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Coronation of the Virgin, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera on wood, gold ground
Coronation of the Virgin
Giovanni di Paolo (Giovanni di Paolo di Grazia)
ca. 1455
The Assumption of the Virgin, Bernardo Daddi (possibly with workshop assistance) Italian, Tempera on wood, gold ground
The Assumption of the Virgin
Bernardo Daddi
1337–38
The Nativity, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera and gold on wood
The Nativity
Lorenzo Monaco (Piero di Giovanni)
ca. 1406–10
The Annunciation, Botticelli (Alessandro di Mariano Filipepi) Italian, Tempera and gold on wood
The Annunciation
Botticelli (Alessandro di Mariano Filipepi)
ca. 1490
The Feast of Herod and the Beheading of the Baptist, Giovanni Baronzio Italian, Tempera on wood, gold ground, and silver
The Feast of Herod and the Beheading of the Baptist
Giovanni Baronzio
ca. 1330–35
Saints Bartholomew and Simon, Master of Saint Francis Italian, Tempera on wood, gold ground
Saints Bartholomew and Simon
Master of Saint Francis
ca. 1272
Archangel Gabriel; The Virgin Annunciate, Gerard David Netherlandish, Oil on oak panel
Archangel Gabriel; The Virgin Annunciate
Gerard David
ca. 1510
Margaret of Austria, Jean Hey (called Master of Moulins) Netherlandish, Oil on oak panel
Margaret of Austria
Jean Hey (called Master of Moulins)
ca. 1490
Trees and Houses Near the Jas de Bouffan, Paul Cézanne French, Oil on canvas
Trees and Houses Near the Jas de Bouffan
Paul Cézanne
1885–86
Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie, Jean Auguste Dominique Ingres French, Oil on canvas
Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie
Jean Auguste Dominique Ingres
1851–53
Two Young Girls at the Piano, Auguste Renoir French, Oil on canvas
Two Young Girls at the Piano
Auguste Renoir
1892
Sergeant of the Colonial Regiment, Albert Marquet French, Oil on canvas
Sergeant of the Colonial Regiment
Albert Marquet
1906–7
The Last Supper, Bernard van Orley Netherlandish, Wool, silk, silver-gilt thread.
The Last Supper
Designed by Bernard van Orley
Probably woven by Pieter de Pannemaker
ca. 1525–28
Dish (piatto): Man Washing the Mouth of an Ass, Maiolica (tin-glazed earthenware), Italian, Deruta
Dish (piatto): Man Washing the Mouth of an Ass
Italian, Deruta
ca. 1550–60
Armorial dish: Supper at the House of Simon the Pharisee, Maestro Giorgio Andreoli Italian, Maiolica (tin-glazed earthenware)
Armorial dish: Supper at the House of Simon the Pharisee
workshop of Maestro Giorgio Andreoli
1528
Dish: The Destruction of the Hosts of Pharaoh, Master IC (probably Jean Court) or French, Limoges, Painted enamel on copper, partly gilt.
Dish: The Destruction of the Hosts of Pharaoh
Master IC (probably Jean Court)
Jean Cour (or Court)
probably early 17th century
A Goldsmith in his Shop, Petrus Christus Netherlandish, Oil on oak panel
A Goldsmith in his Shop
Petrus Christus
1449
The Annunciation, Hans Memling Netherlandish, Oil on panel, transferred to canvas
The Annunciation
Hans Memling
1480–89
Christ Carrying the Cross, with the Crucifixion; The Resurrection, with the Pilgrims of Emmaus, Gerard David Netherlandish, Oil on oak panel
Christ Carrying the Cross, with the Crucifixion; The Resurrection, with the Pilgrims of Emmaus
Gerard David
ca. 1510
Erasmus of Rotterdam, Hans Holbein the Younger (and Workshop(?)) German, Oil on linden panel
Erasmus of Rotterdam
Hans Holbein the Younger
ca. 1532
Portrait of Gerard de Lairesse, Rembrandt (Rembrandt van Rijn) Dutch, Oil on canvas
Portrait of Gerard de Lairesse
Rembrandt (Rembrandt van Rijn)
1665–67
Burgomaster Jan van Duren (1613–1687), Gerard ter Borch the Younger Dutch, Oil on canvas
Burgomaster Jan van Duren (1613–1687)
Gerard ter Borch the Younger
ca. 1666–67
Margaretha van Haexbergen (1614–1676), Gerard ter Borch the Younger Dutch, Oil on canvas
Margaretha van Haexbergen (1614–1676)
Gerard ter Borch the Younger
ca. 1666–67
Leisure Time in an Elegant Setting, Pieter de Hooch Dutch, Oil on canvas
Leisure Time in an Elegant Setting
Pieter de Hooch
ca. 1663–65
Christ Carrying the Cross, El Greco (Domenikos Theotokopoulos) Greek, Oil on canvas
Christ Carrying the Cross
El Greco (Domenikos Theotokopoulos)
ca. 1577–87
Saint Jerome as Scholar, El Greco (Domenikos Theotokopoulos) Greek, Oil on canvas
Saint Jerome as Scholar
El Greco (Domenikos Theotokopoulos)
ca. 1610
Condesa de Altamira and Her Daughter, María Agustina, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Condesa de Altamira and Her Daughter, María Agustina
Goya (Francisco de Goya y Lucientes)
1787–88
Diana and Actaeon (Diana Surprised in Her Bath), Camille Corot French, Oil on canvas
Diana and Actaeon (Diana Surprised in Her Bath)
Camille Corot
1836
Madame Roulin and Her Baby, Vincent van Gogh Dutch, Oil on canvas
Madame Roulin and Her Baby
Vincent van Gogh
1888
Madonna and Child, Simone Martini Italian, Tempera on wood, gold ground
Madonna and Child
Simone Martini
ca. 1326
Before Dinner, Pierre Bonnard French, Oil on canvas
Before Dinner
Pierre Bonnard
1924
Nude in Front of a Mantel, Balthus (Balthasar Klossowski) French, Oil on canvas
Nude in Front of a Mantel
Balthus (Balthasar Klossowski)
1955
Bowl with the Arms of Pope Julius II and the Manzoli of Bologna surrounded by putti, cornucopiae, satyrs, dolphins, birds, etc., workshop of Giovanni Maria Vasaro, Maiolica (tin-glazed earthenware), Italian, Castel Durante
Bowl with the Arms of Pope Julius II and the Manzoli of Bologna surrounded by putti, cornucopiae, satyrs, dolphins, birds, etc.
workshop of Giovanni Maria Vasaro
1508
Armorial Plate (tondino): The story of King Midas, Nicola da Urbino Italian, Maiolica (tin-glazed earthenware)
Armorial Plate (tondino): The story of King Midas
Nicola da Urbino
ca. 1520–25
Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French
Armorial tazza
Italian
Possibly French
1499–1514
Goblet, Colorless (yellowish), transparent turquoise blue, and opaque brick red, yellow, and white nonlead glass. Blown, trailed, pincered, "vetro a retorti"., Façon de Venise, probably south Lowlands or Germany
Goblet
Façon de Venise, probably south Lowlands or Germany
17th century
Watch, Jacques Goullons French, Case and dial of enameled gold; hand of steel; movement of brass, partly gilded, and steel
Watch
Jacques Goullons
ca. 1645–48
Aquamanile in the Form of Aristotle and Phyllis, Bronze; Quaternary copper alloy (approx. 72% copper, approx. 17% zinc,<br/>approx. 6% lead, approx. 3% tin)., South Netherlandish
Aquamanile in the Form of Aristotle and Phyllis
South Netherlandish
late 14th or early 15th century
Tabernacle frame, del Tasso workshop, Walnut. Carved, luminolegno., Italian
Tabernacle frame
possibly del Tasso
ca. 1530
Emperor Vespasian Cured by Veronica's Veil, Wool, silk, and gilt-metal-strip-wrapped silk in slit, dovetailed, and double interlocking tapestry weave., Flemish, Brussels
Emperor Vespasian Cured by Veronica's Veil
Flemish, Brussels
ca. 1510
Standing Cup and Cover Supported by an Enchained Turk, Jade (nephrite), aragonite, chalcedony, banded agate, gold, silver gilt, diamonds, rubies, garnets, enamel, and paint., German, perhaps Frankfurt-am-Main
Standing Cup and Cover Supported by an Enchained Turk
German, perhaps Frankfurt-am-Main
ca. 1705–11
Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation., Reinhold Vasters (frame) German, Ebony-veneered soft wood, silver gilt, rock crystal, agate, and reverse painted and gilded glass.
Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation.
Reinhold Vasters
Italian
second half 16th century (panels); ca. 1865–90 (frame)