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"American Drawings, Watercolors, and Prints": The Metropolitan Museum of Art Bulletin, v. 37, no. 4 (Spring, 1980)

THE METROPOLITAN MUSEUM OF ART BULLETIN | VOLUME 37 | NUMBER 4

"American Drawings, Watercolors, and Prints"

Foster, Kathleen A.

1980

52 pages

This title is out of print.

Download PDF (32.72 MB)

About the authors

Kathleen Foster

Met Art in Publication

Court Yard, West End Library, Boston, Maurice Brazil Prendergast American, Watercolor, gouache, and charcoal on off-white wove paper, American — Court Yard, West End Library, Boston
Maurice Brazil Prendergast
ca. 1900–1901

Male Ruffed Grouse in the Forest, Gerald Thayer American, Watercolor on paper — Male Ruffed Grouse in the Forest
Gerald Thayer
1907–8

Rotherhithe (Wapping), James McNeill Whistler American, Etching and drypoint, printed in black ink on fine ivory laid Japan; third state of three (Glasgow) — Rotherhithe (Wapping)
James McNeill Whistler
1860

Portrait of the Marquis de Lafayette

Charles Willson Peale

1787

Plums, John William Hill American, born England, Watercolor, graphite, and gouache on off-white Bristol board, American — Plums
John William Hill
1870

The Blessed Hope, and the glorious appearing of the Great God our Saviour, Jesus Christ, opened and applied in several sermons, Increase Mather American, Illustrations: engraving — The Blessed Hope, and the glorious appearing of the Great God our Saviour, Jesus Christ, opened and applied in several sermons
Increase Mather
1701

Cottonus Matheris (Cotton Mather), Peter Pelham American, born England, Mezzotint; second (?) state of three (Russell) — Cottonus Matheris (Cotton Mather)
Peter Pelham
1728

The Boston Massacre, Paul Revere Jr. American, Hand-colored engraving and etching — The Boston Massacre
Paul Revere Jr.
1770

An Exact View of the Late Battle at Charlestown, June 17th, 1775, Bernard Romans American, Etching with hand coloring — An Exact View of the Late Battle at Charlestown, June 17th, 1775
Bernard Romans
ca. 1775

Federal [or City] Hall, New York, the Seat of Congress

Amos Doolittle

1790

Study for "The Siege of Gibraltar": The Wrecked Longboat, John Singleton Copley American, Pen and brown ink and black chalk on off-white laid paper, American — Study for "The Siege of Gibraltar": The Wrecked Longboat
John Singleton Copley
1785–86

ca. 1765

Osage Warrior, Charles Balthazar Julien Févret de Saint-Mémin French, Watercolor and graphite on off-white wove paper, American — Osage Warrior
Charles Balthazar Julien Févret de Saint-Mémin
1805–7

Albert Gallatin, James Sharples British, Pastel on light gray wove paper, American — Albert Gallatin
James Sharples
ca. 1796

Sarah Russell Church (daughter of Edward Church), John Vanderlyn American, Probably Conté crayon on off-white wove paper, American — Sarah Russell Church (daughter of Edward Church)
John Vanderlyn
1799

Eruption of Mount Etna

Edward Savage

1799

Ariadne, Asher Brown Durand American, Engraving; fifth state of eight — Ariadne
Asher Brown Durand
1834

The City of New York, in the State of New York, North America [The Birch View with the White Horse]

Samuel Seymour

January 1, 1803

Fisher & Bird's Marble Yard, 287 Bowery, New York, John Baker American, Engraving — Fisher & Bird's Marble Yard, 287 Bowery, New York
John Baker
ca. 1836

Shop and Warehouse of Duncan Phyfe, 168–172 Fulton Street, New York City, John Rubens Smith American, Watercolor, ink, and gouache on white laid paper, American — Shop and Warehouse of Duncan Phyfe, 168–172 Fulton Street, New York City
John Rubens Smith
1817–20

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