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Daniel Crommelin Verplanck, John Singleton Copley  American, Oil on canvas, American
John Singleton Copley
1771
Self-portrait, John Singleton Copley  American, Watercolor on ivory, American
John Singleton Copley
1769
Joseph Sherburne, John Singleton Copley  American, Oil on canvas, American
John Singleton Copley
ca. 1767–70
Midshipman Augustus Brine, John Singleton Copley  American, Oil on canvas, American
John Singleton Copley
1782
Mrs. Jerathmael Bowers, John Singleton Copley  American, Oil on canvas, American
John Singleton Copley
ca. 1763
Mrs. John Winthrop, John Singleton Copley  American, Oil on canvas, American
John Singleton Copley
1773
Mrs. Sylvanus Bourne, John Singleton Copley  American, Oil on canvas, American
John Singleton Copley
1766
Samuel Verplanck, John Singleton Copley  American, Oil on canvas, American
John Singleton Copley
1771
Watson and the Shark, John Singleton Copley  American, Oil on canvas, American
John Singleton Copley
ca. 1778
Study for "The Siege of Gibraltar": Figure Reaching; Sprawling Figures; Cheering Group; Dying Sailors, John Singleton Copley  American, Black chalk and white-chalk heightening on light blue laid paper, American
John Singleton Copley
1785–86
Gulian Verplanck, John Singleton Copley  American, Oil on canvas, American
John Singleton Copley
1771
Jeremiah Lee, John Singleton Copley  American, Watercolor on ivory, American
John Singleton Copley
ca. 1769
Ebenezer Storer, John Singleton Copley  American, Pastel on laid paper mounted on canvas, American
John Singleton Copley
ca. 1767–69
Mrs. Ebenezer Storer (Mary Edwards), John Singleton Copley  American, Pastel on laid paper, mounted on canvas, American
John Singleton Copley
1767–69
Mrs. Edward Green (Mary Storer), John Singleton Copley  American, Pastel on laid paper, mounted on canvas, American
John Singleton Copley
1765
The Return of Neptune, John Singleton Copley  American, Oil on canvas, American
John Singleton Copley
ca. 1754
Richard Dana, John Singleton Copley  American, Oil on canvas, American
John Singleton Copley
ca. 1770
Sailors Maneuvering a Cannon, Possibly a Study for "The Death of Sir John More at Corunna", John Singleton Copley  American, Black chalk and white-chalk heightening on blue laid paper, American
John Singleton Copley
ca. 1810
Study for "The Siege of Gibraltar": Three Officers, Two Standing and One Kneeling, John Singleton Copley  American, Black chalk and white-chalk heightening on blue laid paper, American
John Singleton Copley
1785–86
Study for "The Surrender of the Dutch Admiral De Winter to Admiral Duncan, October 11, 1797": Two Studies of a Man with a Sail or Flag, John Singleton Copley  American, Black and red chalk, white-chalk heightening, and graphite on blue laid paper, American
John Singleton Copley
1798
Study for "The Surrender of the Dutch Admiral De Winter to Admiral Duncan, October 11, 1797": Admiral De Winter Raising the Colors, John Singleton Copley  American, Black chalk, white-chalk heightening, and gouche on blue laid paper, American
John Singleton Copley
1798
Two Equestrian Figures, Possibly a Study for "George IV,  Prince of Wales", John Singleton Copley  American, Black chalk and white-chalk heightening on blue wove paper, American
John Singleton Copley
ca. 1803–13
Study for "John Adams", John Singleton Copley  American, Black chalk, white-chalk heightening, and graphite on blue laid paper, American
John Singleton Copley
1783
Study for "The Ascension", John Singleton Copley  American, Ink ("Bistre") washes, pen and ink, black chalk, and graphite on off-white laid paper, watercolor, American
John Singleton Copley
1774
Study for "The Knatchbull Family": Norton Joseph Knatchbull, John Singleton Copley  American, Black chalk, white-chalk heightening, and graphite on dark blue laid paper, American
John Singleton Copley
1800–1802
Study for "The Knatchbull Family": Sir Edward Knatchbull, John Singleton Copley  American, Black chalk, white-chalk heightening, and graphite on dark blue laid paper, American
John Singleton Copley
1800–1802
Study for "The Siege of Gibraltar": Figure Astride Cannon Pulling Down Spanish Colors, John Singleton Copley  American, Black chalk, white-chalk heightening, and graphite on blue laid paper, American
John Singleton Copley
1785–86
Study for "The Siege of Gibraltar": The Wrecked Longboat, John Singleton Copley  American, Pen and brown ink and black chalk on off-white laid paper, American
John Singleton Copley
1785–86
Study for "The Siege of Gibraltar": Figures Astride Spar, John Singleton Copley  American, Black and red chalk and white-chalk heightening on dark blue laid paper, American
John Singleton Copley
1785–86
Study for "The Siege of Gibraltar": Figures Scaling Floating Battery; Cannon, John Singleton Copley  American, Black and red chalk on blue laid paper, American
John Singleton Copley
1785–86
Study for "The Surrender of the Dutch Admiral De Winter to Admiral Duncan, October 11, 1797": Three Figures Raising the Colors, John Singleton Copley  American, Black and red chalk and white-chalk heightening on blue laid paper, American
John Singleton Copley
1798
Study for "The Surrender of the Dutch Admiral De Winter to Admiral Duncan, October 11, 1797": Lord Admiral Duncan, John Singleton Copley  American, Black and red chalk and white-chalk heightening on blue laid paper, American
John Singleton Copley
1798
Study for "Elkanah Watson", John Singleton Copley  American, Black chalk and white-chalk heightening on blue laid paper, American
John Singleton Copley
1782
Study for "The Death of Major Peirson": Group of Dying French Officers, John Singleton Copley  American, Black chalk on light blue laid paper, American
John Singleton Copley
1782–83
Jacob Hurd, William Johnston  American, Oil on canvas, American
William Johnston
Former Attribution Formerly attributed to John Singleton Copley
ca. 1762
Mrs. Jacob Hurd and Child, William Johnston  American, Oil on canvas, American
William Johnston
Former Attribution Formerly attributed to John Singleton Copley
ca. 1762
Study for "The Siege of Gibraltar": Three Figures, John Singleton Copley  American, Black and red chalk on blue laid paper, American
John Singleton Copley
1785–86
Study for "The Death of the Earl of Chatham", John Singleton Copley  American, Black chalk and white-chalk heightening on blue laid paper, American
John Singleton Copley
1779
Study for "The Tribute Money", John Singleton Copley  American, Black chalk and white-chalk heightening on blue laid paper, American
John Singleton Copley
1782
Study for "The Siege of Gibraltar": Sprawling Figures, John Singleton Copley  American, Black chalk on off-white laid paper, American
John Singleton Copley
1785–86
Study for "The Death of Major Peirson": Two Dead Figures, John Singleton Copley  American, Black chalk and white-chalk heightening on light blue laid paper, American
John Singleton Copley
1782–83
Study for "The Siege of Gibraltar": Officer in Four Poses, John Singleton Copley  American, Black chalk on blue laid paper, American
John Singleton Copley
1785–86

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