83.
Dresken-Weiland, Jutta. Reliefierte Tischplatten aus theodosianischer Zeit. Vatican City: Pontificia Accademia Romana di Archeologia, 1991. pp. 136–37.
Durand, Jannic, ed. Byzance: L'Art Byzantin dans les Collections Publiques Françaises. Paris: Musée du Louvre, 1992. p. 120.
Netzer, Nancy, and Virginia Reinburg, ed. Memory and the Middle Ages. Chestnut Hill, Mass.: Boston College Museum of Art, 1995. no. 7, p. 102.
Netzer, Nancy. "Modes of Remembering the Classical Past." In Memory and the Middle Ages, edited by Nancy Netzer, and Virginia Reinburg. Chestnut Hill, Mass.: Boston College Museum of Art, 1995. no. 7, pp. 10–12.
Norris, Michael. A Masterwork of Byzantine Art : The David Plates ; The Story of David and Goliath. Closer look. New York: The Metropolitan Museum of Art, 2001. p. 10.
Evans, Helen C., and Brandie Ratliff, ed. Byzantium and Islam: Age of Transition, 7th–9th century. New York: The Metropolitan Museum of Art, 2012. no. 6b, pp. 9, 16–18, 41, 59, 133.
Spier, Jeffrey. Byzantium and the West: Jewelry in the First Millenium. Paris, Chicago and New York: Les Enluminures, 2012. p. 30.
Wander, Steven H. The Joshua Roll. Wiesbaden: Reichert Verlag, 2012. pp. 134–36, 140, fig. 29.
Humphrey, Lyle. "Collecting Christianity on the Nile: J. Pierpont Morgan and The Metropolitan Museum of Art." In Age of Transition: Byzantine Culture in the Islamic World, edited by Helen C. Evans. New York: Yale University Press, 2015. p. 3, fig. 2.
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