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"Dutch Drawings of the Seventeenth Century in The Metropolitan Museum of Art": The Metropolitan Museum of Art Bulletin, v. 42, no. 4 (Spring, 1985)
THE METROPOLITAN MUSEUM OF ART BULLETIN | VOLUME 42 | NUMBER 4

"Dutch Drawings of the Seventeenth Century in The Metropolitan Museum of Art"

Mules, Helen Bobritzky
1985
56 pages
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Helen Mules

Met Art in Publication

Spring, Drawing for Engraving of the Same Subject, Hendrick Goltzius  Netherlandish, Pen and brown ink, brush and red-brown wash, with traces of oxidized white lights
ca. 1594
Autumn; Study for an Engraving, Hendrick Goltzius  Netherlandish, Pen and brown ink, red-brown wash, over black chalk, heightened with a little white gouache
n.d.
Autumn, from "The Four Seasons", Jan (Pietersz.) Saenredam  Netherlandish, Engraving
n.d.
A Proverb: Wealth and Poverty, Karel van Mander I  Netherlandish, Pen and brown ink, gray wash, heightened with white, on beige paper.
mid-16th–early 17th century
late 16th century
Christ and the Canaanite Women, Abraham Bloemaert  Netherlandish, Pen and brown ink, brown wash, heightening with white, over black chalk, on beige paper; traces of framing line in pen and brown ink
late 16th–mid-17th century
Witches' Sabbath, Jacques de Gheyn II  Netherlandish, Pen and brown ink, brush and brown wash, on brownish paper; framing lines in black chalk
late 16th–early 17th century
Juno Appearing to Sea Gods, Cornelis Cornelisz van Haarlem  Netherlandish, Pen and brown ink, brush and brown wash, heightened with white gouache, over traces of black chalk, on off-white paper prepared with pink watercolor; traces of framing lines in pen and brown ink
late 16th–early 17th century
Self-Portrait, Rembrandt (Rembrandt van Rijn) (reworked by another hand) Dutch, Pen and brown ink, brush and brown and gray ink, brown and gray washes.
1635–40
The Triumphal Entry of Frederik Hendrik of the Orange into The Hague, David Vinckboons  Netherlandish, Pen and brown ink, gray and blue and brownish gray washes over black chalk.
ca. 1629
Nathan Admonishing David, Rembrandt (Rembrandt van Rijn)  Dutch, Pen and brown ink, heightened with white gouache
1650–55
The Entombment, after Mantegna, Rembrandt (Rembrandt van Rijn)  Dutch, Pen and brown ink, brown wash, over preliminary lines in red chalk, heightened with white on Japanese paper
Multiple artists/makers
17th century
Beheading of Anabaptist Martyrs, School of Rembrandt van Rijn, Pen and brown ink with brush and brown and gray wash., Dutch
ca. 1640
Seated Man Wearing a Flat Cap, Rembrandt (Rembrandt van Rijn)  Dutch, Pen and brown ink, brush and brown wash, heightened with white gouache; framing lines in pen and brown ink
1635–40
Man Leading a Camel, Rembrandt (Rembrandt van Rijn)  Dutch, Pen and brown ink, traces of brush and brown wash
1650–69
David's Promise to Bathsheba, Gerbrand van den Eeckhout  Dutch, Pen and brown ink, brown wash, over black and red chalk, with framing line in pen and black ink
1642–43
Isaac Blessing Jacob, Gerbrand van den Eeckhout  Dutch, Oil on canvas
1642
The Young Mother, Nicolaes Maes  Dutch, Pen and brown ink, brush and brown wash, with framing line in pen and brown ink
1655–57
Young Man in Broad-Brimmed Hat, Resting His Chin on His Left Hand, Gerbrand van den Eeckhout  Dutch, Brush and brown wash; framing lines in pen and brown ink
ca. 1655
The Cobbler, Adriaen van Ostade  Dutch, Pen and brown ink, brush and gray wash, over graphite underdrawing. Incised for transfer.
17th century
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